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traditional esthetic
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  传统美学
     So analyzing the Chinese traditional esthetic ideas in his films which have gained highly prize of the world has become a very important problem.
     所以通过对张艺谋电影的研究,分析这些备受瞩目的获奖影片的中国传统美学意蕴就成为了一个很重要的课题。
短句来源
     Based on summarizing the former researches, this paper analyzes Chinese traditional esthetic features in Zhang Yimou's films.
     本文在前人学者对其电影研究的基础上,深入分析了张艺谋电影的中国传统美学特征。
短句来源
     Under this cover, traditional esthetic research always build theoretical systems within the structure of pure thinking and neglects the value of esthetics as esthetics and its characteristics
     在这遮蔽下,传统美学研究总是在纯思辩的框架内建构理论体系,忽略了美学之为美学的价值与个性特点。
短句来源
     They believe that esthetic activity is the procedure of perceptive manifestation of the subject and this indirect dialogue of perceptive subject spreads the perceptive character of esthetics and gives theoretical notes for the proper position of the modem esthetics which overthrows traditional esthetic view.
     他们认为审美活动乃审美主体感性展示过程,这种感性的主体间性对话,既张扬了美的感性特征,也为颠覆传统美学观的现代艺术的合法地位进行了理论注解。
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  “traditional esthetic”译为未确定词的双语例句
     Chapter two systematically analyzes and discusses the aesthetics of traditional image, traditional esthetic feeling, as well as combination and creation of ancient poetry from the aspect of artistic form.
     第二章从艺术形式的角度,对席慕蓉诗歌中的传统意象之美、古典的审美感受和古典的融合与创造等三个方面进行了系统分析和综合论述,以突出其古典诗美的现代抒写特色。
短句来源
     Collision and Amalgamation of Modern Visual Culture and Chinese Traditional Esthetic
     中国传统审美文化与当代视觉文化的碰撞和融合
短句来源
     This article analyze the connotation of“esthetic standard of daily life”with three angles,from the relations of aesthetics and life,the relations of the current esthetics ane the traditional esthetic,the relations of esthetics and the capital,and induces that the connotation of “esthetic standard of daily life” is complicated.
     本文从审美与生活的关系,当下审美与传统审美的关系,审美与资本消费的关系,三个角度分析“日常生活审美化”的内涵,归纳出“日常生活审美化”涵义的复杂性。
短句来源
     In conclusion, the reasons for Zhang Yimou's success lie in the Chinese traditional esthetic features and content revealed in his films.
     总之,张艺谋电影之所以如此成功,其深层次原因是其电影创作具有中国传统文化的审美特征和审美内涵。
短句来源
     The scene theory has an important place in Chinese traditional esthetic theory. It provides the theoretical basisfor competitive Wushu routine arrangement that usually emphasizes both on the combativeness and artistry.
     通过运用文献资料的研究方法,对情景是中国传统关学中重要的理论,其为竞技武术套路编排中注重技击性和艺术性并存提供了理论基础进行了分析。
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  相似匹配句对
     Zhouyi:the source of traditional Chinese esthetic thought
     《周易》:中国传统美学思维的源头
短句来源
     Analysis of esthetic principles in Chinese character traditional forms
     论汉字传统“图式”背后的美学法则
短句来源
     On Traditional Geography
     中国传统地理学刍议
短句来源
     The traditional Caprifoliaceae s.
     广义忍冬科为一多系类群 ;
短句来源
     On the Daily Life is Esthetic
     浅谈日常生活的审美化
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Objective:To study on the application and superiority of Digital camera in dentist patient communication. Methods:From August 1998 to June 1999, the authors used DC to capture patients' imageawhen before,during and after operation, and had communication between dentist and patient.The captured pictures were imported to the computer to show and educate the patient. Results:Communication went on smoothly and decreased dentist patient conflicts.The rate of esthetic success increased.The application of DC has...

