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ancient chinese female
相关语句
  古代女性
    Ancient Chinese Female Consciousness--From the Primitive to Confucian Ritualism
    中国古代女性意识——从原始走向封建礼教
短句来源
    Features of Misery Feelings in the Works of Ancient Chinese Female Poets
    中国古代女性诗人创作的忧患意识特征
短句来源
    From the view of culturology, exploring the history of ancient Chinese female consciousness and understanding wholly the meaning of ancient art of China are the purpose of this thesis
    从文化学的视角探讨中国古代女性意识的进程,更深刻地理解中国古代文化的意蕴,正是本文的宗旨所在。
短句来源
    Focusing on the form and technique of expression, this article expounds the features of misery fedings in the works of ancient Chinese female poets: decentralization, concealing,introspection and sensibility.
    偏重于表现形式和方法,阐述了中国古代女性诗人创作的忧患意识特征:分散性、隐蔽性、内省性和易感性。
短句来源
    The Ci written by female singer of the Song Dynasty, together with fair maids and daughters of rich families ,became one of the ancient Chinese female literature and had their special charm .
    歌妓的词作,与淑女词闺妇词一起汇聚成中国古代女性文学之一流,别具风姿。
短句来源
  中国古代女性
    Ancient Chinese Female Consciousness--From the Primitive to Confucian Ritualism
    中国古代女性意识——从原始走向封建礼教
短句来源
    Features of Misery Feelings in the Works of Ancient Chinese Female Poets
    中国古代女性诗人创作的忧患意识特征
短句来源
    From the view of culturology, exploring the history of ancient Chinese female consciousness and understanding wholly the meaning of ancient art of China are the purpose of this thesis
    从文化学的视角探讨中国古代女性意识的进程,更深刻地理解中国古代文化的意蕴,正是本文的宗旨所在。
短句来源
    Focusing on the form and technique of expression, this article expounds the features of misery fedings in the works of ancient Chinese female poets: decentralization, concealing,introspection and sensibility.
    偏重于表现形式和方法,阐述了中国古代女性诗人创作的忧患意识特征:分散性、隐蔽性、内省性和易感性。
短句来源
    The Ci written by female singer of the Song Dynasty, together with fair maids and daughters of rich families ,became one of the ancient Chinese female literature and had their special charm .
    歌妓的词作,与淑女词闺妇词一起汇聚成中国古代女性文学之一流,别具风姿。
短句来源
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Focusing on the form and technique of expression, this article expounds the features of misery fedings in the works of ancient Chinese female poets: decentralization, concealing,introspection and sensibility.

偏重于表现形式和方法,阐述了中国古代女性诗人创作的忧患意识特征:分散性、隐蔽性、内省性和易感性。

Male domination and female subordination, as the conception of female generated from the doctrine of the Confucians, once dominated through out the Feudalism society of China. Whereas we can see, from the record of Shih-Shuo Hsin-Yu, that an outstanding and unique colony existed in the history of ancient Chinese female. The appearance of this colony reflected two trends during the Wei-Jin Dynasty押 first, the Confucianism was on the decline鸦 second, the atmosphere of the advocating by the ability...

Male domination and female subordination, as the conception of female generated from the doctrine of the Confucians, once dominated through out the Feudalism society of China. Whereas we can see, from the record of Shih-Shuo Hsin-Yu, that an outstanding and unique colony existed in the history of ancient Chinese female. The appearance of this colony reflected two trends during the Wei-Jin Dynasty押 first, the Confucianism was on the decline鸦 second, the atmosphere of the advocating by the ability and intelligence, and the social customs of personage judgments were prevailing.

儒家男尊女卑的女性观在中国封建社会的女性观中占主导地位,但是从《世说新语》的记载中,我们看到了一个在中国古代女性史上独树一帜的群体,这一群体的产生正是魏晋时期儒学衰微而玄学盛行,以及其崇尚才智的审美风尚和品藻人物的社会风气的反映。

The female singer of the Song Dynasty expressed in Ci, their wish to reform and setle down ,their looking forward to a happy life and their missing for their lovers.But some of the Ci written by them in feast did not receive respect for their lowly social status. The Ci written by female singer of the Song Dynasty, together with fair maids and daughters of rich families ,became one of the ancient Chinese female literature and had their special charm .

宋代歌妓用词抒写她们灵魂深处哀怨凄绝的呼声:沦落风尘的屈辱、脱籍从良的愿望、对爱情的向往与追求,对情人的相思缅怀;那些酒席间的溢美之词,则是由于她们地位的卑微与被动而唱的言不由衷之曲。歌妓的词作,与淑女词闺妇词一起汇聚成中国古代女性文学之一流,别具风姿。

 
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