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japanese painting
相关语句
  日本画
     Kyoto and Modern Japanese Painting
     近代日本画与京都
短句来源
     The Characteristics of Japanese Painting
     谈现代日本画的特点
短句来源
     This essay begins with the evolution of Japanese painting from its tradition to modernity; discuss a series of creative innovation taking place in Japanese painting and its modern development in terms of material and forms; analyzes its impact on Chinese present meticulous painting drawing on the basis of current situation and developing environment in china, much emphasis being made on the development trend of modern Chinese's meticulous painting drawing.
     本文从传统日本画向现代日本画的变革谈起,阐述了日本画一系列的创造变革和现代日本画在材料和形式语言方面的发展,结合中国当代工笔画的现状与发展环境,分析了现代日本画对中国当代工笔重彩画的影响。
短句来源
     After the 1960s, traditional techniques still occupied a leading position in Japanese painting.
     6 0年代以后 ,日本画民族传统的技法仍占着主导地位
短句来源
     The major feature of modernization of Japanese fine arts lies in not discarding its tradition rashly, but in developing style of Japanese painting of its own by constantly Absorbing foreign cultures.
     日本美术近代化的最大特点在于传统并没有被轻率地抛弃,而是在不断吸收外来文化的创新中形成了自己的“日本画”风格。
短句来源
  日本绘画
     This paper attempts, through the comparison the Japanese literati painting to the Qing Dynasty's, to reveal deep cultural, strong subjective consciousness, unique brush and ink feelings of literati painting in Qing Dynasty, and the opening attitude of the Japanese literati painting and its whole course such as introduction, integration, shaping, independent, which embodies a success example of " the doctrine of reference " in Japanese painting history.
     本文旨在通过对清代文人画与日本文人画的比较,揭示出清代文人画深厚的文化底蕴、强烈的主观意识和独特的笔墨情怀,同时也论述了日本文化的开放态度及其“文人画”的引入、融合、成型、独立的整个过程,提示出日本绘画史上“拿来主义”的一个成功范例。
短句来源
  “japanese painting”译为未确定词的双语例句
     An Analysis of the Relations between Ancient Japanese Painting and Chinese Culture
     浅析日本古代绘画的发展与中国古代文化
短句来源
     Innovation and Development in Japanese Painting since Meiji Reform
     浅析日本明治维新后的绘画革新与发展
短句来源
     The Development of Japanese Painting and the Ancient Chinese Cu lture
     日本绘画的发展与中国古代文化
短句来源
     This thesis will had tried to study the spot that the Chinese landscape painting influence to the Japanese water and ink painting while the early time of the Japanese painting, and will had reviewed the Chinese culture influence on all countries in the East Asia ,all over world throughout the clue of the inheriting and mastery of the Chan. We clarify that the oriental culture will be face the culture return to return again one high peak during science and technology is flourishing today.
     本文试图通过对南宋时期中国山水绘画对日本早期绘画影响作为研究基点,以禅宗思想的继承和相通作为引线,回顾和重温中国文化对于东亚各国乃至世界的影响,进一步来阐明东方文化在科技文明高度发达的今天将迎来文化回归的又一高峰。
短句来源
     In the development of modern art. Japanese painting and sculpture explains that in the art commutation and the usage for reference, regressing to the national is not only the simple concern to the traditional culture, but also the basis for the development of modern watercolor painting.
     在这场现代艺术的运动与发展中,日本的绘画与雕塑说明了在交流与借鉴中,回归于民族艺术创作是最终对传统文化的重新解读,也是发展现代水彩艺术的最根本问题。
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As traditional characteristics of Japanese painting and architecture,asymmetry and unsubstantiality remain to be embodied in contemPOrary architecture.Through these characteristics,the author learns the spiritual qualities differentiating Japanese architecture from western one.By analysing some influencing works on Japanese architecture,the necessity of asymmetry and unsubstantiality in today's architecture is demonstrated,and their inherent law is theoretically summed up.

在日本传统艺术中,无论是绘画还是建筑都表现着一种特有的不对称与非实体性,这一特征在当代日本建筑中仍有体现.通过分析当今日本有一定影响力的作品,指出不对称性与非实体性存在的必要性,并从理论上总结了其内在的规律.

:Research and development of magneto-optic disk's surface protecting glue which takes important place and cost much price in the magneto-optic materials are done in this paper. Firstly, we have mastered the ingredient of importing glue through analysis, and then through test equipment working and samples testing, we have solved difficult problems which include solidification time, hardness, surface flatness and aging, etc. As a result, the test indexes of magneto-optic disk surface protecting glue get to or...

:Research and development of magneto-optic disk's surface protecting glue which takes important place and cost much price in the magneto-optic materials are done in this paper. Firstly, we have mastered the ingredient of importing glue through analysis, and then through test equipment working and samples testing, we have solved difficult problems which include solidification time, hardness, surface flatness and aging, etc. As a result, the test indexes of magneto-optic disk surface protecting glue get to or exceed the level of imporing glue from Big Japanese Painting Company while the glue's cost is just one fifth of the latter's.

对磁光盘材料中比较重要的、占成本较多的表面保护胶进行国产化开发研究。首先通过分析掌握了进口胶的成分体系,然后进行了试验设备加工以及样品实验,解决了固化时间、硬度、表面平整以及老化等技术难题,使磁光盘表面保护胶的测试指标达到或超过了同期进口大日本油墨公司的水平[1],而生产成本仅为进口胶的1/5。

Traditional Chinese paintings of beauty started in the period of Warring States (457-221 B.C.),flourished in the Dynasties of Tang and Song and declined in the Dynasties of Ming and Qing. Originated from Traditional Chinese paintings, Japanese paintings of beauty did not form its national style until the rise of Uyoki painting of beauty in the Edo Dynasty. Comparatively speaking, Chinese painting of beauty is characterized by its tenderness and elegance of inner beauty while Japanese...

Traditional Chinese paintings of beauty started in the period of Warring States (457-221 B.C.),flourished in the Dynasties of Tang and Song and declined in the Dynasties of Ming and Qing. Originated from Traditional Chinese paintings, Japanese paintings of beauty did not form its national style until the rise of Uyoki painting of beauty in the Edo Dynasty. Comparatively speaking, Chinese painting of beauty is characterized by its tenderness and elegance of inner beauty while Japanese painting of beauty is characterized by its gaudiness and obsequiousness of outer beauty. The differences come from the different social and traditional backgrounds, national traditions and customs.

中国仕女画发端于战国时代 ,兴盛于唐宋时代 ,衰微于明清时代。日本美人画胎息于中国的唐代仕女画 ,并且长期在中国传统绘画艺术风格的影响下发展 ,直到江户时代浮世绘美人画的崛起 ,才形成日本民族风格的特点。与日本美人画相比较 ,中国仕女画的艺术形象具有柔和恬静典雅内美的特征 ,而日本浮世绘美人画则浓艳媚俗浮燥外华 ,两者在艺术风格上的显著差异乃中日两国不同的社会历史文化背景 ,不同的民族传统和习俗所造就

 
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