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chinese calligraphy and painting
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  中国书画
     Traditional Appreciation Convention of Chinese Calligraphy and Painting and Prospects for Their Modern Development
     中国书画的传统欣赏习惯与现代发展前景展望
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     The Exploration of the Chinese Calligraphy and Painting Style Rendering Based on Fractal Technology
     基于分形技术的中国书画风格化绘制探索
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     Interpreting Aesthetic Features of Language Construction of Mounting Chinese Calligraphy and Painting
     解读中国书画装裱构成语言的审美特征
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     Chinese calligraphy and painting are the artistic forms characteristic of its national character.
     中国书画是具有鲜明民族特点的文化艺术形式。
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     The idea of “knowing and observing all but staying obscure” originated in Zhou Yi Can Tong Qi and the S curve in the taiji diagram of Zhou Yi Ben Yi become one of the aesthetical foundations of the Chinese calligraphy and painting through the philosophy of the Confucianist and Taoist cultures and deeply influence and promote the development of the Chinese calligraphy and painting, revealing the two levels of aesthetical value: formal presentation and internal prospect.
     源于《周易参同契》的“知白守黑”与出自《周易本义》的太极图 S曲线 ,以儒、道文化的哲理演化成为中国书画艺术的美学基础 ,深刻地影响和促进了中国书画艺术的发展 ,从形式表象和内蕴意象两个层面显示出中国书画审美实践的美学价值
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  “chinese calligraphy and painting”译为未确定词的双语例句
     COMPUTER CHINESE CALLIGRAPHY AND PAINTING
     计算机书画
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     On the History of Ink for Chinese Calligraphy and Painting
     墨史浅说
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     Chinese calligraphy and painting has a long history.
     中国书法与绘画的历史十分悠久。
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     As one of unique instruments for Chinese calligraphy and painting, ink stone decides the exquisiteness of Chinese ink to some extent and therefore directly influences the quality of art works.
     砚作为中国特有的书画用具,它在一定程度上决定着墨的质量,因此也就直接影响着艺术作品的质量。
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     The author discusses questions of the authentication of ancient Chinese calligraphy and painting occasioned by the recent purchase by the Palace Museum of Chu Shi Song.
     本文从故宫最新购藏的隋人《出师颂》入手,探讨了由其引发的对古书画鉴定诸问题。
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  相似匹配句对
     CHINESE PAINTING & CALLIGRAPHY
     典论典藏·书法
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     Calligraphy of Chinese Painting
     中国画之书写性
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     On the Pencraft of Chinese Painting and Calligraphy
     论中国绘画笔法与书法笔法
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     The Chinese Calligraphy and Painting and Mount
     中国书画装裱艺术浅谈
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     COMPUTER CHINESE CALLIGRAPHY AND PAINTING
     计算机书画
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Ancient rice_paper”was originated in Tang Dynasty,it is a kind of cooked paper through processing from Broussonetia Papyrifena bark.“Nowadays rice_paper”was originated in Song Dynasty,main material is Pteroceltis tartarinowii Maxim.There are not only an inner link but also an essential distinction.“Ancient rice_paper”is the predecessor for “nowadays rice_paper”.On the base of “ancient rice_paper”,and through a long period of development in both of the culture and paper making techniques, “nowadays rice_paper”...

Ancient rice_paper”was originated in Tang Dynasty,it is a kind of cooked paper through processing from Broussonetia Papyrifena bark.“Nowadays rice_paper”was originated in Song Dynasty,main material is Pteroceltis tartarinowii Maxim.There are not only an inner link but also an essential distinction.“Ancient rice_paper”is the predecessor for “nowadays rice_paper”.On the base of “ancient rice_paper”,and through a long period of development in both of the culture and paper making techniques, “nowadays rice_paper” came into being,which is a leap and sublimation in quality. “Nowadays rice_paper” makes Chinese calligraphy and painting arts express marvelous flavor.

介绍了参加韩国韩纸文化节的活动情况和中、日、韩三国学术交流会。综述了中国宣纸的种类、渊源、近代的技术发展和变迁,以及宣纸在中国书法和绘画文化中的作用和地位。

This article does a case study of the inscriptions and seal marks,the integral parts for the layout in Chinese calligraphy and paintings.It is concluded that in Qing dyansty the inscriptions and seal marks were more rich and artistic than before.

中国画把题款、印章作为画面布局中不可分割的一部分。清代书画的题款、形式比前代更趋丰富,也更讲究艺术性。

The idea of “knowing and observing all but staying obscure” originated in Zhou Yi Can Tong Qi and the S curve in the taiji diagram of Zhou Yi Ben Yi become one of the aesthetical foundations of the Chinese calligraphy and painting through the philosophy of the Confucianist and Taoist cultures and deeply influence and promote the development of the Chinese calligraphy and painting, revealing the two levels of aesthetical value: formal presentation and internal prospect.

源于《周易参同契》的“知白守黑”与出自《周易本义》的太极图 S曲线 ,以儒、道文化的哲理演化成为中国书画艺术的美学基础 ,深刻地影响和促进了中国书画艺术的发展 ,从形式表象和内蕴意象两个层面显示出中国书画审美实践的美学价值

 
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