In the meantime, the magical realism literature together with western modernism literature, existentialism literature and post-modernism literature has produced an important and deep impact on the Chinese novels in the later 20th century.
River-novel is an important literature phenomenon in the beginning of the 20th century. It is a natural result of the evolution of 19th century's Realism Literature.
Hu Feng’s art thinking is shown as a structure of “Triunity”: realism literature theory taken creator’s subjective spirit as logic starting point and taken life coherency as mainstay;
In terms of themes, the novel not only reflects the traditional theme of the critical realism literature ? harsh attacks on the Victorian age, but also reflects the existential themes of "freedom" and "choice", that is, in the nineteenth-century England, a society which has no freedom at all, how a woman of inferior social position attains her freedom and pays a high price for her choice.
Later he came to England where he was influenced by western literature especially Digens who presented English critical realism literature, then he began to write novels which concerned about little figure and fate of the poor.
The translation of Tess of the d'Urbervilles by Zhang Guruo is also not randomly. In 1930s, the introduction of western realism literature began to be booming in Chinese translation world.
on the other hand, the officialdom novels as a realism literature are certifications of intellectuals in those conditions, reflect the social reality based on economy, and participate in the modern criticism and construction in the process of China's modernization.
The nature and implications of the results are discussed in light of the depressive realism literature, and suggestions for future research are provided.
This noise-plus-bias argument parallels an earlier critique made of the depressive realism literature.
The style of Tang poetry stemmed from Guofeng as well as the style of the Han and Wei Dynasty.It inherited the fine tradition of realism literature,threw away the dispirited style of writing of the Qi and Liang Dynasty,but used the experience of lyric and description,along with the exquisite artistic style for reference,learned widely the cream of literature from the predecessors with integrating the ideas of the Confucianists, Taoists,Sakyamuni and Chivalrous, and gradually became perfect after...
The style of Tang poetry stemmed from Guofeng as well as the style of the Han and Wei Dynasty.It inherited the fine tradition of realism literature,threw away the dispirited style of writing of the Qi and Liang Dynasty,but used the experience of lyric and description,along with the exquisite artistic style for reference,learned widely the cream of literature from the predecessors with integrating the ideas of the Confucianists, Taoists,Sakyamuni and Chivalrous, and gradually became perfect after more than one hundred years′ practice and theory exploration.The style of Tang poetry originated from the four outstanding poes in the early Tang Dynasty and Chen Zi ang, came into vogue during the flourishing period of Tang,became divided in the mid Tang Dynasty,and declined in the late Tang.The vigour of style of Tang poetry is the perfect unity of solid contents and vigorous and sprightly forms.It expressed the poets′ active spirit of progress and the worried consciousness for the fate of the nation in the flourishing Tang,described the beauty of the mountains and rivers,countryside and pastoral song,as well as the folk customs and amorous feelings.
Literature has had a tendency to civilianization since"new realism"literature.Humane ideals irreversely disappear in the course of the tendency to civilianizations though some people try to keep humane spirits of untimate corcens.There are two reasons:One is mechanism of goods,the other is new-class civilians'needs for literature.We hope that a literature with the characteristics of history and humane reason occurs in the 21st century.