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a poet
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  诗人
    A Poet, Craftsman and the Enjoyment of Nude Art——Association with Ren Ruihua's Sketch of Human Bodies
    诗人、工匠与裸体艺术欣赏——看任瑞华人体素描想到的
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    As an artist, he has been striving to earnestly practise what he advocates along the art motto of being both a poet and a craftsman.
    作为一位艺术家,他一直努力沿着“既是诗人,又是工匠”的艺术规律身体力行。
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  a poet
The translations, with their accompanying introductions and commentaries, display Wieland's expertise as a Classical scholar and his skill as a poet.
      
These overlapping and sometimes conflicting concerns reveal a poet reshaping the Scandinavian past through fiction to explore a theme central to understanding a significant issue of his own day, the role of kin structure in succession.
      
It follows that maxims can be manipulated by a poet in his work to affect the actions and intentions of his society.
      
Herbert Spencer's unpublished reminiscences of Thomas Carlyle: The "Perfect owl of minerva for knowledge" on a "Poet without mus
      
Coleridge has been seen by some not so much as a poet spoiled by philosophy, but as a philosopher who was also a poet.
      
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Ren Ruihua's sketch works of human bodics are not merely an exploration of craf tsma nship, but contains his artistic conception. As an artist, he has been striving to earnestly practise what he advocates along the art motto of being both a poet and a craftsman. Nude art has its own specific social and aesthetic meaning. Yet at present it should be noticed to deal well with its' relation to ethics. There exist essential differences between the beauties of human bodies and pornography.The key lies in the...

Ren Ruihua's sketch works of human bodics are not merely an exploration of craf tsma nship, but contains his artistic conception. As an artist, he has been striving to earnestly practise what he advocates along the art motto of being both a poet and a craftsman. Nude art has its own specific social and aesthetic meaning. Yet at present it should be noticed to deal well with its' relation to ethics. There exist essential differences between the beauties of human bodies and pornography.The key lies in the creator's intention and the motive of the receiver. Only when they are both linked up harmoniously in a healthy sphere can the aesthetic activities reach an ideal state.

任瑞华人体素描作品并不单纯是技巧的探索,而是溶入了作者的审美意蕴。作为一位艺术家,他一直努力沿着“既是诗人,又是工匠”的艺术规律身体力行。裸体艺术有其特定的社会与美学意义,但当前应注意处理好与伦理的关系。人体美与色情有着根本的区别,关键在于创作者的意图与接受者的动机。只要两者在一个健康领域内和谐沟通,审美活动就能达到一个理想境界。

Rev. Dashan (1633-1705), a poet\|monk who lived in Guangdong in the early Qing Dynasty, has attracted the close attention of some art historians such as Prof. Jao Tsung\|I, Yu Zhenhua, Wang Bomin, with his distinguished achievement in art studies. According to the postscript attributed to his Vimalakīrti and Majus' ri in 1680, a work which has been lately discovered in the Lingyan Monastery of Suzhou, Rev. Dashan had then raised the issue of “Southern and Northern Schools” of figure painting. Previously...

Rev. Dashan (1633-1705), a poet\|monk who lived in Guangdong in the early Qing Dynasty, has attracted the close attention of some art historians such as Prof. Jao Tsung\|I, Yu Zhenhua, Wang Bomin, with his distinguished achievement in art studies. According to the postscript attributed to his Vimalakīrti and Majus' ri in 1680, a work which has been lately discovered in the Lingyan Monastery of Suzhou, Rev. Dashan had then raised the issue of “Southern and Northern Schools” of figure painting. Previously this issue used to concern with landscape painting. Rev. Dashans inspiration was provoked by “Hua Zhu,” an article written by his teacher Shen Hao (also named Shen Langqian, 1586-1661), who was also a famous art critic. These new discoveries are much helpful for the improvement of our understanding of Rev. Dashans position in the field of art in the early Qing Dynasty.

饶宗颐、俞剑华、王伯敏等美术史专家 ,十分关注清初在广东活动的诗僧大汕 ( 16 33~ 170 5)的画学成就。新发现苏州灵岩寺藏大汕 16 80年《维摩诘变相图》有大汕跋文 ,提出人物画的“南北宗”问题。以往 ,人们多讨论山水画南北宗 ,大汕提出人物画南北宗问题 ,是受其老师著名画学理论家沈颢 (沈朗倩 ,1586~ 16 6 1)《画》 (HuaZhu)的影响 ,这些新发现 ,大大提升了我们对大汕在清初画坛中地位的认识。

once craving to be a poet, Cezanne painted creatively, ridding painting off its literariness. Through the door of art and indulge in anxieties of love and hatred.

一度渴望成为诗人的塞尚在他的同学、自然主义小说家左拉的刺激下前无古人地发挥了绘画的表现力,使绘画“摆脱了文学性”,有趣的是,在他身后间有一群文学崇拜者,里尔克和克洛德·西蒙的名字绝对有说服力。穿越艺术之门,进入“影响”的爱与恨的焦虑中。

 
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