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戏剧电影与电视艺术
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the chinese opera
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  中国歌剧
     This paper, from the historical angle, studies the artistic value and the characteristics of nationalization process of the Chinese opera creation (herein after called NPCOC).
     本文从历史的角度研究了中国歌剧创作民族化进程的艺术价值和特征。
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     Influenced by the traditional operas, the aesthetic value of "the Way of Singing" in the the art of the Chinese opera expresses meaningful emotions.
     中国歌剧演唱艺术"戏歌唱法"由于受到传统戏曲的影响,其美学价值是达意之情,美学理想是韵味。
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     The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century
     论20世纪中国歌剧创作的民族化进程
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     Second chapter, according to the time order of the creation development of the Chinese opera, described the nationalization process of Chinese opera.
     第二章,按照中国歌剧创作发展的时间顺序描述中国歌剧的民族化进程。
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     Then brings out the nationality points of Chinese opera creation, namely, how the Chinese opera creation inherits and absorbs the distillate of western outstanding opera work and Chinese traditional musical artwork.
     然后引出中国歌剧创作发展的民族化问题,即中国歌剧的创作如何传承和吸纳西方优秀歌剧作品和中国传统音乐艺术作品的精要。
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  “the chinese opera”译为未确定词的双语例句
     The studies of the Chinese opera made great progress during the second half of 20th century, especially in the 50’s and the 80’s.
     中国民族戏剧的研究在20世纪后半叶取得了相当可观的实绩,这在50年代、80年代这两个时间段表现得尤为突出。
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     The second part analyses the flourishing of play market in the Suit Dynasty and the Tang dynasty, and demonstrates its preparation for the Chinese Opera market on two sides of art and audiences.
     第二部分,分析戏曲诞生之前,隋唐时期戏乐表演艺术市场的繁荣情况,指出它为后世戏曲市场做了艺术和观众两方面的准备,并重点论述了市场对戏剧艺术有推动和制约的双重作用。
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     The Exploration on the Artistic Characteristics of the Chinese Painting and the Chinese Opera
     中国画与中国戏曲的艺术特征探微
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     This thesis discusses Liang Qichaos opera creation and its influence on the Chinese opera in early 20th century.
     本文讨论梁启超的戏曲创作及其对20 世纪初中国戏曲变革的影响。
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     How will the Chinese Opera face the Time of Cultural Economy?——The Problem of Audience and the Market Strategy
     戏曲如何应对文化经济时代——戏曲的观众问题与市场策略探析
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     谈谈中国大漆
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     The Chinese Sheng
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The Chinese operas have undergone two important changes for the last hundred years. But they are different from the previous changes in history —from the operas in Song and Yuan Dynashes to short stories .in Ming and Qing Dynasties and from Kun opera to Beijing opera. They have designated a fundaental change in both theatrical view point and theatrical aesthetics. The first change took place during the twenty years before and after "May 4 Movement", thus completing the transition for...

The Chinese operas have undergone two important changes for the last hundred years. But they are different from the previous changes in history —from the operas in Song and Yuan Dynashes to short stories .in Ming and Qing Dynasties and from Kun opera to Beijing opera. They have designated a fundaental change in both theatrical view point and theatrical aesthetics. The first change took place during the twenty years before and after "May 4 Movement", thus completing the transition for the Chinese theatre and drama from the classic to the modern time. The second change occurred from the eighties up until now and it has resulted in a more open and multi-styled theatre, issuing a new era for modern theatre. The two changes are linked with the western theatre influences which are both similar and different. The difference carrirs more significance.

中国戏剧近百年来经历了两次重大变化。这种变化与以前历史上发生过的从宋元南戏、杂剧到明清传奇、从昆曲到京剧的变化不同,这是戏剧观念和戏剧美学体系的根本变化。第一次变化发生在“五四”前后的二十多年间,其结果是完成了中国戏剧从古典时期向现代时期的过渡。第二次变化发生在八十年代初至今的十多年间,至今还在延续中,其初步结果是形成了戏剧艺术的开放性、多元性格局,把戏剧现代化推向了一个新时期。两次变化均与西方戏剧的影响有关,故曰“两度西潮”。但“两度”相比,有同亦有异。其相异之点,含有深刻的历史教训。

The Chinese opera is the essential component of Chinese culture, also has its unique place in the treasure-house of world culture. Up to now, there are more than 300 types of drama in performance, showing its great vitatity. The performance place was driproved along with the development of opera, as form the utilization of natural topography, to arena, stage and storeyed building, also as from balustrade arena to theatre.The development of Chinese theatre is the silhouette of the development...

The Chinese opera is the essential component of Chinese culture, also has its unique place in the treasure-house of world culture. Up to now, there are more than 300 types of drama in performance, showing its great vitatity. The performance place was driproved along with the development of opera, as form the utilization of natural topography, to arena, stage and storeyed building, also as from balustrade arena to theatre.The development of Chinese theatre is the silhouette of the development of Chinese social history. This article gives a brief narration and analysis in the field of traditional Chinese theatre.

中国戏曲是中国文化的重要组成部分,在世界文化宝库中具有独特的地位。中国戏曲发展至今已有300多个剧种在演出,表现出了强大的生命力。供它演出的场所随着它的发展而不断地改进:从利用天然地形逐渐出现戏场、戏台、大戏楼,从勾栏逐渐成为戏园、剧场。中国观济建筑的发展演变有如中国社会历史发展的一幅侧影。本文对此做了简单的记述分析。

This thesis discusses Liang Qichaos opera creation and its influence on the Chinese opera in early 20th century. The author holds that in the style, theme, character, plot and conflict, and speech in opera, Liang Qichaos probe and innovation influenced the total style and features of the development of the Chinese opera in early 20th century, and, on the other hand, left some practical experience and lesson deserving summarizing and reflecting. \ \

本文讨论梁启超的戏曲创作及其对20 世纪初中国戏曲变革的影响。指出:梁启超的戏曲创作,在样式、题材、人物、情节与冲突、语言等各个方面都进行了探索和革新,这既影响和规定了本世纪初中国戏曲发展的总体风貌和历史走向,也留下了值得认真总结、深入反思的实践经验和创作教训。他的戏曲创作与他在文学理论、散文、诗词、小说等方面的成就一道,构成了梁启超这座20 世纪中国文学的一大高峰,这座高峰承前启后,对20 世纪中国文学产生了至今犹在的深远影响

 
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