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the literature acceptance
相关语句
  文学接受
     The Evolution of Mulan's Image in the Literature Acceptance History
     木兰形象在文学接受中的演变
短句来源
     The dynamic depends on law of students' physical and mental development, the particular style of Luxun's works and the literature acceptance.
     “动态性”取决于学生身心发展的规律性、鲁迅作品的独特品格和文学接受的特殊规律。
短句来源
     We may say that all the appraisal has invo lved the true essence of the aesthetic appreciation of the literature acceptance .
     这些品鉴可以说触及了文学接受的审美真谛。
短句来源
  相似匹配句对
     Literature and Psychoanalysis
     《文学与精神分析学》
短句来源
     Literature and Fashion
     文学与时尚
短句来源
     Literature is for the people.
     文学是为人民的。
短句来源
     On the Nature of Literature
     文学本质探源
短句来源
     Acceptance and Contract
     外贸易函电(五) 接受与签约
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Gestalt psycholog y advocates that any form or shape is no simple combination of parts,but a resul t of reconstruction by the subject's perception.Gestalt psychology praises highl y the whole and enhances the acceptance subject.This kind of view of Gestalt has great enlightenment to literary aesthetic appreciation. Li terature acceptance can be both a whole appraisal and a closed appraisal.It can also be an isomorphic appraisal.We may say that all the appraisal has invo lved the true essence of the aesthetic...

Gestalt psycholog y advocates that any form or shape is no simple combination of parts,but a resul t of reconstruction by the subject's perception.Gestalt psychology praises highl y the whole and enhances the acceptance subject.This kind of view of Gestalt has great enlightenment to literary aesthetic appreciation. Li terature acceptance can be both a whole appraisal and a closed appraisal.It can also be an isomorphic appraisal.We may say that all the appraisal has invo lved the true essence of the aesthetic appreciation of the literature acceptance .

格式塔心理学主张任何形状或形式决不是各个部分的简单相加 ,而是经过主体知觉活动重新加以建构使之完形的结果。格式塔心理学这种标举整体 ,弘扬接受主体性的意蕴 ,对文学审美品鉴有较大的启示。文学接受既可以是一种整体品鉴 ,又可以是一种闭合品鉴 ,同时还可以是一种同构品鉴。这些品鉴可以说触及了文学接受的审美真谛。

In the past,academic circles paid much attention to Jin Sheng tan's literature creative theory which consisted of commentary on novel and drama than his acceptance theory which also has its characteristics.They are reflected mainly on the 3 aspects as follows. Firstly,Jin Sheng tan used a method with a companion of criticism which expresses his profound comprehension of critical object,and this understanding has the guiding effection on readers' literature reading and acceptance.Secondly,Jin Sheng tan paid...

In the past,academic circles paid much attention to Jin Sheng tan's literature creative theory which consisted of commentary on novel and drama than his acceptance theory which also has its characteristics.They are reflected mainly on the 3 aspects as follows. Firstly,Jin Sheng tan used a method with a companion of criticism which expresses his profound comprehension of critical object,and this understanding has the guiding effection on readers' literature reading and acceptance.Secondly,Jin Sheng tan paid great attention to and emphasized the readers main body function and position,acceptance condition and ability.Thirdly,Jin Sheng tan revised the original works of drama according to this understanding.Therefore he became one of the real participants in the new edition of the Water Margin and The West Boudoir,meanwhile he fulfiled a transition process from the literature acceptance to literature creation.

以往学术界主要看重的是金圣叹通过小说戏曲评点所构筑的文学创作理论 ,而实际上金圣叹的小说戏曲接受理论也很有特色。这主要表现在 :第一 ,金圣叹采用随文批评的方式来表达他对批评对象独到而深刻的理解 ,这对读者的文学阅读和文学接受活动起到了一种导向的作用 ;第二 ,金圣叹对读者在文学接受活动中的主体地位、接受条件和接受能力予以高度的重视和强调 ;第三 ,金圣叹还依据他自己的理解对作为接受对象的原作品进行了删节和改动 ,从而使他自己成为《水浒传》和《西厢记》新文本的名副其实的参与者和创造者 ,同时也使他的接受批评实践由文学接受领域延伸到了文学创作领域

There are many literature acceptance sense and the criticism practice of literature acceptance in the acitivity of the literature criticism in ancient times of China.Standing for the intimate viewpoint of LIU Xie,the acceptance activity in ancient times of china is inherent agreed with the literature acceptance theory by the acceptance of reader.

中国古代的文学批评活动中,潜存着丰厚的文学接受意识和丰富多彩的文学接受批评实践,以刘勰的知音论为代表,从郢书燕说到误读造妙、从入出有道到得意会心、从想象自得到知音见异,通过历时态读者的阅读与接受来把握和生成文学作品的历史生命,中国古代的文学接受活动内在地契合了接受理论的实质与内核,具有东方式的独到理论批评价值。

 
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