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poetry talks
相关语句
  诗话
     Textual Collection and Classification of Japanese Poetry Talks
     日本诗话的文本结集与分类
短句来源
     A Brief Discussion of the Study on the Song Dynasty's Poetry Talks since in the 20th Century
     20世纪以来宋代诗话研究述略
短句来源
     The connecting link of Chinese ancient poetry talks embodies mainly in the following two systems:one is the connecting link of the form of “to talk poetry with facts”;
     我国古代诗话的承传,主要体现在两大系统中:一是“论诗及事”诗话之体的承传;
短句来源
     The three aspects permeate each other,push forward together,and make the study become the focal theatrical programme of the poetry talks study.
     此三方面彼此渗透 ,共同推进 ,最终使宋代诗话的研究成为古典诗话研究中的重头戏
短句来源
     Xu Zhixiao examines Wang's work from the following three aspects: things related to the production of Jiang Zhai Poetry Talks,Wang's discussion on poetic creativity and appreciation in the work,and the work's poetic values and limitations
     全文论述涉及三个方面:关于《姜斋诗话》及相关问题、《姜斋诗话》对诗歌创作与鉴赏的论述、《姜斋诗话》的诗学价值及其局限性。
短句来源
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  “poetry talks”译为未确定词的双语例句
     Pondering the Explanation to the "Empress and Imperial Concubine" in the Poem Guanju-The Study of Wu Jingzi's Poetry Talks of Wenmu Country Study No. 4
     《关雎》“后妃”说索解——吴敬梓《文木山房诗说》研究之四
短句来源
     Leng Zhai Poetry Talks and JiangXi Poets Group
     《冷斋夜话》与江西诗派
短句来源
     Therefore, Wang Guo wei's Renjian Notes and Comments on Ci Poetry are deeply influenced by Wang Chuan shan's Jiangzhai Poetry Talks.
     可见观堂词论深受船山诗论影响
短句来源
     Qing Poetry Talks have insightful ideas for the historical and theoretical study of Chinese poetry.
     许多观点足以与现代文学理论相印证,更是深入了解清代诗学不能不重新审视的一条线索。
短句来源
  相似匹配句对
     Poetry
     诗
短句来源
     Random Talks on Wutai Poetry Execution
     乌台诗案纵横谈
短句来源
     An Analysis of "Talks on Poetry in the Lodge
     “馆下谈诗”探析
短句来源
     Poetry as discourse
     作为话语形式的诗歌
短句来源
     Talks on Interconnection
     互联互通漫谈
短句来源
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After examining the different editions of Canglang Yinjuan and Canglang Poetry Talks , the author argues that Yan Yu had not written the poetry talks entitled Canglang Poetry Talks, the five parts of Canglang Poetry Talks being originally irrelevant essays written by Yan Yu, and not compiled by him. Huang Qinglao of the Yuan Dynasty collected and compiled the five essays, and Hu Qiong of the Ming Dynasty entitled the five essays Canglang Poetry Talks and published it. Because...

After examining the different editions of Canglang Yinjuan and Canglang Poetry Talks , the author argues that Yan Yu had not written the poetry talks entitled Canglang Poetry Talks, the five parts of Canglang Poetry Talks being originally irrelevant essays written by Yan Yu, and not compiled by him. Huang Qinglao of the Yuan Dynasty collected and compiled the five essays, and Hu Qiong of the Ming Dynasty entitled the five essays Canglang Poetry Talks and published it. Because the five essays were not originally a book of poetry talks, the position of Yan Yu in the Poetry Talks history should be reconsidered.

《沧浪诗话》无论是在中国文学批评史上还是在中国美学史上都具有极高的地位,其所提出的理论对于后来时代的诗学理论及诗歌创作都产生了长期而深远的影响。不仅如此,这部著作还被认为是诗话从以资闲谈的笔记体著作走向具有完整理论体系的严肃理论著作的标志,被视为宋代诗话的集大成之作,是诗话发展史的一个高峰。《沧浪诗话》是严羽生前亲自编定的一部完整的诗话著作,这乃是学术界的定论,从来没有引起过人们的怀疑。但笔者经考证认为,《沧浪诗话》并非严羽所编。《诗辩》等五篇原本并不是一部诗话,而只是一些单篇的著作,这些著作由严羽的再传弟子元人黄清老汇集在一起,到明代正德年间才被胡冠以《沧浪诗话》之名,而其定名为《沧浪诗话》则是在明末。由于《诗辩》等五篇原本并不是一部诗话著作,所以学术界关于《沧浪诗话》在诗话发展史上地位的论断乃至整个诗话发展史就有重新认识之必要。由于通行本《沧浪诗话》的文本为元人所辑,故其文本价值就要重新认识,由文本差异所引出的对于该书的理解及评价的歧异也有重新认识之必要

The period between Emperors Qianlong and Jiajing saw a turn in the course of the poetry development. The sectarian contention in the circle of poets about either to carry forward the poetic tradition of the Tang dynasty or that of the Song had eventually come to a close. In time the practice of writing poems as one chose to came into being. The centre of poetic creation was transferring from senior officals down to junior officals and civilian poets, thus breaking the monoply of poetry writing by...

The period between Emperors Qianlong and Jiajing saw a turn in the course of the poetry development. The sectarian contention in the circle of poets about either to carry forward the poetic tradition of the Tang dynasty or that of the Song had eventually come to a close. In time the practice of writing poems as one chose to came into being. The centre of poetic creation was transferring from senior officals down to junior officals and civilian poets, thus breaking the monoply of poetry writing by senior officials that had lasted throughout the early and middle periods of the Qing dynasty. FASHISHAN, one of the important poets of the time, recorded in his Wumen Poetry Talks some of the changes in the world of poetry which supply us with an important source for the study of the trend of poetry development. of that period. [

乾嘉之际为清代诗歌发展的转折时期。祖唐祧宋的诗界门户之争终于告一段落 ,各行其是的自由诗风日渐形成。诗歌创作的中心由台阁而向下转移 ,打破了绵延清代中前期的诗歌台阁化局面。作为当时重要诗人之一的法式善在其《梧门诗话》中记录了当时诗坛变化的一些迹象 ,为我们提供了研究这一时期诗歌发展趋势的重要资料

Xie Zhen's poems imitated those of the heyday of Tang Dynasty, of which the style was gained but deep feeling and far charm were lost. In Siming Poetry Talks, there were entries showing sensible argument but going against the emotion expression as peculiarity of poetry if they were being put in effect as the theory for guiding creation; there were also entries suitably analysing regular pattern of poetry and poets and pecms. In the change of poetry talks of Ming Dynasty from theory of craftsmanship...

Xie Zhen's poems imitated those of the heyday of Tang Dynasty, of which the style was gained but deep feeling and far charm were lost. In Siming Poetry Talks, there were entries showing sensible argument but going against the emotion expression as peculiarity of poetry if they were being put in effect as the theory for guiding creation; there were also entries suitably analysing regular pattern of poetry and poets and pecms. In the change of poetry talks of Ming Dynasty from theory of craftsmanship to theory of asthetic appreciation, Xie Zhen's learning of poetry served as a link between past and future.

谢榛诗模仿盛唐,得其格调而乏深情远韵;《四溟诗话》中有一些立论通达的条目,但落实为指导创作的理论则与诗歌的抒情特质相背;有些条目对诗歌规律和作家、作品分析确当,在明代诗话由创作技巧论向审美鉴赏论的转变中处于承前启后的地位。

 
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