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indeterminacy of the text
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  文本的开放性
    A Study on Wolfgang Iser’s Indeterminacy of the Text
    沃尔夫冈·伊泽尔与文本的开放性
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  文本的开放性
    A Study on Wolfgang Iser’s Indeterminacy of the Text
    沃尔夫冈·伊泽尔与文本的开放性
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  “indeterminacy of the text”译为未确定词的双语例句
    Chapter Two elucidates that by deconstructing the function of language on the two levels: stylistic strategies and tropology, Barthelme makes language untrustworthy, thus challenging the conventional hierarchies of meaning and stressing the indeterminacy of the text.
    第二章 从文体策略和隐喻两个层次来论证巴塞尔姆解构了语言的功能,使语言变得不值得信赖,因而挑战传统意义的等级秩序,最终强调文本的不确定性。
短句来源
    This paper intends to analyze the narrative techniques in Something Happened with postmodern narrative theories so as to demonstrate the indeterminacy of the text.
    本文旨在运用后现代叙事学理论分析美国作家约瑟夫·海勒小说《有事发生了》中的叙事技巧,论证其后现代叙事特征之一,即自述型小说内在的不确定性。
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Indeterminacy of the text is one of the major problems Iser addressed in his critical theory. This paper first starts with (Iser's) definition of the literary work, then analyzes the open structure and structural properties of the text viewed by Iser. Finally the paper demonstrates the significance of Iser's theory for the analysis of modernists' works.

文本的开放性是伊泽尔文论体系中的一个核心内容。本文首先介绍伊泽尔对作品的定义 ,然后分析了伊泽尔文本的开放性的结构和结构品性 ,进而指出该理论对分析现代派作品的意义。

This paper adopts critical theory of Deconstruction which emerged in 1960s to analyze the novel "The Old Man with Big Wings",coming up with the idea that the angel's journey to the world not only reveals hypocrisy,cruelty and egoism of the world and the gap between the human-beings and the God,or the virtue,but also deconstructs the logocentrism in the religion,the rational civilization and the ultimate meaning of the traditional metaphysics,and reveals the indeterminacy of the text to make readers get...

This paper adopts critical theory of Deconstruction which emerged in 1960s to analyze the novel "The Old Man with Big Wings",coming up with the idea that the angel's journey to the world not only reveals hypocrisy,cruelty and egoism of the world and the gap between the human-beings and the God,or the virtue,but also deconstructs the logocentrism in the religion,the rational civilization and the ultimate meaning of the traditional metaphysics,and reveals the indeterminacy of the text to make readers get rid of the bounds of time and space,reading the novel from different angles,and reconstructing the text according to the reality.

运用20世纪60年代兴起的解构主义批评手法分析马尔克斯小说《巨翅老人,》分析出文本中“天使”的人间之旅不仅是展示人间的虚伪、残酷、自私以及人间与上帝,即人间与美德之间隔膜的过程,更是对传统形而上学中宗教信仰、理性文明以及终极意义里的逻各斯中心主义的消解过程,是揭示不确定因素,使读者摆脱时空界限,从不同角度切入文本,审视文本,根据现实,重构文本的过程。

This paper intends to analyze the narrative techniques in Something Happened with postmodern narrative theories so as to demonstrate the indeterminacy of the text. The analysis proves that in deconstructing the traditional conception of meaning Heller expressed his idea of the indeterminacy of meaning. In the novel, the traditional authority of first-person narration is deconstructed by itself, accompanied with struggles of different voices; the interaction between the narrating time and the narrated...

This paper intends to analyze the narrative techniques in Something Happened with postmodern narrative theories so as to demonstrate the indeterminacy of the text. The analysis proves that in deconstructing the traditional conception of meaning Heller expressed his idea of the indeterminacy of meaning. In the novel, the traditional authority of first-person narration is deconstructed by itself, accompanied with struggles of different voices; the interaction between the narrating time and the narrated time influences the narrator' s personality as well as his attitude towards the events, in the process of which meaning is constantly created and deconstructed, and therefore becomes unstable and indeterminable.

本文旨在运用后现代叙事学理论分析美国作家约瑟夫·海勒小说《有事发生了》中的叙事技巧,论证其后现代叙事特征之一,即自述型小说内在的不确定性。分析研究表明,海勒在小说中解构、颠覆了传统意义体系中的稳定性。传统的第一人称叙述者的权威,被自己的叙述所颠覆和解构,诸多声音或叙事视角相互冲突和斗争,叙述时间和被叙述时间的相互作用,在叙述过程中影响着叙述者的性格及其对事物的态度。在此过程中意义不断产生和消解,充分体现了后现代文本,尤其是自述型小说中意义的不确定性。

 
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