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shakespearean drama
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  莎士比亚戏剧
     On the Female Imagery in Shakespearean Drama and Chinese Drama
     所谓伊人——从塑造女性形象的意象看莎士比亚戏剧和中国古典戏剧
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     This paper discusses the imagery used in the characterization of heroines in the love theme of Shakespearean drama and traditional Chinese drama.
     以几部莎士比亚戏剧和中国古典戏剧中表现女性形象的意象为着眼点,分析意象的特征和它们在两种戏剧中的异同点。
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  相似匹配句对
     On the Female Imagery in Shakespearean Drama and Chinese Drama
     所谓伊人——从塑造女性形象的意象看莎士比亚戏剧和中国古典戏剧
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     DRAMA’S RETURNTONATURE
     戏剧回归自然
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     On the Postmodernism Drama
     后现代主义戏剧辨析
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     Probing Into Shakespearean Puns
     莎士比亚的双关语探讨
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     On "Nature" of Shakespearean Play
     试论莎士比亚剧作的“自然”性
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  shakespearean drama
Read aloud as a class member parts of a Shakespearean drama.
      


The essence of Shakespearean Dramas is the four traged ies,in which employing the fantastic imagery is one of most praiseworthy brilli ances, i.e. utilizing imagery to portray the personalities of tragic characters, to present the characters' virtue and evil by contrast, and to predict the trag ic fate of heroes. This paper aims to analyze from the three aspects the functio ns of imagery in the shaping of the characters in four Shakespearean tragedies.

虹影是英国籍华人女作家。进入90年代以来,她的复杂的经历及其创作的小说、诗歌,在海内外引起了广泛的关注。虹影的小说充满了极端的女性经验,以诡秘而犀利的文风,在文坛独树一帜,其作品也成为当今最有争议的一类。

Hong Kong's edition of Shakespeare's romantic comedy The Mid-summer Night Dream may bring some inspirations to the mainland's peforming art as follows: modern style and beautiful forms may be combined; the double faithfulness to the Shakespearean dramas in the translation and performance should be maintained; the adaptation of famous works should meet the taste of a certain nation; the folk characteristics in Shakespeare's dramas should remain unchanged.

香港版的莎士比亚浪漫喜剧《仲夏夜之梦》对国内演艺的启示在于:现代风格与美的形式相结合;文本的翻译和演出对莎翁经典的双重忠实;名著的改编部分要适应民族欣赏习惯,要保持莎剧固有的民间性。

God is the most important concept in Christian theology who, according to Christianity, is omnipotent, omnipresent and omniscient; as his will controls everything, so the only thing man can do is to follow him absolutely. God is mercy, showing love to his children forever; simultaneously, he is just, encouraging the virtuous and punishing the vicious. These attributes of Him are best manifested in Shakespearean dramas. This paper gives a meticulous analysis of the subject by clinging to The Holy Bible...

God is the most important concept in Christian theology who, according to Christianity, is omnipotent, omnipresent and omniscient; as his will controls everything, so the only thing man can do is to follow him absolutely. God is mercy, showing love to his children forever; simultaneously, he is just, encouraging the virtuous and punishing the vicious. These attributes of Him are best manifested in Shakespearean dramas. This paper gives a meticulous analysis of the subject by clinging to The Holy Bible and Shakespearean dramas.

上帝是基督教神学最重要的观念,在基督教信仰中,上帝具有全能的智慧,全在全知;他的旨意决定着一切,世人所能做的只是对他表示无条件的承认和顺从;上帝是仁慈的,对其子民永远表示眷爱;上帝又是公义的,扬善惩恶。在莎士比亚戏剧中,上帝的这些属性得到了充分的展现。文章紧扣圣经文本和剧本内容,对该母题在莎剧中的具体表现作出详尽分析。

 
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