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cultural line
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  “cultural line”译为未确定词的双语例句
     The cell of neem's suspension cultural line grew best in B5 liquid medium, contained with NAA 2.0~4.0 mg·L-1 , inoculation with direct spill method.
     结果表明,印楝细胞悬浮系的建立以B5培养基,NAA2 0~4 0mg·L-1,采用直接倾倒法作为接种方法为好;
短句来源
     Finally, the paper ventures to probe into the continuation and alteration of the revenge motif in modern literature so as to work out the cultural line of transformation in relation to the revenge motif from ancient times through contemporary to modern times.
     最后,文章尝试进一步考察复仇母题在当代文学中的延续和变化,从而梳理出一条复仇母题从传统到现代再到当代演变的文化脉络。
短句来源
     As a result, the thoughts flourished afterward remain this awkward position at the presence of multifarious western colonial discourse, sometimes they can be seen as a remnant of the cultural line in the traditional China, also, they become unaware of their accessory of the modern narrative in Chinese context.
     其后风行于中国大陆学界的各种“后现代”理论,不但在西方的各色殖民话语面前显得身份暧昧,又与中国自身文化脉络中的种种遗绪纠葛不清,同时还不知不觉地承担着在中国将现代化叙事进行到底的奇特使命。
短句来源
     Presently,facing "crazily pursues" of the entire society to the foreign language,the political education must reveal the cultural line heritance value and establish the leadership culture idea;
     当前,面对全社会对外语的“疯狂追逐”,思想政治教育必须彰显文化传承的价值,确立主导文化理念;
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  相似匹配句对
     On-line
     行业在线
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     On line
     行业在线
短句来源
     Research the Cultural Root of the Art of Line
     “线的艺术”的文化寻根
短句来源
     PIP: A Cultural lndustry in Line with lnternational Practice
     PIP:与国际接轨的文化产业
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     Cultural garden
     园林与文化的关系探析
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Studied on the establishment of suspension culture line for the cell of the neem tree ( Azadirachta indica ) and suspension culture condition. The cell of neem's suspension cultural line grew best in B5 liquid medium, contained with NAA 2.0~4.0 mg·L-1 , inoculation with direct spill method. On the basis of integrative analysis for biomass of cell, content and productivity of azadirachtin, the optimum condition of suspension culture was B5 liquid medium, contained with NAA 2.0~4.0 mg·L-1 , saccharose...

Studied on the establishment of suspension culture line for the cell of the neem tree ( Azadirachta indica ) and suspension culture condition. The cell of neem's suspension cultural line grew best in B5 liquid medium, contained with NAA 2.0~4.0 mg·L-1 , inoculation with direct spill method. On the basis of integrative analysis for biomass of cell, content and productivity of azadirachtin, the optimum condition of suspension culture was B5 liquid medium, contained with NAA 2.0~4.0 mg·L-1 , saccharose 30 g·L-1 , temperature 25 ℃. And according to the size of cultural vessel to decide optimum rotate speed of shake and broth content.

研究了印楝细胞悬浮培养系的建立及印楝细胞悬浮培养的条件。结果表明,印楝细胞悬浮系的建立以B5培养基,NAA2 0~4 0mg·L-1,采用直接倾倒法作为接种方法为好;基于生物量、印楝素含量和印楝素产率综合分析认为,印楝细胞悬浮培养的最佳条件为B5培养基,NAA2~4mg·L-1,蔗糖30g·L-1,培养温度25℃,及根据培养容器的大小选择合适的转速和装液量。

This paper attempts to reveal the textual conversational relationship constituted by the revenge motif in Sword Casting, Wu Zi-xu and Revenge, investigating how the three novels have handled the revenge motif through diverse plots and narrative manners to attain the mutual subversion of the theme and narrative mode in traditional revenge texts. Besides, the paper also analyzes the relationship between the revenge motif and the deep structure of the three novels as well as their mutual existentialist philosophic...

This paper attempts to reveal the textual conversational relationship constituted by the revenge motif in Sword Casting, Wu Zi-xu and Revenge, investigating how the three novels have handled the revenge motif through diverse plots and narrative manners to attain the mutual subversion of the theme and narrative mode in traditional revenge texts. Besides, the paper also analyzes the relationship between the revenge motif and the deep structure of the three novels as well as their mutual existentialist philosophic background, and based on all this, it tries to perceive the transformational trend of the revenge motif in modern literature and the cultural and mental change of modern writers in the entirety. Finally, the paper ventures to probe into the continuation and alteration of the revenge motif in modern literature so as to work out the cultural line of transformation in relation to the revenge motif from ancient times through contemporary to modern times.

文章试图揭示复仇母题在《铸剑》、《伍子胥》、《复仇》三篇小说中形成的复杂的文本对话关系:考察它们如何以不同的情节模式和叙述模式来处理复仇母题,最终达成对传统复仇文本的主题和叙述方式的共同颠覆;分析复仇母题与三者文本深层结构以及共同的存在主义哲学背景的关系,在此基础上进而把握复仇母题在现代文学中的演变趋势和现代作家整体性文化心理的变迁。最后,文章尝试进一步考察复仇母题在当代文学中的延续和变化,从而梳理出一条复仇母题从传统到现代再到当代演变的文化脉络。

It is hard to say that theoretically there is a post - modernism school of ideology in the minds of today's China. From the beginning the pioneers of so called "Chinese Postmodernism" have lose basic introspection sense of western post - modernism when they gain their rightful i-dentity through the lacuna in the self-examination of the Western modernization project. As a result, the thoughts flourished afterward remain this awkward position at the presence of multifarious western colonial discourse, sometimes...

It is hard to say that theoretically there is a post - modernism school of ideology in the minds of today's China. From the beginning the pioneers of so called "Chinese Postmodernism" have lose basic introspection sense of western post - modernism when they gain their rightful i-dentity through the lacuna in the self-examination of the Western modernization project. As a result, the thoughts flourished afterward remain this awkward position at the presence of multifarious western colonial discourse, sometimes they can be seen as a remnant of the cultural line in the traditional China, also, they become unaware of their accessory of the modern narrative in Chinese context. Therefore it is wished to make clear the theory conformation in which these ambiguous ideas rooted and how they locate themselves in their discrepant representations. The point of view brought in this article concerned with the problem that how to activate the mental vitality of the postmodern theory in the area of history criticism. It can be seen, more or less, in the constructive rebuilt of the mass memory and the daily record in the sociology, anthropology and the history studies.

从二十世纪九十年代至今,中国学界以“后”相标榜的各种理论思潮风起云涌,似成蔚然大观之势,但实际上当中国后学的始作俑者从西方现代理论自我反省的边缘地带获得沟通两个世界的合法通行证时,却抛弃了后现代理论本应具备的有效反思能力;其后风行于中国大陆学界的各种“后现代”理论,不但在西方的各色殖民话语面前显得身份暧昧,又与中国自身文化脉络中的种种遗绪纠葛不清,同时还不知不觉地承担着在中国将现代化叙事进行到底的奇特使命。因此有必要厘清这些流行于中国知识界的后现代思潮藉以确立自已身份所依附的理论形态,以及他们在表述过程中所形成的角色位置。同时作者认为,在历史研究领域,弥散于社会学、人类学和史学之间的对传统社会中民众记忆与日常生活进行复原式寻究的动向,却多少折射出了一些“后现代”理论的批判能量。

 
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