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living literature
相关语句
  活文学
     Chapter One introduces the lived and living literature and the translating characteristics of modern classical Chinese writing, which are the two explicit backgrounds related to the revolution of the New Poetry.
     第一章介绍死文学活文学和现代文言写作的翻译性两个与论文直接相关的背景。
短句来源
     The division of Chinese literature into living literature, which is vivid and popular, and dead literature, which is orthodox and rigid, is Hu Shi’s main contribution to the studies of literary history.
     将中国文学按表现工具分成民间兴起的生动的“活文学”和正统的、僵化的“死文学”,这一文学史理论假设,是胡适文学史研究的主要贡献。
短句来源
  “living literature”译为未确定词的双语例句
     Hu Shi on Living Literature
     胡适论“活的文学”——民间文学之文学性探析
短句来源
     From the works we can directly feel and approche relation between literature and living , literature and life, furthermore deeply analyzed displaying unique means of theirs' own ,even their lonely and melancholy emotion of not only same but difference.
     从作品出发我们可以更直接地感受和接近二人表现出的文学与人生、文学与生命的真挚联系,也从这里更进一步分析两位作者各自独特的表现手法,乃至她们既相似又不相同的寂寞而忧郁的情调。 第二部分:分析文本中的悲剧意识背后的两位女性作家短暂人生经历、独
短句来源
     Those displayed that Yu was paying attention to and thinking about self-consciously the living literature phenomena in his critical practice.
     这些显示出他在文学批评实践活动中对活的文学现象的关注与自觉思考。
短句来源
     To a certain extent, there is an expensive innermost world hidden behind the living literature world.
     从一定意义上讲 ,在文学的生活世界背后 ,隐存着一个无限深广的心灵世界。
短句来源
     This paper names these literature works as "post-boudoir literature" and analyzes their value and characteristics in order to rationally evaluate this living literature phenomenon.
     对此类文学作品给以“后闺阁文学”的命名,并对其特点和价值的分析,有助于给当下这一鲜活的文学现象以合理的定位。
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  相似匹配句对
     Hu Shi on Living Literature
     胡适论“活的文学”——民间文学之文学性探析
短句来源
     Living E.
     应用电镜细胞化学技术观察 E.
短句来源
     Living Conception Turning and the Literature Consumptions
     当代城市消费与文学叙事策略
短句来源
     Literature and Fashion
     文学与时尚
短句来源
     The Joy of Living
     生活的乐趣
短句来源
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  living literature
It is a matter for both surprise and disappointment that so little has been written from a philosophical perspective about the moral tradition enshrined in Europe's oldest living literature, the Icelandic sagas.
      


People's external behaviors are controlled by the internal soul. People's behaviors are in fact the extending of their souls. To a certain extent, there is an expensive innermost world hidden behind the living literature world. Literary and refined scholars describe life picture scrolls full of life passions, multi-implications and vague windings. As a special period in the history, in the late Tang Dynasty literary and refined scholars use the sad and plaintive tone to moan the declining and poor society...

People's external behaviors are controlled by the internal soul. People's behaviors are in fact the extending of their souls. To a certain extent, there is an expensive innermost world hidden behind the living literature world. Literary and refined scholars describe life picture scrolls full of life passions, multi-implications and vague windings. As a special period in the history, in the late Tang Dynasty literary and refined scholars use the sad and plaintive tone to moan the declining and poor society as well as the ups and down of their life. They enriched their hardship and suffering in poems, which revealed a sad and depressed innermost world tactfully and sang lonely and grieved dirge for the tragic times. The end of an era makes the soul of poets' melancholy and mournful, the psychology of the poets fragile and the aesthetic standard changed a lot.

内在心灵支配着人的外在表现 ,人的行为实际上是心灵的外向化。从一定意义上讲 ,在文学的生活世界背后 ,隐存着一个无限深广的心灵世界。文人们用独特的心灵感悟及审美意象编制织出一幅幅充满生命激情、多重意蕴、含蓄委曲的生活画卷。晚唐作为我国历史上的一个特殊时期 ,导致文人用凄怨和感伤的笔调 ,喟叹世运的衰贫和身世的飘零 ,把心灵的创伤、生活的磨难和痛苦的经历 ,浓缩在一首首诗篇中 ,委婉曲折地展示了一个幽咽凄迷的内心世界 ,展现出一幅哀感顽艳的心灵图画 ,为悲剧的时代唱出了一曲曲凄清的挽歌。时代之暮使诗人的心灵忧郁悲怆 ,时代之暮使诗人的心态趋于弱质内敛 ,时代之暮使诗人的审美追求发生了变化。

The division of Chinese literature into living literature, which is vivid and popular, and dead literature, which is orthodox and rigid, is Hu Shi’s main contribution to the studies of literary history. The idea of new literature originating from the people is a heavy blow to the aristocratic literature and traditional thought. His “destructive retelling” is very original and inventive in spite of some weaknesses and biases.

将中国文学按表现工具分成民间兴起的生动的“活文学”和正统的、僵化的“死文学”,这一文学史理论假设,是胡适文学史研究的主要贡献。胡适提出新文学的来源皆在民间,打击了贵族文学和传统思想。胡适在文学史研究中的“破坏性重述”,思路新奇,见解独到,框架体例别致,但也存在着诸多空疏与偏颇。

Since the beginning of the 21st century,with the popularizing of network and with the rising of popular culture,more and more female writers begin to use words to describe their living frustration and their feelings.A lot of female literature works which describe love,marriage,aesthetic style and fashion trends emerge.Because there is a certain gap between these literature works and main trend words,the works are not paid attention to by theoretical circle.This paper names these literature works as "post-boudoir...

Since the beginning of the 21st century,with the popularizing of network and with the rising of popular culture,more and more female writers begin to use words to describe their living frustration and their feelings.A lot of female literature works which describe love,marriage,aesthetic style and fashion trends emerge.Because there is a certain gap between these literature works and main trend words,the works are not paid attention to by theoretical circle.This paper names these literature works as "post-boudoir literature" and analyzes their value and characteristics in order to rationally evaluate this living literature phenomenon.

本世纪以来,随着互联网的普及和大众文化的兴起,越来越多的女性开始借助文字来书写自身的生活遭际与点滴感受,于是诞生了一大批以描写女性爱情婚姻为题材,具唯美风格和时尚化倾向的女性文学作品。由于其与主流话语存在一定距离,故长期以来未受到理论界的重视。对此类文学作品给以“后闺阁文学”的命名,并对其特点和价值的分析,有助于给当下这一鲜活的文学现象以合理的定位。

 
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