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ancient poetry theory
相关语句
  古代诗论
     Exploring "the theory of Emotion Centre" in Ancient Poetry Theory
     中国古代诗论中的“情感中心说”探析
短句来源
     To study the consistence of these three poetry theory reforms will help to clear the situation that the new poetry theory is transformed continuously from China's ancient poetry theory.
     考察这三个诗论变革的一致性,将有助于明晰新诗诗论不断对中国古代诗论加以变革的情态。
短句来源
  “ancient poetry theory”译为未确定词的双语例句
     Expounding Superficially the Modernization of the Ancient Poetry Theory of China
     浅谈中国古代诗学的现代化
短句来源
     Form the history lasted order, The article analyzed the historical evolution of Quotation in the literature theory history, elaborated the performance of Quotation in the Chinese ancient poetry theory style.
     从纵向方面,分析用事在中国古代文论史上的历史沿革,论述用事在中国古代各种诗歌理论文体中的表现。
短句来源
     Moreover, I will show my opinion about the system of Chinese ancient poetry theory at the end of this thesis.
     同时 ,本文还对中国古代诗歌理论的理论体系的构成 ,发表看法 ,力求能更好地说明问题
短句来源
  相似匹配句对
     Appreciation of the Theory of Ancient Chinese Poetry Flavor
     中国古代诗味理论的审美言说
短句来源
     Tagore’s Theory of Poetry
     泰戈尔论诗歌
短句来源
     "Image"in Ancient Poetry
     中国古典诗歌之“象”论
短句来源
     Exploring "the theory of Emotion Centre" in Ancient Poetry Theory
     中国古代诗论中的“情感中心说”探析
短句来源
     Expounding Superficially the Modernization of the Ancient Poetry Theory of China
     浅谈中国古代诗学的现代化
短句来源
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As one of the oustanding summerizers of ancient poetry theory, Wang Fuzhi paid considerable attention to the unity of poems and music, focusing on the study of the features and principles of the beauty of music in poems. He was the first theorist using "Sound and emotion" in his comments. The idea of "sound and emotion" is the logical extension of his proposition that "poems letting out emotions" . It semed to him that the beauty of "sound and emotion" was pleasant to both...

As one of the oustanding summerizers of ancient poetry theory, Wang Fuzhi paid considerable attention to the unity of poems and music, focusing on the study of the features and principles of the beauty of music in poems. He was the first theorist using "Sound and emotion" in his comments. The idea of "sound and emotion" is the logical extension of his proposition that "poems letting out emotions" . It semed to him that the beauty of "sound and emotion" was pleasant to both the ears and heart, and at the same the, letting out the emotions of both the poets and readers. The idea of "sound and dmotion" reflected Wang Fuzhi's best knowledge of aesthetic nature and style features in appreciating ancient poems.

王夫之作为我国古代诗学的一位杰出总结者,充分注意到诗与乐的同一性,极为重视对诗歌音乐美特征及规律的研究,他是中国古代第一个用“声情”这一概念论诗评诗的诗学理论家,“声情”论是他的“诗道性情”命题的合乎逻辑的延伸,在他看来,“声情美”即诗歌艺术的“穆耳协心”,亦即在“动听”的同时又道“性情”(包括诗人和欣赏者双方的性情)。“声情”论体现了王夫之对古代诗歌艺术审美特质和文体特征的精到认识,在其诗学体系中占有重要地位。

There are many different viewpoints on the history of Chinese poetry theory, so we should try to resolve this problem in our study. In this thesis, The author expresses his thought about the different viewpoints on the poetry theory. He thinks behind the difference, there exists a common point. It is said in the thesis that the different viewpoints were all founded on the basis of the process of the poem writing, and there are two aspects in the poetry theory: The theory of telling people how to write poems...

There are many different viewpoints on the history of Chinese poetry theory, so we should try to resolve this problem in our study. In this thesis, The author expresses his thought about the different viewpoints on the poetry theory. He thinks behind the difference, there exists a common point. It is said in the thesis that the different viewpoints were all founded on the basis of the process of the poem writing, and there are two aspects in the poetry theory: The theory of telling people how to write poems and the theory of telling what kind of poems people should write. After that he points out that the difference and the discussing in the history of Chinese poetry theory can be resolved in the same process of artistic writing. Moreover, I will show my opinion about the system of Chinese ancient poetry theory at the end of this thesis.

中国诗歌理论发展史上存在着许多分歧 ,彼此互相攻诘 ,相持不下。如何评价不同观点和理论流派之间的斗争 ,是研究我国诗歌理论发展史时不能回避的问题。本文联系诗歌艺术的创作过程 ,认为中国古代的诗歌理论都可归入“教人作诗的理论”和“教人作什么诗的理论” ,进而指出相互分歧的理论事实上并不矛盾 ,而是相辅相成的 ;同时 ,本文还对中国古代诗歌理论的理论体系的构成 ,发表看法 ,力求能更好地说明问题

Facing the aspect that the West poetry theory colonized the literature theory boundary of China and the ancient poetry theory of China is going to the edge gradually,we must accelerate the process of modernizing the ancient poetry theory of China in order to change the present conditions of it and gain the position we expect.This is our mission the history gives us,and we cannot refuse it.This thesis plans to explore the specific tactics to accomplish the history mission.

面对“五.四”以来西方诗学殖民我土、中国古代诗学日趋边缘化的局面,中国古代诗学应如何加速其现代化的进程,以改变其在文论界尤其是中国文论界的现状,赢得应有之地位,是摆在我们面前不容推辞的历史使命。文章意在探讨完成这一历史使命的具体策略。

 
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