助手标题  
全文文献 工具书 数字 学术定义 翻译助手 学术趋势 更多
查询帮助
意见反馈
   temporality 在 美学 分类中 的翻译结果: 查询用时:0.045秒
图标索引 在分类学科中查询
所有学科
美学
哲学
世界文学
中国语言文字
经济理论及经济思想史
市场研究与信息
建筑科学与工程
地理
计算机软件及计算机应用
更多类别查询

图标索引 历史查询
 

temporality
相关语句
没有找到相关双语例句
例句
为了更好的帮助您理解掌握查询词或其译词在地道英语中的实际用法,我们为您准备了出自英文原文的大量英语例句,供您参考。
  temporality
The analysis appeals to resources from a philosophical interpretation of temporality and a Christian theological interpretation of the central symbols of eschatology.
      
The encounter of Navajo spirituality and healing practice with modernity in the present moment must be understood within an existential appreciation of temporality, tradition, domination, and immediacy.
      
In particular I focus on how narrative genres organise time in relation to value, drawing on functional linguistic models of temporality and evaluation.
      
The distant proximity of 9/11 and the relocation of the perceived Islamic 'resurgent atavism' within the heartlands of power in Western soil constitute the formation of a new sociological imagination of Islam and 9/11 as a new liminal temporality.
      
Ogden gives the notion of divine temporality coherent content by arguing that God's actuality is best understood as an unending succession of experiences.
      
更多          


This paper analyses the aesthetic moment - event and disputes the consciousness of time of Gadamer's hermeneutical aesthetics. Gadamer regards that the instant of aesthetic experience is essentially full of life itself and becomes a unique "duration" which followed with the "pause" of everyday time. Meanwhile, the experience has precipitated an internal logic of thought, that is, hermeneutical cycle. So we could grasp the eternality in the temporality, and in the Being -in-the-World, we could find the...

This paper analyses the aesthetic moment - event and disputes the consciousness of time of Gadamer's hermeneutical aesthetics. Gadamer regards that the instant of aesthetic experience is essentially full of life itself and becomes a unique "duration" which followed with the "pause" of everyday time. Meanwhile, the experience has precipitated an internal logic of thought, that is, hermeneutical cycle. So we could grasp the eternality in the temporality, and in the Being -in-the-World, we could find the manifestation of truth and the becoming of meaning.

通过对审美的瞬间的分析,可以揭示伽达默尔解释学美学的时间意识。在伽氏看来,审美的瞬间在本质上是一种充实的属己的时间;它在日常时间的“中断”中形成了自身的连续性;其思维的内在逻辑是解释循环;在审美体验的瞬间,于流逝中把握到永恒,最终实现了真理的显现和意义的生成,从而完成这一定居过程。

Hans-Geory Gadamer think that the temporality of aesthetic being is the presentness of aesthetic being, but the presentness also belongs to the history of effect. M·Dufrenne think that the temporality of aesthetic being chiefly means the temporality of human history. This two kind of ideas of the temporality of aesthetic being come from Edmund Husserl's “the inner temporality of consciousness advancing”, but break thorough it. This two kind of ideas complement and confirm each other,...

Hans-Geory Gadamer think that the temporality of aesthetic being is the presentness of aesthetic being, but the presentness also belongs to the history of effect. M·Dufrenne think that the temporality of aesthetic being chiefly means the temporality of human history. This two kind of ideas of the temporality of aesthetic being come from Edmund Husserl's “the inner temporality of consciousness advancing”, but break thorough it. This two kind of ideas complement and confirm each other, enrich and develop the idea of the temporality of phenomenology.

伽达默尔认为审美存在的时间性就是它的现在性 ,但是现在性又隶属于效果历史。杜夫海纳认为审美存在的时间性主要指“人的历史时间”。他们关于审美存在的时间性观念都基于胡塞尔现象学的“意识进行的内在时间”,但又对此有所突破。二人的论述相互补充和印证 ,丰富和发展了现象学时间性观念

There are two aspects in the inner construction of Bloch's “hope aesthetics”. One is a wish at the level of inner instinct, and the other an anticipation at the level of utopia. The hope, viewed from temporality, is a utopia that is open to the future. Futurity, on the level of inner instinct, is a basic starting point to discover the inherent and inevitable tendency of utopia from an angle of human nature. Art is a bridge between present and future, and a specific function of anticipation. The realization...

There are two aspects in the inner construction of Bloch's “hope aesthetics”. One is a wish at the level of inner instinct, and the other an anticipation at the level of utopia. The hope, viewed from temporality, is a utopia that is open to the future. Futurity, on the level of inner instinct, is a basic starting point to discover the inherent and inevitable tendency of utopia from an angle of human nature. Art is a bridge between present and future, and a specific function of anticipation. The realization of anticipation needs an enterprising and optimistic position. In the process of its fullness, attention tends to constantly change its forging orientation.

布洛赫“希望美学”的内在结构由两个部分构成 ,一是本能心理层面上的渴望 ,二是乌托邦层面上的期望。从时间性的角度来说 ,希望蕴涵着面向未来的敞开。布洛赫揭示本能层面上的未来维度 ,是为了从人的本性方面挖掘出乌托邦的内在的、必然的趋向 ,获得一个基本的出发点。乌托邦层面上的未来维度则包含着人的一切可能性。艺术是联结现时和未来的中介 ,是期望的具体功能。期望的实行需要一种进取的乐观主义立场 ,而在期望充实的中途 ,注意力不断变更着前进的方向

 
图标索引 相关查询

 


 
CNKI小工具
在英文学术搜索中查有关temporality的内容
在知识搜索中查有关temporality的内容
在数字搜索中查有关temporality的内容
在概念知识元中查有关temporality的内容
在学术趋势中查有关temporality的内容
 
 

CNKI主页设CNKI翻译助手为主页 | 收藏CNKI翻译助手 | 广告服务 | 英文学术搜索
版权图标  2008 CNKI-中国知网
京ICP证040431号 互联网出版许可证 新出网证(京)字008号
北京市公安局海淀分局 备案号:110 1081725
版权图标 2008中国知网(cnki) 中国学术期刊(光盘版)电子杂志社