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美术书法雕塑与摄影
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calligraphy learning
相关语句
  书法学习
     Calligraphy Learning: An Action That Should Surpass Utilitarian Purposes
     书法学习:超越功利的行为
短句来源
     Imitation and creation are two most important and key steps in calligraphy learning.
     临摹与创作是书法学习活动的两个最重要和最主要的环节。
短句来源
     Analysing the forming of the aesthetics and the forms of expression and expounding the instructive effect of neutralization aesthetics on calligraphy learning helps to understand, grasp and inherit the tradition.
     分析书法中和之美的形成与表现形式,阐述中和之美对书法学习的指导作用有助于理解传统、把握传统、继承传统。
短句来源
  相似匹配句对
     On Learning
     论学习
短句来源
     Imitation and Creation——On Learning Calligraphy
     临摹与创作——谈学习书法
短句来源
     Quality Education in Calligraphy Teaching and Learning
     在书法教学中融入素质教育
短句来源
     On Teachers'Learning
     教师学识漫议
短句来源
     On the Flexibility of Calligraphy
     浅论书法艺术的流动美
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Learning calligraphy has to start with imitation, but the aim of imitation is to create. Imitation and creation are two most important and key steps in calligraphy learning. Imitation may be divided into three steps:the first is the imitation true to the original; the second is the analytic imitation; the third is the imitation of impression. The three steps go from low to high, from outside to inside. Creation may be divided into two stages: the first is the single style creation; the second is the various...

Learning calligraphy has to start with imitation, but the aim of imitation is to create. Imitation and creation are two most important and key steps in calligraphy learning. Imitation may be divided into three steps:the first is the imitation true to the original; the second is the analytic imitation; the third is the imitation of impression. The three steps go from low to high, from outside to inside. Creation may be divided into two stages: the first is the single style creation; the second is the various style creation. The two stages develop from speciality to extensiveness, from the others to the learners.

学习书法必须从临摹入手 ,但临摹的目的是为了创作。临摹与创作是书法学习活动的两个最重要和最主要的环节。临摹可以分为三个阶段 :一是忠实性临摹 ;二是分析性临摹 ;三是印象性临摹。三个阶段由低而高 ,由入而出。创作可以分为两个阶段 :一是一家式的创作 ;二是百家式的创作。这两个阶段是由专而博 ,由他而我。

After a peroid of complications, Chinese calligraphy is returning back to the direction of inheriting the tradition. As a form of expression of culture, Chinese calligraphy embodies the neutralization in classical aesthetics. Analysing the forming of the aesthetics and the forms of expression and expounding the instructive effect of neutralization aesthetics on calligraphy learning helps to understand, grasp and inherit the tradition.

经历一段曲折后,中国书法又向继承传统的方向回归。中国书法是在中国文化的大背景中产生出来的。书法作为一种文化的表现形式,集中体现了古典美学的中和之美。分析书法中和之美的形成与表现形式,阐述中和之美对书法学习的指导作用有助于理解传统、把握传统、继承传统。

This paper explores the value criteria of aesthetic judgement in modern calligraphy learning and appreciating.Then it tries to confirm the aesthetic evaluation of art going along with the times.It finally aims to summarize the principle of appreciation and creative practice,so as to benefit the development and creation of the calligraphy.

文章通过对现代书法学习鉴赏中普遍存在的审美价值标准进行书随时代的审美评价试确认,力图总结补充为具有现实意义的欣赏与创作实践规则,以利国粹书法的传承与创新。

 
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