助手标题  
全文文献 工具书 数字 学术定义 翻译助手 学术趋势 更多
查询帮助
意见反馈
   practice of literary creation 的翻译结果: 查询用时:0.011秒
图标索引 在分类学科中查询
所有学科
世界文学
更多类别查询

图标索引 历史查询
 

practice of literary creation
相关语句
  创作实践
     By the study of his theory and practice of literary creation, we can reveal aesthetic meanings in Wang Guowei's theory and works. I don't make a full account of his aesthetic thought.
     本文采用中西对比研究的方法,通过对王国维创作理论及其创作实践的阐释,揭示其中所蕴涵的美学思想。
短句来源
     The perplexity in the practice of literary creation in China also shows the urgent need of rebuilding the ideological vision for postmodern and for the aesthetic power of expression.
     当代中国文学创作实践中表现出的困扰,也显示了重新建构后现代的思想视野和审美表现力的迫切需要。
短句来源
  “practice of literary creation”译为未确定词的双语例句
     According to that, combining emphatically with Dafu of Han dynasty, lyric Xiaofu of Eastern Han dynasty, the literary creation of Jian'an scholars and the practice of literary creation in the Southern Dynasties, the thesis studies the evolvement of the meaning of "rhetorically beautiful" of the literature of the Six Dynasties from point of view of Chinese literary history.
     藉此,本文重点结合汉大赋、东汉抒情小赋、建安、两晋文人的文学创作以及南朝文学创作的实践,考察其流变,从文学史的角度对六朝文学尚“丽”的特点作一整理归纳。
短句来源
     As to the problem of the image type and nature,it can't be confined to the limitation of the old convention,but practical classification and scientific explanation should be given in terms of the practice of literary creation and the need of the building of literary and artistic theory.
     对意象的类型和本质的问题 ,不能局限于古人的认识 ,而要根据文学创作的实践和文艺理论建设的需要作出切合实际的分类和科学的解释。
短句来源
  相似匹配句对
     practice;
     第三部分强调了实践环节;
短句来源
     practice;
     反躬实践 ;
短句来源
     the theory of practice.
     三、体育实践课程属性定位:活动——体验性
短句来源
     On the Practice of Teaching
     论教学实践
短句来源
     Creation & Practice
     创意与实践
短句来源
查询“practice of literary creation”译词为用户自定义的双语例句

    我想查看译文中含有:的双语例句
例句
没有找到相关例句


The image theory is the first Chinese ancient systematic poetics theory formation which has experienced two big philosophical construction and three promotions in theory itself.Until LIU Hsieh's work of Wen-Hsin tiao-lung,the image theory came into being systematize.Wen-Hsin tiao-lung epitomized the image theory.As to the problem of the image type and nature,it can't be confined to the limitation of the old convention,but practical classification and scientific explanation should be given in terms of the practice...

The image theory is the first Chinese ancient systematic poetics theory formation which has experienced two big philosophical construction and three promotions in theory itself.Until LIU Hsieh's work of Wen-Hsin tiao-lung,the image theory came into being systematize.Wen-Hsin tiao-lung epitomized the image theory.As to the problem of the image type and nature,it can't be confined to the limitation of the old convention,but practical classification and scientific explanation should be given in terms of the practice of literary creation and the need of the building of literary and artistic theory.At present,some academic authority looked upon the “Tao” of the great thinker LaoZi and Zhuangtzu as the nature of image theory,which in fact mistook the nature of artistic conception for that of the image theory.Zhou Yi,“observe and take image”and “establish the image to express the sense”is the primary principle of the image theory.Therefore,the nature of the image is a kind of ideology combines the object with the feeling,sense,reason,interest and hobby in harmony.The nature of aesthetic image is a diverse special ideology flashed in mind's eye or specified in the works when creating artistic imagery with literature or other materials.It is a scientific explanation to the nature of image and aesthetic image.

