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european painting
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  欧洲绘画
     On the base of clarifying the developing process from Orientalism, Japonisme to Primitivism, the author mainly analyzes how exotic factors influenced European painting, both in theme and form, and extends the effect to the level of culture and society for further investigation. The thesis is expected to discover multiplicate motivity at the turning point of European painting from tradition to modern in 19th century, and open out the modes of constructing exotic civilizations.
     在对绘画中东方主义、日本主义到原始主义的演变过程进行简要梳理的基础上,本文主要分析了外来因素对欧洲绘画题材与形式的介入,并将这种影响扩展至文化、社会层面来考察,旨在揭示出19世纪欧洲绘画从传统向现代转型过程中的诸多因素,以及在这一过程中对异域文明的构建方式。
短句来源
     The naturalism、 photography、 optics study result of Europe in 19th century and Japanese art have exerted great influence on European painting. What leads to a great innovation of Western art at the end of 19th century and is considered as the most innovative movement since renaissance in the history of European art is the appearance of Impressionism.
     十九世纪末,自然主义思潮的兴起、摄影术的发明、光学研究的成果以及远道而来的东方艺术,都对欧洲绘画产生了深刻的影响,导致西方艺术经历了一场巨大的变革,被认为是欧洲美术史上自文艺复兴以来最具革命性的运动,那就是印象派的产生。
短句来源
     In the European painting history,15 century that is to say the Renaissance is an absolutely important period.
     在欧洲绘画史上,15世纪即文艺复兴时期无疑是非常重要的时期。
短句来源
  欧洲绘画的
     The Influence of Photography on 19th Century European Painting
     摄影术的发明对十九世纪末欧洲绘画的影响
短句来源
  “european painting”译为未确定词的双语例句
     On European Painting Character of Early Renaissance
     文艺复兴早期绘画表现形式特点分析
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  相似匹配句对
     On European Painting Character of Early Renaissance
     文艺复兴早期绘画表现形式特点分析
短句来源
     On Traditional Chinese Painting and European Landscape Painting
     漫议山水画和风景画
短句来源
     Painting and Selling
     创作与经营
短句来源
     Analysis of Painting
     浅析塔玛拉·德伦皮特卡的绘画艺术
短句来源
     Lessons from the Development of the European
     欧洲成品油零售市场发展给我们的启示
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  european painting
In 1925 Franz Roh coined the term 'magical realism' in reference to a new artistic tendency he saw appearing in European painting.
      
European painting, sculpture and architecture as social and political events ranging from the French Revolution to 1900.
      


Sadism assumes a kind of special cultural phenomenon in Europe since the ancient times. This paper features a discussion on this cultural phenomenon represented in Hugo's Notre_Dame de Paris. Sadism is implied in some parts of the novel like Quasimodo being whipped, Claude watching Esmeralda under torture and his maltreatment to himself. All this shows much similarity to the sadistic art expressed in European paintings and sculptures, and expresses a kind of beauty of cruelty and pain.

性虐活动是欧洲古往今来特有的文化现象,本文认为,这种现象在雨果的《巴黎圣母院》中时有隐现,小说中加西莫多受鞭刑和克罗德观看对爱斯梅哈尔达的拷问并自虐致伤等情节隐含着性虐色彩,这和渗透在欧洲绘画雕塑中的性虐艺术趣味相似,透现出一种苦乐相生、痛快相承的残酷痛苦之美。

The word “Tempera” originated in ancient Greek, meaning blend and mixture. Later on it referred to paintings drawn by aqueous solution agent, gluey paint and binding chemical agents and it was often used to draw pictures by milky binding chemical agents, such as eggs. Tempera draming skill and technique are classical transparent skill and technique with thin layers, that is, the indirect drawing skill and technique with transparent and semitransparent pigments covering alternately, which is different from...

The word “Tempera” originated in ancient Greek, meaning blend and mixture. Later on it referred to paintings drawn by aqueous solution agent, gluey paint and binding chemical agents and it was often used to draw pictures by milky binding chemical agents, such as eggs. Tempera draming skill and technique are classical transparent skill and technique with thin layers, that is, the indirect drawing skill and technique with transparent and semitransparent pigments covering alternately, which is different from the direct drawing skill in oil paintings. Tempera drawing skills have been playing an important role in traditional European painting and have a profound impact. Tempera drawing skills are independent material system of drawing skill and technique, which differentiate themselves from oil painting and acrylic painting materials.

坦培拉是英文“Tempera”的音译,来源于古意大利语,意为“调和、搅拌”,后泛指一切由水溶性、胶性颜料及结合剂组成的绘画,也常单用于鸡蛋等乳性胶结合剂组成的绘画;坦培拉绘画技法是古典多层薄涂的透明技法,也就是透明色与半透明色交替覆盖的间接画法,它不同于油画中的直接画法。坦培拉绘画艺术在欧洲传统绘画中非常重要且影响深远,它是区别于油画与现代丙烯材料的独立的技法材料体系。

As a special painting method, Tempera once played a very important role in European painting history. But till now, few peple in China have a good underdanding of it. The paper introduces the ground-making method of traditional Tempera painting which belongs to the european medieval painting style.

坦培拉绘画做为一个特殊的绘画技法,在欧洲画史中曾占有非常重要的地位,绘画制底则需要不同的材料和方法

 
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