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connotation of practice
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  实践内涵
     In chapter I, the thesis reviews and sums up the multi-dimensional understanding and views to the connotation of practice hi our country in recent years, and briefly puts forward the technical understanding to the practice.
     文章在第一部分首先回顾和总结了我国多年来对实践内涵的多维度理解和视界,并简要提出了对实践的技术维度理解。
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  “connotation of practice”译为未确定词的双语例句
     Connotation of Practice Ontology and Its Dialectic
     实践本体论及其辩证法内蕴
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     This paper, through the discussion of the connotation of practice, analyzes the general principles of practice, which are that, practice leads to freedom and practice creates beauty.
     本文通过对实践概念内涵的探讨 ,分析了实践通向自由、实践创造美的一般规律 ,并在此基础上揭示出丑作为实践结果——反自由——的基本性质 ,以及在不同类型的实践活动中丑的不同形态。
短句来源
     The practice teaching and its reform are the university long-term attention hot spot. From the view of supporting function that is important to the innovation education, to the education for all-around development, to the cultivation of talent, the mode of cultivation of talent with multiplex practice teaching has been established. It not only enriches the connotation of practice teaching and the construction of system but also improves the talent training quality.
     实践教学及其改革是高校长期关注的热点,从实践教学对创新教育、素质教育、人才培养发挥支撑作用的角度出发,建立了多元化实践教学人才培养模式,丰富了实践教学内涵与体系建设,提高了人才培养质量。
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  相似匹配句对
     Connotation and practice of knowledge management
     知识管理的内涵及实施
短句来源
     Connotation of Practice Ontology and Its Dialectic
     实践本体论及其辩证法内蕴
短句来源
     On the Connotation and Practice of Immaterial Incentive
     非物质激励的理论内涵与实践运用
短句来源
     practice;
     反躬实践 ;
短句来源
     practice;
     第三部分强调了实践环节;
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According to the etymological analysis, the meanings of "taste"should be generalized. In customary vocabulary of china aesthetic study, "taste"and "aesthetic activity"are synonymous. To define the concept of "taste"and "aesthetic activity",it is necessary to emphasize the connotation of "practice" and "sociality".

从辞源看 ,“审美”一词的含义应是广义的 ,不应局限在以艺术的创造和欣赏为主要活动方式的范围内。在中国美学研究的惯常用语中审美和审美活动是同义。对审美活动概念的界定 ,应重视和突出审美活动的主体是“现实的人” ,审美活动的对象是“社会实践的产物” ,审美活动的过程和性质具有“实践性和社会性”。

This paper, through the discussion of the connotation of practice, analyzes the general principles of practice, which are that, practice leads to freedom and practice creates beauty. According to the above, it reveals the basic nature of ugliness, as the result of practice, anti freedom, and the different states of ugliness in all kinds of practice. It raises that the study of ugliness, which has the negative value in the field of aesthetics, has contributions to the understanding...

This paper, through the discussion of the connotation of practice, analyzes the general principles of practice, which are that, practice leads to freedom and practice creates beauty. According to the above, it reveals the basic nature of ugliness, as the result of practice, anti freedom, and the different states of ugliness in all kinds of practice. It raises that the study of ugliness, which has the negative value in the field of aesthetics, has contributions to the understanding of the connotation of practice, freedom and creativity and their relationship so as to uncover the practice origin of aesthetics.

本文通过对实践概念内涵的探讨 ,分析了实践通向自由、实践创造美的一般规律 ,并在此基础上揭示出丑作为实践结果——反自由——的基本性质 ,以及在不同类型的实践活动中丑的不同形态。提出丑作为显现负价值的美学范畴 ,对它的研究有助于对实践、自由和创造的内涵及其关系的深入认识和准确定位 ,正确揭示美学的实践根源。同时 ,实践产生丑的命题 ,提醒人们的实践活动应注意实践于和谐并重

This text makes a comment on the two different development views of practice aesthetics between Zhu Liyuan and Zhang Yu-neng. Zhu Liyuan trys hard to connect Marx’s practice notion to Heidegger’s existence notion. His view, on the one hand, neglects the fundamental difference between Marx’s and Heidegger’s notions and obliterates the philosophic significance of historical materialism to aesthetic studies; on the other hand, it makes the practice aesthetics lean to the post-practice aesthetics. Zhang Yu-neng,...

This text makes a comment on the two different development views of practice aesthetics between Zhu Liyuan and Zhang Yu-neng. Zhu Liyuan trys hard to connect Marx’s practice notion to Heidegger’s existence notion. His view, on the one hand, neglects the fundamental difference between Marx’s and Heidegger’s notions and obliterates the philosophic significance of historical materialism to aesthetic studies; on the other hand, it makes the practice aesthetics lean to the post-practice aesthetics. Zhang Yu-neng, however, still insists on “the labor has created beauty”, the essential logic of the practice aesthetics. He attempts to extend the connotation of practice aesthetics to solve the problems of practice aesthetics. But the modes of thought of the traditional ontological philosophy has confined the elucidative limitation of the new practice aesthetics; moreover, the basic views and the lacunas of the practice aesthetics are still remained, which in fact declare the end to the practice aesthetics.

本文评析了朱立元和张玉能的实践美学发展观。朱立元力图把马克思的实践概念与海德格尔的存在概念沟通,这种实践美学发展观一方面忽视了马克思与海德格尔的根本区别,抹杀了历史唯物主义对于美学研究的哲学意义,另一方面使实践美学倒向后实践美学一边。张玉能仍然坚持“劳动创造了美”这一实践美学的基本逻辑,试图通过扩大实践概念的内涵来解决实践美学的问题,但传统本体论哲学的思维模式制约了新实践美学的阐释限度,实践美学的基本观点和缺陷仍然被保留,其实是宣告了实践美学的终结。

 
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