意象说是中国古代第一个系统的诗学理论形态 ,其形成过程经历了两次大的哲学理论建构和三次自身的理论提升 ,到刘勰《文心雕龙》的问世 ,才形成为系统化的学说 ,《文心雕龙》是意象说的集大成者。对意象的类型和本质的问题 ,不能局限于古人的认识 ,而要根据文学创作的实践和文艺理论建设的需要作出切合实际的分类和科学的解释。目前学术界有人认为老庄哲学中的“道”是意象说的本质 ,这实际上是把意境说的本质误解为意象说的本质。《周易》“观物取象”、“立象以尽意”是意象说最基本的思想 ,因此 ,意象的本质就是物象与主体情、意、理、趣、味相契合而形成的一种意识形态 ,审美意象的本质就是用语言或其它物质材料塑造艺术形象时显现于人脑中或物化为作品中的含蓄蕴藉性的特殊的意识形态。这是对意象和审美意象本质的科学解答

Postmodern is not only in a state of chaos in the history of contemporary China, but has also been serverely distorted and altered. If somebody says in the first phase of the beginning for speech in postmodern, people could not distinguish clearly the relationship between the two; in other words, to creat a new image for the new theoretical speech it resulted in the exaggeration of the opposition and crack between the two, now there is no reason to make artifical conflict between the two till now. Postmodern...

Postmodern is not only in a state of chaos in the history of contemporary China, but has also been serverely distorted and altered. If somebody says in the first phase of the beginning for speech in postmodern, people could not distinguish clearly the relationship between the two; in other words, to creat a new image for the new theoretical speech it resulted in the exaggeration of the opposition and crack between the two, now there is no reason to make artifical conflict between the two till now. Postmodern is never to abandon in a simple way, nor to overturn it. It is to revise, to develop and to finish for modern nature under the more reasonable and unhurried condition. The perplexity in the practice of literary creation in China also shows the urgent need of rebuilding the ideological vision for postmodern and for the aesthetic power of expression.

后现代在当代中国的历史不只是紊乱,而且被严重扭曲和涂改。如果说在后现代话语初起阶段,人们还并不能梳理清楚二者之间的关系;或者说为了给新的理论话语创建一个崭新的形象,而夸大了二者之间的对立和裂痕,那么,全部理论发展至今,就没有理由还在二者之间制造人为的冲突。在我看来,后现代并不是对现代性简单的抛弃和颠覆,而是在更加合理和从容的境况中,对现代性的修正、拓展和精细化。当代中国文学创作实践中表现出的困扰,也显示了重新建构后现代的思想视野和审美表现力的迫切需要。

"Elegance and Uprightness" is the main part of Zhang Yan's contribution to the study of ci (lyrics). Centered on his idea of "elegance and uprightness", Zhang expounded his claims from three aspects: core theory, concrete methods of literary creation and criticism of prevailing theoretical problems. In his practice of literary creation, Zhang made the greatest efforts in his creation techniques and mentality, aiming at "elegance". Therein also resulted in the limitations of his theory and practice...

"Elegance and Uprightness" is the main part of Zhang Yan's contribution to the study of ci (lyrics). Centered on his idea of "elegance and uprightness", Zhang expounded his claims from three aspects: core theory, concrete methods of literary creation and criticism of prevailing theoretical problems. In his practice of literary creation, Zhang made the greatest efforts in his creation techniques and mentality, aiming at "elegance". Therein also resulted in the limitations of his theory and practice of lyrics.

"雅正"是张炎词学贡献的主要特征。在理论主张上,张炎以"雅正"为中心,从核心理论、具体创作方法理论和对流行理论问题的批判三方面进行了阐述;在创作实践上,张炎以"求雅"为目标,从创作技巧和创作心态两方面作了极大的努力。也正因此,形成了他词学理论、创作实践的局限。

 
<< 更多相关文摘    
图标索引 相关查询

 


 
CNKI小工具
在英文学术搜索中查有关practice of literary creation的内容
在知识搜索中查有关practice of literary creation的内容
在数字搜索中查有关practice of literary creation的内容
在概念知识元中查有关practice of literary creation的内容
在学术趋势中查有关practice of literary creation的内容
 
 

CNKI主页设CNKI翻译助手为主页 | 收藏CNKI翻译助手 | 广告服务 | 英文学术搜索
版权图标  2008 CNKI-中国知网
京ICP证040431号 互联网出版许可证 新出网证(京)字008号
北京市公安局海淀分局 备案号:110 1081725
版权图标 2008中国知网(cnki) 中国学术期刊(光盘版)电子杂志社