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calligraphic history
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  书法史
     The calligraphy of the Six Dynasties is known as the most brilliant achievement in Chinese Calligraphic history and it reaches the highest historic peak of Chinese calligraphic arts and culture.
     六朝书法是中国书法史上最辉煌的篇章,是中国书法艺术与文化的历史高峰。
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     Therefore,an objective evaluation of his place in calligraphic history is necessary.
     因此应该客观的评价他在书法史上的地位。
短句来源
     In Chinese calligraphy esthetics, " the Handwriting Mirrors the Calligrapher" is a long-standing proposition, which once was the main critique mode in the calligraphic history.
     “书如其人”是中国书法美术史上一个由来已久的命题,曾一度成为书法史上主流的批评模式。
短句来源
     With long history and large quantity of scripts, they are rare sources in the Chinese calligraphic history and the important materials to study Chinese calligraphy.
     这些时代久远,数量巨大,风格多样的写本,是中国书法史上最为珍贵的资料,是认识和研究中国书法史不可不知的内容。
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     This thesis expatiated on Bao Shichen's life background and his works, calligraphic history, calligraphic theory, and method of learning calligraphy, which is supposed to achieve a comprehensive, objective and perspicuous research on Bao Shichen's science of calligraphy.
     本文试从包世臣的生平与著述、包世臣对中国书法史的研究、包世臣的书法理论、包世臣对学书方法的论述等方面进行探讨,以期对包世臣的书学作出较为全面、客观、明晰的认识。
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  “calligraphic history”译为未确定词的双语例句
     His thought and practice not only made up the deficiency of the theory about advocating Bei in Qing dynasty but also is instructive for us to acquire a new understanding of the calligraphic history of Qing dynasty.
     他的思想与书法实践不仅矫正与弥补了清代崇碑理论的偏颇之处,对我们重新认识清代书法发展状况也有不少有益的启示。
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  相似匹配句对
     History
     历史(英文)
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     Reconsideration of Cai Jing's Place in Calligraphic History
     对蔡京书法史地位的再讨论
短句来源
     The History of the Future
     未来的历史事件
短句来源
     Therefore,an objective evaluation of his place in calligraphic history is necessary.
     因此应该客观的评价他在书法史上的地位。
短句来源
     Calligraphic factor in design
     现代服装设计中的书法精髓
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In the late Ming dynasty the large scroll of running,cursive calligraphy (hung in the middle of the wall of the main room) is the expression of unceasing progress and further elaboration in scroll calligraphy.It emerged on the request of aesthetic standard and of calligraphers' art pursuit at that time. The development in the styles of the Ming's buildings and the progress in silk making as well as paper making just went along with the growth of Chinese calligraphy. The large scroll marked three successful...

In the late Ming dynasty the large scroll of running,cursive calligraphy (hung in the middle of the wall of the main room) is the expression of unceasing progress and further elaboration in scroll calligraphy.It emerged on the request of aesthetic standard and of calligraphers' art pursuit at that time. The development in the styles of the Ming's buildings and the progress in silk making as well as paper making just went along with the growth of Chinese calligraphy. The large scroll marked three successful transformations in Chinese calligraphic history:a) from short, simple artistic creation to horizontal or vertical hanging scroll calligraphy;b) from small characters to big characters;c) from writing while sitting to writing while standing. It greatly enriched the content of Chinese calligraphy, and with its artistic merits it became most splendid,being a milestone in the Ming's and even China's calligraphic history.Owing to its wonderful annotation to the artistic patterns of the Ming's calligraphy, the large scroll stood side by side with different styles of the Jin, Tang, Song and Yuan dynasties in the Chinese calligraphic history.This success will continuously promote the growth of Chinese calligraphy,and also be a reference for the coming generations.

晚明高堂大轴行草是轴类书法不断发展、张扬极致的表现。它的出现主要缘于晚明时代审美风尚和晚明书家艺术追求的双重需要、明代建筑样式的发展以及纸绢等制造术的进步 ,契合了书法艺术发展的自律性。它的出现 ,标志着中国书法史上“三大转变” (A .案头品→壁上观 ;B .小字→大字 ;C .坐书→立书 )共时空、具整合性质的成功确立 ,极大地丰富和发展了中国书法艺术的内质。晚明巨轴行草以其伟大的艺术成就成为明代书法史乃至中国书法史上最辉煌的一页 ,并以它对明代书法在艺术形态上所作的最精彩的实践诠释而与各具风采的晋、唐、宋、元书法并列于中国书法史。它的成功 ,必将不断地推动中国书法艺术的发展 ,并一直作为后世书法艺术创作的一个参照。

In Chinese calligraphy esthetics, " the Handwriting Mirrors the Calligrapher" is a long-standing proposition, which once was the main critique mode in the calligraphic history. However, as deepening the researches of the calligraphy aesthetics, people's doubt about itcomes forth. The commenters' attitudes are either negative or positive and they never have a common cognition of this proposition. Therefore, it is necessary for us to have more knowledge about the esthetic proposition through a new angle...

In Chinese calligraphy esthetics, " the Handwriting Mirrors the Calligrapher" is a long-standing proposition, which once was the main critique mode in the calligraphic history. However, as deepening the researches of the calligraphy aesthetics, people's doubt about itcomes forth. The commenters' attitudes are either negative or positive and they never have a common cognition of this proposition. Therefore, it is necessary for us to have more knowledge about the esthetic proposition through a new angle of view by seeking its source, recalling its history and thinking about it deeply.

“书如其人”是中国书法美术史上一个由来已久的命题,曾一度成为书法史上主流的批评模式。但是,随着书法美学思想研究的进一步深入,对它的置疑接踵而至。此后,持论者往往对其持非否定、即肯定的态度,在对这一命题的认识上始终不能有共通之处。因此,寻其源流,回顾历史,深入思考,找到一个新的视点对这一美学命题进行全面的再认识是十分必要的。

The script on wooden and bamboo slips and silk in the times of Warring States Period and Qin Han Dynasties in Chinese history (475B.C.-220) is called one of the Five Major Discoveries in the 20 th Century. It not only provides true and reliable materials and forceful historical evidences for the study of the structure of Chinese characters and a series of academic problems in calligraphic history, but also greatly influences the modern calligraphic creation. It is of bright future to study...

The script on wooden and bamboo slips and silk in the times of Warring States Period and Qin Han Dynasties in Chinese history (475B.C.-220) is called one of the Five Major Discoveries in the 20 th Century. It not only provides true and reliable materials and forceful historical evidences for the study of the structure of Chinese characters and a series of academic problems in calligraphic history, but also greatly influences the modern calligraphic creation. It is of bright future to study the calligraphic history and to explore the calligraphic creation with the help of script materials from wooden and bamboo slips and silk. But scientific attitudes and methods are necessary.

战国至秦汉时期的简牍帛书 ,是 2 0世纪的“五大发现”之一 ,它不仅为研究汉字形体演变规律及书法史上一系列重大学术问题 ,提供了真实可靠的材料和强有力的史证 ,而且对当代书法创作也产生了很大的影响。利用简牍帛书上的文字材料进行书法史研究 ,探索书法创作 ,具有广阔的前景 ,但必须有科学的态度和方法。

 
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