Objective:To study on the application and superiority of Digital camera in dentist patient communication. Methods:From August 1998 to June 1999, the authors used DC to capture patients' imageawhen before,during and after operation, and had communication between dentist and patient.The captured pictures were imported to the computer to show and educate the patient. Results:Communication went on smoothly and decreased dentist patient conflicts.The rate of esthetic success increased.The application of DC has changed clinical model of traditional esthetic dentistry. Conclusion:In modern esthetic dentistry the importance of DC in the dentist patient communication is obvious.DC is superior to optical cameras. [

目的 :探讨在牙齿美容的医患沟通过程中数码相机的作用和优越性。 方法 :作者从 1998年 8月至 1999年 6月期间将数码相机用于牙齿美容临床。用数码相机将患者术前的牙齿、术中、术后的修复体拍摄下来 ,再输入电脑建立影像数据库 ,借助电脑影像系统与 83例患者进行沟通。 结果 :在牙齿美容临床中使用数码相机并借助于电脑影像系统同患者进行沟通 ,患者容易形象地看出问题所在 ,这样使得医患合作非常顺利 ,患者信心增加 ,牙齿美容成功率增高 ,改变了过去患者较难参与及评价的临床模式。 结论 :在牙齿美容临床中使用数码相机 ,不仅方便了医患沟通、减少医疗纠纷 ,而且为技师制作修复体提供了参考资料 ,还有利于临床资料管理 ,与普通相机相比数码相机有着不可比拟的优越性

Chinese ink and water painting and western water color are respectively from their own national cultures:each has its own traditional philosophical concept and esthetic sense;each shows its characteristics while both are closely related.Western water color belongs to the realistic category,using all shaping means to create nature and three dimensional effect,while its Chinese counter part,under the great influence of"Ruand Dao"ideas and traditional esthetic sense,pursues to make an impressionistic...

Chinese ink and water painting and western water color are respectively from their own national cultures:each has its own traditional philosophical concept and esthetic sense;each shows its characteristics while both are closely related.Western water color belongs to the realistic category,using all shaping means to create nature and three dimensional effect,while its Chinese counter part,under the great influence of"Ruand Dao"ideas and traditional esthetic sense,pursues to make an impressionistic portrayal and appreciative effect,belongs to imagery category.

水墨画与水彩画各自扎根于东西方民族文化的根基 ,受其传统哲学观念、审美意识的影响很深。它们各具特色 ,彼此又有相通之处。西洋水彩画属写实绘画范畴 ,强调再现自然与立体造型 ,运用其一切造型手段来塑造对象。中国水墨画受传统儒道思想及传统审美意识影响 ,作画追求“尚意”与“墨趣” ,属意象化表现性造型范畴。二者有较大的区别。

Shanghai's advertisements in 1930s had their conspicuous regional flavor and the features of time. Advertisements' various ways to address the receivers reflected a plural trend for social values in Shanghai of that time. In spite of the influence of the capitalist cultures they still keep a traditional esthetic taste. This plural value orientation seems to be owed to the migration of population, plural social hierarchies, and a general radiation of cultures in modern Shanghai. Various ways to address...

Shanghai's advertisements in 1930s had their conspicuous regional flavor and the features of time. Advertisements' various ways to address the receivers reflected a plural trend for social values in Shanghai of that time. In spite of the influence of the capitalist cultures they still keep a traditional esthetic taste. This plural value orientation seems to be owed to the migration of population, plural social hierarchies, and a general radiation of cultures in modern Shanghai. Various ways to address the receivers of advertisements for the same product revealed that the managers of advertisements were doing their best to adjust to different value conceptions in the process of competing for different types of customers.

30年代的上海广告具有鲜明的地域色彩和时代特征。广告丰富的诉求方式 ,折射出当时上海社会价值观的多元化。主要表现为既受现代资本主义文明的影响 ,又保留着民族传统审美趣味。近代上海人口的流动性、社会阶层的多样性、文化辐射的广泛性 ,是多元价值观产生的原因。对同一种产品采取多样的诉求方式 ,也表明广告主在争取不同类型顾客的过程中在努力适应不同的价值观

 
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