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esthetics system
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  美学思想体系
     Langer's esthetics system is made of art quintessences, art idol, art instinct and life modality. This paper begins from the headstream of Susanne.
     朗格的美学思想体系由艺术本质论、艺术幻象论、艺术直觉论和生命形式论等构成。
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  “esthetics system”译为未确定词的双语例句
     With modern esthetic field, this essay tries to break through the limitation of the forerunners and to explore the position of Wang's thought in the history of modern esthetics in historical and logical ways. It explains the basic role of esthetic thought and outlines the historical development of modern esthetics in which provides the help for the setting-up of the modern Marxist esthetics system.
     本文试图以现代美学的视野,运用历史与逻辑相统一的方法,力图突破前人局限,旨在探讨与研究王国维美学思想在中国现代美学史上的地位,阐述其美学思想的奠基作用,勾勒现代美学发生期的历史状态,从而为建设现代形态的马克思主义美学体系提供借鉴。
短句来源
     Chapter 4: "How Mr. Zhu constructed o purchased the modern esthetics system". This Part discusses how the modern appearance of esthetic has taken into shape in the process of Mr.
     通过考察朱光潜美学体系及其如何进行美学现代化转型,我们得出的结论是:艺术与美学之间存在相互的排斥力,美学采取对传统美学范畴实施合理的、具体的消解实现美学的现代性转换,美学和艺术之间将以保持某种张力的方式共处。
短句来源
     "The imagery" is an important concept in the Chinese classical esthetics system . It utilizes "the image" to achieve mastery through a comprehensive study of a subject to the whole world and ordinary life in order to achieves the subjective emotion and the objective physical image organic unification.
     “意象”是中国古典美学体系中一个重要概念,它运用“象”的思维方式,对宇宙万物观照与生命本原之气融会贯通,达到主观情感和客观物象的有机统一。
短句来源
     In traditional esthetics system, artistic value is generally divided into three aspects: epistemic value, ethic value and asthetic aesthetic value.
     在传统美学体系中,一般把艺术价值分为认识、伦理、审美三个方面。
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According to the data that modern anthropology provides,there exists no pure artwork in our prehistoric period. Art, labor, witchcraft and religious were interwined so tightly that it was very reluctant to separate them.such as an unitary original cultural scene.In traditional esthetics system, artistic value is generally divided into three aspects: epistemic value, ethic value and asthetic aesthetic value. However, in the visual field of the cultural anthropology, we can hardly touch the essence of artistic...

According to the data that modern anthropology provides,there exists no pure artwork in our prehistoric period. Art, labor, witchcraft and religious were interwined so tightly that it was very reluctant to separate them.such as an unitary original cultural scene.In traditional esthetics system, artistic value is generally divided into three aspects: epistemic value, ethic value and asthetic aesthetic value. However, in the visual field of the cultural anthropology, we can hardly touch the essence of artistic value by this kind of old " three aspects" method. In some sense, only through cross-examining about the existence meaning and the life meaning of art in the prehistoric culture can we solve the historic riddle of what art can do from the source.

现代人类学提供的资料表明,人类史前时期并不存在哪怕一件纯粹的艺术品,艺术与劳动、巫术、宗教难分难舍地纠结在一起,形成一幅混沌如一的原始文化图景。在传统美学体系中,一般把艺术价值分为认识、伦理、审美三个方面。在文化人类学的视野里,这种陈旧的"三分"法很难触及艺术价值的本质,唯有深入史前文化中去追问艺术的存在意义和生命意义,才有可能从根源上求解艺术何为的千古之谜。

The aesthetics of Susanne.K.Langer is built on philosophy base of new symbolism. The new symbolism comes from logic symbolism that developed by A·Whitehead ,Ruosu and Ernst Cassirer's human culture symbol theory. Susanne.K. Langer's esthetics system is made of art quintessences, art idol, art instinct and life modality. This paper begins from the headstream of Susanne.K. Langer's symbol theory and the boundary of symbol meaning, makes use of ' artist creates art idol character' and her compare and restriction...

The aesthetics of Susanne.K.Langer is built on philosophy base of new symbolism. The new symbolism comes from logic symbolism that developed by A·Whitehead ,Ruosu and Ernst Cassirer's human culture symbol theory. Susanne.K. Langer's esthetics system is made of art quintessences, art idol, art instinct and life modality. This paper begins from the headstream of Susanne.K. Langer's symbol theory and the boundary of symbol meaning, makes use of ' artist creates art idol character' and her compare and restriction to class of art character, explains special experience symbol that through over the procedure of kinds of art creating.

苏珊.朗格的美学思想建立在新符号论的哲学基点上。这种新符号论孕育于怀特海、罗素等人发展的逻辑符号论和卡西尔的人类文化符号理论。苏珊.朗格的美学思想体系由艺术本质论、艺术幻象论、艺术直觉论和生命形式论等构成。从苏珊.朗格符号理论的源流及对符号内涵的界定入手,利用“艺术家创造艺术幻象特征”及她对各艺术门类特征的比较、限定,阐释贯穿于各艺术门类创造中的独特经验形象。

 
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