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art reality
相关语句
  艺术真实
     The art reality of the modern art
     现代艺术的艺术真实
短句来源
     2. The unity of historical reality and art reality.
     2.历史真实与艺术真实的统一;
短句来源
     Be Subjected to Live: the Revolution of Art Reality
     《受活》:艺术真实的革命
短句来源
     In his Aesthetic thesis──on novel──Maupassant specially studied the relationship bf the life reality and the art reality;
     莫泊桑的重要美学论文《小说》,专门探讨了生活真实与艺术真实的关系;
短句来源
     Last, the art reality question, obiective reality , art reality , the eye's reality.
     再次是艺术真实问题,客观真实、艺术真实,肉眼的真实是必须分清楚的。
短句来源
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  “art reality”译为未确定词的双语例句
     Art:Reality as Indeal——On Feng Qi's Aesthetics and Its Relevance to the Contemporary Discussions
     艺术:作为理想的现实——论冯契的美学思想及其当代价值
短句来源
     And "non-instant" art can also genuinely reflect art reality.
     “非瞬间”的艺术同样虔诚地指向艺术的真实。
短句来源
     One sensitive experience called“cosmic synchronization”based on individuals’self– consciousness, through which writer realizes his transcendence, reaches one called“other world”with unique art reality.
     一种名为“宇宙同步”的直觉审美体验总领了纳博科夫的文艺美学观念,作家正是通过这种以个体的自我意识为基础的精神体验,实现了对现实世界的超越,到达一个有着无比艺术真实性的“彼岸世界”。
短句来源
  相似匹配句对
     Reality and Art
     真实与艺术
短句来源
     Art is beyond the reality.
     艺术是现实的反映 ,但它并非是对现实事物的平面模拟 ,而是能够超越现实的。
短句来源
     ART
     艺术
短句来源
     ART
     美术
短句来源
     On Reality
     论现实
短句来源
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In his Aesthetic thesis──on novel──Maupassant specially studied the relationship bf the life reality and the art reality; the question of plot and structure on novel; the problem of useing and expressing language; the question of literary criticism. Maupassant published his opinions cht a series of the questions. The thesis compltely manifests his literary theory of the realism.

莫泊桑的重要美学论文《小说》,专门探讨了生活真实与艺术真实的关系;小说创作中的情节与结构问题;语言的适用与表达;文学批评问题。莫泊桑围绕这些问题发表了自己的独到见解,完整地体现了他的现实主义文学理论观。

Drama and Traditional Chinese opera embody aesthetic difference between “seeking natural” and “seeking happy” by the form of “colloquialism” near to life prototype and by the whole model of “song” distinguished itself by modality. This aesthetic difference not only related closely to each cultural background that Drama and Traditional Chinese opera based on, but also to the different “formal ideology” that they bore. On the other hand, as one kind of structural existence of Chinese drama culture in 20th century,...

Drama and Traditional Chinese opera embody aesthetic difference between “seeking natural” and “seeking happy” by the form of “colloquialism” near to life prototype and by the whole model of “song” distinguished itself by modality. This aesthetic difference not only related closely to each cultural background that Drama and Traditional Chinese opera based on, but also to the different “formal ideology” that they bore. On the other hand, as one kind of structural existence of Chinese drama culture in 20th century, Drama and Traditional Chinese opera, through communicating and impacting ceaselessly dated back to the up-to-date historical coincidence, must go to conformity. However, “conformity” don't predicate to abolish their each art reality of Drama and Traditional Chinese opera, in fact, in a sense of culture-communicating, it represent one kind of logical harmony of aesthetic feeling and mutual function complement. And what is more, just only according to the standpoint beyond difference and conflict, it is possible to establish one kind of drama poetics beyond cultural barrier and a new historical view of modern drama including both Drama and Tradition Chinese opera.

话剧与戏曲分别以近似生活原型的“白话”形态和以程式化为特征的“曲”的体式而体现出两者“求真”与“求乐”的审美差异。这种审美差异既与话剧及戏曲所根植的各自的文化土壤分不开 ,也与它们所承载的不同的“形式的意识形态”有关。而同时 ,作为 2 0世纪中国戏剧文化的一种结构性存在 ,话剧与戏曲从最初的历史遇合、经不断地交流碰撞而必然趋于整合。“整合”并非意味着取消话剧与戏曲各自的艺术本体性 ,实则表现出两者在文化交流的意义上的一种逻辑的、美感的协调及功能上的互补。而且正是在文化整合所提供的超越差异与对立的立场上 ,才有可能建立起一种跨越文化屏障的共同的戏剧诗学和包容着话剧与戏曲的新的现代戏剧史观。

s:The art reality is one of essential factors of the art value.This article discusses the relationship between the principal feel-ing of audiences and the matter's form of the art works in the art reality by analyzing the"the accepted aesthetics"about the really speech of Arts,and gives the essential viewpoint that the appraisable standard can be existed only in the art creation and the respon-sibility,felling and confidence of the appreciation in the modern art.

艺术真实是艺术价值的基本要素之一。本文通过对西方“接受美学”有关艺术真实言论的分析,论述了艺术真实中观众的主体感受和作品的物质形态的相互关系,提出了在现代艺术中,艺术真实的评价标准只能存在于艺术创造与欣赏的责任、情感和信心中这一基本观点。

 
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