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western marxist aesthetics
相关语句
  西方马克思主义美学
     Glimpse into the Research on Western Marxist Aesthetics in China in the 20~(th) Century
     20世纪中国西方马克思主义美学研究管窥
短句来源
     Both Chinese Marxist aesthetics and Western Marxist aesthetics underwent a leap-over from epistemology to noumenon.
     中国和西方马克思主义美学都经历了从认识论向本体论的跨越。
短句来源
     Wang Jie has been doing a good deal of research on the contemporary aesthetic theory in the West and the Western Marxist aesthetics until he has conducted an all-round researches into the relationship between Marxism and the contemporary aesthetics, then he has turned to the aesthetic fantasy and aesthetic anthropology, so to speak, he has been meticulously building a bridge to the researches into aesthetic theory from theory to practice.
     王杰从研究西方现代美学理论和西方马克思主义美学,到全面研究马克思主义与现代美学的关系,后又转向审美幻象与审美人类学,可以说,他在精心构建一个从理论到实践的美学理论研究的桥梁。
短句来源
     In contrast,Western Marxist aesthetics lays stress on the function of aesthetic criticism and negation,which is actually the ideological function of aesthetics,while neglecting its scien- tific nature.
     西方马克思主义美学则注重美学的批判和否定的功能,实际上即意识形态功能,而忽略它的科学性。
短句来源
     The author holds that the theory of art production put forth by Karl Marx and the Western Marxist Aesthetics should be adopted as a guide to understand the relation between textual theory and translation criticism and its textual theory should serve as the basis for translation criticism.
     作者主张用马克思和西方马克思主义美学所提出的艺术生产理论来看待文本与语言和社会的关系问题,并指出翻译批评学的理论也应建立在这种文本观上。
短句来源
  “western marxist aesthetics”译为未确定词的双语例句
     Aesthetics as Science and Ideology:General Comparison of Chinese Marxist Aesthetics With Western Marxist Aesthetics
     作为科学与意识形态的美学——中西马克思主义美学的一般比较
短句来源
     In the 20 th century,the research on Western Marxist aesthetics in China took on a strengthening situation.
     2 0世纪中国对西方马克思主义美学的研究呈渐趋加强的态势。
短句来源
     Marcuse is an important representative of the western Marxist aesthetics.
     马尔库塞是西方马克思主义美学的重要代表。
短句来源
     Adorno is an important representative of the western Marxist aesthetics.
     阿多尔诺是西方马克思主义美学的重要代表人物。
短句来源
  相似匹配句对
     On the Features of Western Marxist Dialectics
     论西方马克思主义的辩证法特征
短句来源
     Western Marxist Natural Notion
     西方马克思主义的自然概念
短句来源
     Marcuse is an important representative of the western Marxist aesthetics.
     马尔库塞是西方马克思主义美学的重要代表。
短句来源
     Adorno is an important representative of the western Marxist aesthetics.
     阿多尔诺是西方马克思主义美学的重要代表人物。
短句来源
     Western Blotting;
     western Blot; 地高辛标记的EMSA;
短句来源
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In the 20 th century,the research on Western Marxist aesthetics in China took on a strengthening situation.By the end of the century,it became widely spread.This research is of realistic significance to our research on Marxist aesthetics.However,we should start from our own reality,borrowing the positive results from the Western research,so as to create the new area of our Marxist aesthetics.

  2 0世纪中国对西方马克思主义美学的研究呈渐趋加强的态势。到世纪末 ,可以说已蔚成风气。研究当代西方马克思主义美学 ,对我国马克思主义美学研究具有重要的现实意义 ,我们应当从中国的实际出发 ,借鉴西方马克思主义美学的积极成果 ,以创造我们中国的马克思主义美学新境界

Based on a further study of the documents of the CPC 16th Conference, the author takes a look at various dilemmas in which modern culture industries found themselves. In the request on a series of problems about relevant theories and practice and based on traditional Marxist aesthetics of the 19th century and modern western Marxist aesthetics, the author focuses on the four important features in modern culture production, namely, its commodity feature, market circulation feature, a comprehensive...

Based on a further study of the documents of the CPC 16th Conference, the author takes a look at various dilemmas in which modern culture industries found themselves. In the request on a series of problems about relevant theories and practice and based on traditional Marxist aesthetics of the 19th century and modern western Marxist aesthetics, the author focuses on the four important features in modern culture production, namely, its commodity feature, market circulation feature, a comprehensive process feature and the value adding feature.

文章结合十六大文件的深入学习,透视了当代文化产业遭遇的各种现实尴尬,并对一系列相关的理论与实践问题展开了学理性追问,包括当代西方马克思主义美学和19世纪的传统马克思主义美学的相关论述,着重分析了当代文化生产的四个重要特征:即不间断的意识形态再生产的商品化特征,以符号作手段以传媒为载体进行市场流通的特征,个性化与标准化及原创性与复制性的综合过程特征,在多次体验消费中获得价值增值的特征。

Both Chinese Marxist aesthetics and Western Marxist aesthetics underwent a leap-over from epistemology to noumenon.Lukarche considers social existence as Marxist philosophic noumenon and in the light of which,discusses the artistic features of aesthetics.However,he leaves no space for the nature and makes no account for the natural beauty and the perceptual essence of aesthetics.Li Zehou names his noumenon anthropologic noumenon and puts aesthetic and art above human noumenon.But...

Both Chinese Marxist aesthetics and Western Marxist aesthetics underwent a leap-over from epistemology to noumenon.Lukarche considers social existence as Marxist philosophic noumenon and in the light of which,discusses the artistic features of aesthetics.However,he leaves no space for the nature and makes no account for the natural beauty and the perceptual essence of aesthetics.Li Zehou names his noumenon anthropologic noumenon and puts aesthetic and art above human noumenon.But his dual supposition of "too noumenon" and "psychologic noumenon" makes his theory lose its unitarianism and leads to the disintegration of beauty and aesthetics.

中国和西方马克思主义美学都经历了从认识论向本体论的跨越。卢卡奇把社会存在当作马克思主义哲学本体,从这种本体论出发讨论了审美(艺术)特性,但他的本体论没有给自然留下应有的位置,因而没有对自然美,对美的感性本质做出合理的说明。李泽厚把他的本体论叫做人类学本体论,并把审美与艺术置于人类本体之上,但有关"工具本体"与"心理本体"的二元设定,使它失去了内在的统一性,并最终导致了美与美学本身的解体。

 
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