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the nature of aesthetics
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  “the nature of aesthetics”译为未确定词的双语例句
     On the Nature of Aesthetics of Environment
     试论环境美的性质
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     The nature of aesthetics as a branch of learning
     试论美学的学科本性
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     The change of Chinese aesthetics at the turn of the century is based on the observation and assessment of the nature of aesthetics as a branch of learning.
     :世纪之交中国美学的现代转型 ,是以对美学学科本性的审思为其先声的。
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     Both old and new aesthetics of praxis take the praxis as an ontological category and a free activity, and explains the nature of aesthetics by praxis, and actually construct a "utopia of praxis".
     新老实践美学把实践作为本体论的范畴,把实践当作自由的活动,以实践来说明审美的性质,实际上构造了一个“实践乌托邦”。
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     Its basic characteristic is that the nature of aesthetics exceeding utility is comparatively weak.
     它的根本特点是审美的超功利性比较弱。
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  相似匹配句对
     ON NATURE AND HUMAN
     人与自然话题漫谈——读马克思《1844年经济学哲学手稿》
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     Miracle of Nature
     大自然的奇迹
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     Nature and design
     自然与设计
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     The Call of Nature
     自然的呼唤
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     AWE OF NATURE
     敬畏山水
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The raising of the question "what is aesthetics" was based on objective idealism and took the idea of aesthetics and the existence of aesthetics itself as its ideological premises. Therefore, the proposition Inherently has the solution that aesthetics is a substantial existence which misleading the aesthetic studies for 2000 years. The theory of cognitive aesthetics holds the view that aesthetic studies should replace the proposition with " what the conception of aesthetics expressed", which can liberate the...

The raising of the question "what is aesthetics" was based on objective idealism and took the idea of aesthetics and the existence of aesthetics itself as its ideological premises. Therefore, the proposition Inherently has the solution that aesthetics is a substantial existence which misleading the aesthetic studies for 2000 years. The theory of cognitive aesthetics holds the view that aesthetic studies should replace the proposition with " what the conception of aesthetics expressed", which can liberate the way of thinking in aesthetic studies. The idea of aesthetics can not exist independently, since aesthetics is only an expression of subjective perceptions. There is no such thing as the nature of aesthetics.

"美是什么"命题的提出是以客观唯心主义为基础、以美"理念"及"美本身"的存在为思想前提的。因此,该命题一经形成就内在地含有着美是一种实体存在的答案,误导美学研究两千多年。认知美学理论认为:只有破除掉该命题的束缚,代之以"美概念表示什么"命题,才可使美学研究的思路获得解放;审美关系是在一般功利关系基础上转化而成的,其转化的关键因素,是人形成了新型的认知方式,可以对事物形象产生非功利的愉悦感觉。这种感觉被称之为"美"、形容为"美"。因此,美概念本是对主观感觉的表述,不是对任何实体性对象事物的指称,"美是什么"命题不能成立,"美本质"问题也不应存在。

Since aesthetics came into exsitence,there has been a debate over the orientation of its researching objectives.Two main reasons have been found for this phenomenon:One is the different views on the nature of aesthetics; the other is that the researchers of aesthetics have not contacted their researches with the social practice. The author of this article analyses the two reasons, hoping to cause more interest in the discussion over this question and solve the problem.

关于美学研究对象的定位问题 ,自美学创立以来一直存有争议 ,其原因主要有二 :一是对美学本身性质认识不同 ;二是美学研究长期脱离社会实践。本文试图从这两方面加以分析 ,期望引起讨论 ,最后统一研究对象的定位问题

The change of Chinese aesthetics at the turn of the century is based on the observation and assessment of the nature of aesthetics as a branch of learning.The study of the aesthetics has touched upon two points:1.Aesthetics is the third branch(e.g.humanities)which is different from natural science and social sciences.2.The purpose for the existence of aesthetics is not to offer a body of knowledge or a general law of nature,society or human life,but to ponder what life means or...

The change of Chinese aesthetics at the turn of the century is based on the observation and assessment of the nature of aesthetics as a branch of learning.The study of the aesthetics has touched upon two points:1.Aesthetics is the third branch(e.g.humanities)which is different from natural science and social sciences.2.The purpose for the existence of aesthetics is not to offer a body of knowledge or a general law of nature,society or human life,but to ponder what life means or human values,and offer humanistic intelligence.The scientific definition of aesthetics has brought about the changes of aesthetic study from standardization approach to methodology approach and the unprecedented humanistic spirit has been put into Chinese aesthetics to make it more realistic.

:世纪之交中国美学的现代转型 ,是以对美学学科本性的审思为其先声的。对美学学科本性的审思主要在两个层面上展开 :其一 ,美学是区别于自然科学也有别于一般社会科学的第三种学科 ,即人文学科 ;其二 ,美学学科存在的根据主要不在于提供一种类似于自然科学的关于自然、社会和人生的具有普遍性的知识或规律 ,而在于寻思生活的意义 ,创设人生的价值 ,提供人文的智慧。美学的学科定位带动了美学研究从本体论承诺到方法论立场的转变 ,也使走向现代的中国美学人文关怀力度得到了空前的加强

 
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