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female body writing
相关语句
  女性身体写作
     Breaking through the Body—— On the Female Body Writing in the Post-modernism Cultural Context
     从身体突围——论后现代文化语境中的女性身体写作
短句来源
     In the history of Chinese contemporary literature, sex narration", which was disguised in the writing of revolutionary feeling" and class friendship" for the first 30 years, then developed into the sex enlightenment writing" in the 80s, and evolved into female body writing" and lust writing" in the 90s, underwent the two stages of deconstruction against holiness" and elucidation and restoration".
     在中国当代文学史上 ,从前 30年中被打扮成“革命感情”、“阶级友谊”到 80年代的“性启蒙” ,再到 90年代商业经济背景下的女性身体写作与欲望写作 ,“性叙事”的生成与发展经历了一个“消解神圣”与“除蔽还原”的过程。
短句来源
     It is undeniable that the female body writing has become a grand cultural phenomenon in the arena of Chinese ideology and culture.
     女性身体写作成为中国思想文化土壤上重要的蔚为壮观的文化事象,这已是一个不争的事实。
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  “female body writing”译为未确定词的双语例句
     Female Body Writing and Metaphor in Xiao Hong's Early Fictions
     萧红早期小说中的女体书写与隐喻
短句来源
     However, such style of “female body writing” also indicates an inevitable paradox and mortal provinciality.
     但这种“女性肉体写作方式”也包含着不可逃避的悖论与致命的偏狭
短句来源
     However,the internal logic of female body writing interfered with the production of text meaning at another level,revealing the writer's female consciousness that had not vanished totally.
     然而,女身书写的自身逻辑却在另一层面干扰着文本意义的生成,不自觉地流露出作者未被泯灭的女性意识。
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In the history of Chinese contemporary literature, sex narration", which was disguised in the writing of revolutionary feeling" and class friendship" for the first 30 years, then developed into the sex enlightenment writing" in the 80s, and evolved into female body writing" and lust writing" in the 90s, underwent the two stages of deconstruction against holiness" and elucidation and restoration". Correspondingly, there have emerged five genres of narration discourse: state myth discourse",...

In the history of Chinese contemporary literature, sex narration", which was disguised in the writing of revolutionary feeling" and class friendship" for the first 30 years, then developed into the sex enlightenment writing" in the 80s, and evolved into female body writing" and lust writing" in the 90s, underwent the two stages of deconstruction against holiness" and elucidation and restoration". Correspondingly, there have emerged five genres of narration discourse: state myth discourse", enlightenment discourse", power discourse", monologue discourse", and symphony discourse".

在中国当代文学史上 ,从前 30年中被打扮成“革命感情”、“阶级友谊”到 80年代的“性启蒙” ,再到 90年代商业经济背景下的女性身体写作与欲望写作 ,“性叙事”的生成与发展经历了一个“消解神圣”与“除蔽还原”的过程。与之相应 ,也出现了五种叙事话语形态———国家神话、启蒙话语、权力话语、私语独白、复调话语

Since the mid 80s, women′s poetry has been in a state of extreme activity and utter loneliness. A galaxy of women poets kept producing new and great works, in the style of body writing, to vent women′s sex instinct and thirst suppressed at the bottom of their heart and fettered in their subconsciousness for centuries long, with a view to rewriting the women′s history of “being covered” and “being said” as that of “being fully open” and “being verbally active”. These works convey an extremist protest and rebellion...

Since the mid 80s, women′s poetry has been in a state of extreme activity and utter loneliness. A galaxy of women poets kept producing new and great works, in the style of body writing, to vent women′s sex instinct and thirst suppressed at the bottom of their heart and fettered in their subconsciousness for centuries long, with a view to rewriting the women′s history of “being covered” and “being said” as that of “being fully open” and “being verbally active”. These works convey an extremist protest and rebellion against the system, conception, and discourse of man chauvinism and demonstrate the positive meaning of cultural rebellion interwoven with modernism and post modernism. However, such style of “female body writing” also indicates an inevitable paradox and mortal provinciality.

女性诗歌自 80年代中期以来 ,一直处于一种极为活跃又极为寂寞的状态。一批女诗人不断推出新作力作 ,以敞开女性血肉真实的“躯体写作”语言方式 ,惊世骇俗地抒泻着女性千百年来一直压抑在心中、死灭于潜意识里的性爱本能欲望的冲动与渴求 ,力图将女性“被遮蔽”、“被言说”的历史 ,改写成“完全敞开”、“主动言说”的历史 ,表达了对男权制度、男权意识、男权话语的一种极端化抗议与颠覆 ,显示出一种现代主义与后现代主义交互渗透的文化反抗的积极意义。但这种“女性肉体写作方式”也包含着不可逃避的悖论与致命的偏狭

In Chi Li's current works, there is an obvious inclination in her observing male, which can be divided into three kinds: the perspective of the female character, the perspective of the female character and the narrator, and the perspective of the female narrator. Different perspectives lead to different attitudes towards male. Her works turn the traditional female's status in the novels, who used to be observed, into the ones of observing male. This is the transcendence of female...

In Chi Li's current works, there is an obvious inclination in her observing male, which can be divided into three kinds: the perspective of the female character, the perspective of the female character and the narrator, and the perspective of the female narrator. Different perspectives lead to different attitudes towards male. Her works turn the traditional female's status in the novels, who used to be observed, into the ones of observing male. This is the transcendence of female body writing which makes the femal novels extricate itself from a passive and isolated position.

池莉近作显示出强烈的审视男性的倾向 ,并提供了三种打量男性的视角 :女性主人公视角、女性主人公兼叙述人视角以及女性叙述人视角 ,不同的视角表达对待男性的不同态度。它们使女性由通常的被看变为观看他人 ,是对女性“躯体写作”的超越 ,同时使女性言说得以摆脱被动和隔绝的状态。

 
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