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women poetry
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  女性诗歌
     Rebellious Oriental Women--A Brief Qnalysis of Women Poetry in 1980S
     东方叛逆的女性——浅论二十世纪八十年代"女性诗歌
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  “women poetry”译为未确定词的双语例句
     On Subject Orientation of Women Poetry during Wei, Jin, Southern and Northern Dynasties
     魏晋南北朝妇女诗歌的主题取向
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     Chapter Ten discusses the women poetry.
     第五章至八章,论述山左诗群、晋安诗派与江、浙诗
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     Since Yuan,Ming,Qing Dynasties,upper_class women have been pursuing bold and unconstrained style in literary creation and formed a writing group of women poetry and Tanci (local opera in Wu);
     吴地自元、明、清以来,上层女子在文学创作中以追求豪放洒脱为荣,并形成了女子诗文、弹词的创作群体;
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  相似匹配句对
     Desire Poetry for Women
     女性想象的欲望诗学
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     Poetry
     诗
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     A Comparative Approach to "Women's Poetry
     互文视野中的“女性诗歌”
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     "POETRY" AND "PROSE"
     “诗”与“散文”
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     Depression in women
     女性抑郁症
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LI Qing-zhao, the outstanding woman poetry writer in Song dynasty, was the typical character of the euphemistic writing in South Song. Most of her poetries described the sad feelings of girl's love and the sorrow missing of separation. The subject was limited and very narrow. However, LI Qing-zhao's poetries had a special characteristic and was highly thought of having very important literature value. It was considered to be " fresh and euphemistic", "pretty and elegant". This paper combined LI Qing-zhao's...

LI Qing-zhao, the outstanding woman poetry writer in Song dynasty, was the typical character of the euphemistic writing in South Song. Most of her poetries described the sad feelings of girl's love and the sorrow missing of separation. The subject was limited and very narrow. However, LI Qing-zhao's poetries had a special characteristic and was highly thought of having very important literature value. It was considered to be " fresh and euphemistic", "pretty and elegant". This paper combined LI Qing-zhao's creating style and her family character and tried to compare her poetry with LIU Yong and other Euphemistic writers. I did all this so as to show LI Qing-zhao's Euphemistic and exquisite woman characteristic and her fresh, elegant art style.

李清照是宋代最为杰出的女词人,南宋婉约派词人的代表。她的词内容多以描写闺阁情思、离情别苦为主,题材比较狭窄。然其风格独特、艺术价值很高,有“婉娈清新”、“隽秀”、“高雅”的称誉。本文拟结合词作者的出身气质和诗词的创作理论,并与柳永等婉约词人加以比较,以凸显清照词“婉娈”细腻的女性特质和“高雅”、“清新”的艺术风格。

Since Yuan,Ming,Qing Dynasties,upper_class women have been pursuing bold and unconstrained style in literary creation and formed a writing group of women poetry and Tanci (local opera in Wu);Women of middle and lower classer have been laboring in different trades and seeking for economic independence.They have conceived the consciousness of self_improvement and "inner firmness" in their different life.This consciousness,merged with the ideas of modern women's rights and sex equality,has formed...

Since Yuan,Ming,Qing Dynasties,upper_class women have been pursuing bold and unconstrained style in literary creation and formed a writing group of women poetry and Tanci (local opera in Wu);Women of middle and lower classer have been laboring in different trades and seeking for economic independence.They have conceived the consciousness of self_improvement and "inner firmness" in their different life.This consciousness,merged with the ideas of modern women's rights and sex equality,has formed the quality of "inner firmness with gentle appearance" and contributed internal dynamic force to the social development of Wu area.

吴地自元、明、清以来,上层女子在文学创作中以追求豪放洒脱为荣,并形成了女子诗文、弹词的创作群体;中下层女子从事各种行业的劳动,谋求经济自立。她们在各自人生的征途中,自发萌生了自强、"内刚"的意识。在吴地近代化历程中,吴地女子的这一意识与近代女权、男女平等思想的融合,形成了"外柔内刚"的品性,为吴地社会的发展增添了内动力。

After entering the new century "the wings of women poetry descend downwards again and again".While clinging to everything material of this world and the secular life,women's poetry manages to pursue the ideal and dream of the other world;while submitting to the material culture of the consuming age,women's poetry stands above transcendentally in the spiritual realm of a gradually maturing subjective consciousness.This reveals both their sharp sensitivity to and great interest in...

After entering the new century "the wings of women poetry descend downwards again and again".While clinging to everything material of this world and the secular life,women's poetry manages to pursue the ideal and dream of the other world;while submitting to the material culture of the consuming age,women's poetry stands above transcendentally in the spiritual realm of a gradually maturing subjective consciousness.This reveals both their sharp sensitivity to and great interest in the items,matters,images and states of matters,and also demonstrates their confidence in endeavoring to achieve the isomorphism of both the material and the spiritual,the reconciliation of the two contradictive sides,and the accomplishment of both the rose and the poetry.Thus women's poetry acquires a dynamic writing strategy and an artistic expressive force,namely,the expression of the material,in expressing the feminine experience,manifesting the subjective consciousness and purifying the primitive truth of human nature.This reflects that women's poetry,through its unique artistic tension,both echoes and advances the consuming culture,and reflects the extension of the writing field of women's poetry and the possibility of a new artistic tendency.

进入21世纪,女性诗歌写作之翼“一再沉降”,紧贴着此岸世界行而下的世事万物与世俗生活,又能向着彼岸世界的理想与梦想抽身而出;既俯首委身于消费时代的物质文化,又君临超度在主体意识渐趋成熟的精神王国;不仅表现出女诗人对物品、物事、物象、物态的高度敏感和兴致,而且表现出她们向着物质与精神同构、鱼与熊掌兼得、玫瑰与诗心共赴的自信与努力,使女性诗歌在抒写女性经验、张扬主体意识、澄明人性本真的过程中获得了一种富有活力的写作策略和艺术表现力———物性抒写,映现出女性诗歌以其特有的艺术张力呼应并推动着消费文化,显示出一种新的女性诗歌写作场域的拓展和审美向度的可能。

 
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