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readers
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  读者
    Traditional translation theories neglected the research of TL readers.
    翻译研究中一直以译者和译作为重点,而很少关注读者的研究。
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    However,according to the relevance theory,translation is a kind of communication,and this endows a high status of readers in the translation process.
    关联理论认为翻译是一种涉及原作者、译者和读者三元关系的交际行为,由此将读者纳入翻译过程,从而确立了读者在翻译中的重要地位。
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    On the Factors Influencing Readers' Literary Consumption Freedom
    论影响读者文学消费自由的因素
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    On Readers' Experience World
    试论读者的经验世界
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    Reception Aesthetics and Consideration of the TL Readers in Literary Translation
    接受美学与文学翻译中的读者关照
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  “readers”译为未确定词的双语例句
    An Analysis of the Influence from the Network on the Readers of Literature
    析网络化对文学受众主体的影响
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    ‘Anticipating Horizon’& Aesthetic Construction and Adjustment of Mentality of Readers
    “期待视野”与接受主体审美心理结构的建构、调整
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    The Elasticity of Poetic Language and the Appreciative Imagination of Readers
    诗歌语言的弹性与鉴赏者的审美现象
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    Literary Structure for Calling Attention and Readers' Horizons of Anticipation
    试论召唤结构与期待视野
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    Interlingual Critic and Interlingual Theorist in Age of Globalization——Who Can Criticize Liu Ruoyu and His Readers about Comparative Literature
    全球化时代的语际批评家和语际理论家——谁来评判刘若愚及其比较文学研究读本
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  readers
An array of complicated structures of the natural products synthesized over the last two years is also listed to serve as a convenient lead to the original literature for the prospective interested readers.
      
In this paper we introduce to readers some recent progress in algebraic geometric codes and their applications in quantum error-correcting codes, secure multi-party computation and the construction of good binary codes.
      
Thus, a more comprehensive view on Chinese character recognition, which is an important branch of pattern recognition, can be provided to the readers.
      
The aim of this review is to introduce the readers to the state of foreign studies on the brain stem cells by the beginning of 2001.
      
Nevertheless, we have undertaken its secondary publication in our journal for two reasons: first, our journal has different readers, and, second, the great significance of this manifest of Yuri Lazebnik.
      
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The essence of Noman Ingard's pheonomenological epistemology can be classified into four categories, namely, objectification, concretization, aesthetic experience and concretized reconsideration of aesthetics. The application of these four categories could help to reveal the whole process of reading activity and enable readers to experience in reading literary works its uninterrupted activity of intention.

罗曼·英加顿现象学文学认识论的实质是以客观化、具体化、审美经验、审美具体化反思四个范畴来展示阅读活动的全过程——体验作品的川流不息的意向活动。

I.A. Richards(1893-1981) was a prominent literary critic of early20th-century England. This paper is an attempt to examine his views on authorialmentality. Though richards pioneered the method of "close reading", he considers thework a transparent medium through which a perceptive reader peeps into theauthor's mind. On the other hand, readership is regarded as a divided pssychetraversed by cultural codes. Therefore, he places the critical criterion in theauthor whose experience determines the reader's...

I.A. Richards(1893-1981) was a prominent literary critic of early20th-century England. This paper is an attempt to examine his views on authorialmentality. Though richards pioneered the method of "close reading", he considers thework a transparent medium through which a perceptive reader peeps into theauthor's mind. On the other hand, readership is regarded as a divided pssychetraversed by cultural codes. Therefore, he places the critical criterion in theauthor whose experience determines the reader's "horizon of expectations". Ri-chards' theory savours of objectivism and positivism which tend to establish ab-solute norms whereby to pass aesthetic judgments. At the same fime, his theoryis not without humaniststic and psychological implications.

理查兹(1893—1981)是本世纪初英国著名的文学批评家。本文旨在考查他的作者心理经验论。理查兹倡导了后来美国的新批评派所极力推崇的“细读”式批评。他认为作品只不过是读者进入作者心灵的窗口。由于读者文学水准的高低不一,所以,读者的看法不能作为评价文学的标准。理查兹把作者的心理经验看成是衡量读者“期待视野”的标尺。理查兹对绝对标准的关注,使其理论带有明显的客观主义和实证主义的色彩;同时他对心理因素的兴趣也使他的理论具有人文主义和心理主义的内涵。

The contrast art of minifiction mainly appears in the turns of event developmentdirection and tendency mainifested in the narration of early and later situations, or reflected in the drop to some extent in the expression of ideas, feelings, tones and atmospheres.As a result of minifiction contrast art, four principles have been formed for the creation ofminifiction. They are Necessity Principle of Contrast, usually appearing in the contractionof space and the elaboration of content in the limited space; Contingency...

The contrast art of minifiction mainly appears in the turns of event developmentdirection and tendency mainifested in the narration of early and later situations, or reflected in the drop to some extent in the expression of ideas, feelings, tones and atmospheres.As a result of minifiction contrast art, four principles have been formed for the creation ofminifiction. They are Necessity Principle of Contrast, usually appearing in the contractionof space and the elaboration of content in the limited space; Contingency Principle of Contrast, mainly shown in an unusually ingenious conception of the plot, reasonable but unconventional; Principle of Misreading Guide for Readers as Receptive Subjects, often manifested in the three kinds of situations: positive relatedness producing readers' agreementwith the writer in thinking, utter sameness producing readers' coldness in reaction, andnegative relatedness producing readers' astonishment or aversion; and Principle of theWriter as Creative Subject adopting a converse Mode of Thinking, mainly found in the reversion of thinking at a key point for the sake of exposing the theme in the depth promptlyand achieving the effect of promptness, briefness and provoking thought.

微篇小说在叙事中展现出的前后情境在发展的向度与趋势上的翻转或思想意绪、情感心理、色调氛围等在表现程度上的落差构成了微篇小说创作的反差艺术。在反差艺术统摄下,微篇小说创作生成了四条规律。反差的必然性法则──规模上的缩龙成寸,内质上的杯水生波。反差的“偶然性”法则──神思独运而出人意表,入手常理又新巧惊奇。接受主体受到的误区诱导则具有三类情形:正相关──共鸣,全同──冷淡,反相关──惊奇或反感。创作主体的逆向思维运用于反差艺术,往往在一个关键点翻转,以变序逆转来瞬时闪现事物的底蕴,快速简练、直达灵魂。

 
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