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painting esthetics
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  绘画美学
     As the first one of "Eight Eccentrics of Yang Zhou" , Jin Nong' s painting esthetics thought was representative with artistic style by all means.
     金农作为扬州八怪起首画家,其绘画美学思想与创作风格具有一定的代表性。
短句来源
     There are original views about the key points of the color and the form of the painting(the point, the line,the surface),and the performance of painting in his abstract painting esthetics theory.
     他的抽象绘画美学理论对于色彩、绘画的形式(点、线、面)、绘画表现的重点都有独到的见解。
短句来源
     There is a long history in the process of the development of Chinese painting esthetics and there is both a theory and a practice value of its own.
     中国古代绘画美学源远流长,在理论和实践两方面都有重要的价值。
短句来源
     His esthetic insights exerted important influences on the developments of calligraphy,painting esthetics and literary theories in Chinese history.
     这是富有启发意义的美学思想,对魏晋南北朝及以后的书法、绘画美学乃至文学理论的发展都有重要的影响。
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  “painting esthetics”译为未确定词的双语例句
     We can say that the research of Kandinsky's abstract painting theory is the key to the western 20 century Modernism Painting Esthetics.
     可以说研究康定斯基的抽象绘画理论是开启西方20世纪现代主义绘画美学的钥匙。
短句来源
     Two Paradigms of Study on Chinese Calligraphy and Painting Esthetics
     中国书画理论研究的两种范式
短句来源
     Their calligraphy and painting esthetics ideas, particularly the theory methods of study, influence and inspire the scholars in this field that time and afterwards.
     他们的书画美学思想尤其书画理论研究的方法对于当时及后来的中国书画理论研究者有着重大的影响和启示作用。
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     The second section discusses the literal painting esthetics of Zhao.
     第二章是探讨赵孟頫的文人画美学思想。
短句来源
     This paper will discourse upon the Kandinsky's painting theory's concept and category from the angle of the painting esthetics, analyse and conclude the theoretical idea of the painters who have relatation with the formation of abstract painting in the area of art investigation and the related realms with the same age of Wassily Kandinsky.
     本文从绘画美学的角度,对康定斯基绘画理论概念和范畴进行论述,首先分析了和归纳了康定斯基同时期与其抽象绘画理论形成有关联的画家的艺术探求和相关领域的理论思想。 在此基础上重点讨论了康定斯基抽象绘画理论的三个层面和主要理论范畴形成的合理性和对现代艺术的深远影响,寻找有价值的思想供当今的艺术创作和理论研究借鉴与思考。
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  相似匹配句对
     The Birth and Esthetics of Literati Painting
     浅议文人画的产生与审美特征
短句来源
     Two Paradigms of Study on Chinese Calligraphy and Painting Esthetics
     中国书画理论研究的两种范式
短句来源
     Thinking and Painting
     浅议用脑思维与绘画
短句来源
     On Emotions of Painting
     论绘画的情绪
短句来源
     Esthetics and Probability
     美学和概率论
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This article expounds the important position occupied by true spirit conveyance in Chinese ink and wash painting esthetics,designates true spirit as the very core of artistic spirir of Chinese painting in particular and Chinese arts in general,and elucidates the arristic characteristics and creation formulas of Chinese figure painting under the guidance of the principle of true spirit conveyance.

本文论述了传神在中国绘画美学中的重要位置,“神”是包括绘画在内的中国艺术精神的核心,并阐述了在传神的原则提导下,中国人物画的艺术特点和创作方法

There is a long history in the process of the development of Chinese painting esthetics and there is both a theory and a practice value of its own.The painting school of Qing Dynasty which came as a culmination to the long painting history has risen up and lived out a systemic scheme,which spread to many branches of the studying of Chinese painting theory and left us a lot of anthologies.Among the discourses the history has passed down to us,the conception of XU and SHI is a magnificent...

There is a long history in the process of the development of Chinese painting esthetics and there is both a theory and a practice value of its own.The painting school of Qing Dynasty which came as a culmination to the long painting history has risen up and lived out a systemic scheme,which spread to many branches of the studying of Chinese painting theory and left us a lot of anthologies.Among the discourses the history has passed down to us,the conception of XU and SHI is a magnificent clue which leads our comprehensions to a palace of the gist of a variety of painting schools.Meanwhile,in the ground of painting art itself,it is also an expression of the recognitions of the scholars of Qing Dynasty as well as a progress of the traditional painting esthetics.The main idea of this thesis is to abstract the true meaning of the spirit and feature of the Chinese painting esthetics from the pell-mell phenomenon.At the same time,we hope the whole meaning of the conception of XU and SHI of Chinese painting will emerge after your reading of our analysis of the glossaries of the painting history and the defines of painting ontology and painting skill.

中国古代绘画美学源远流长,在理论和实践两方面都有重要的价值。清代画学集前代之大成,著述既多,研讨亦深,且四通八达,自成体系。其中,虚实观念是一条主脉,既牵连着诸家要旨,也表达出清人对绘画艺术的理解以及对传统绘画美学思想的发扬光大。本文着眼于清代画学里虚实观念的来龙去脉、绘画理论批评的种种表述,及其在“道”与“技”的各个层面衍生出的概念和命题,借以对清代画学中的虚实观有一个完整把握,并由此领会中国传统绘画美学的精神和特色。

WEI Heng's theory of esthetics in calligraphy touches on the relationship between calligraphy creation and nature,the esoteric experience and the meditation in creating calligraphy.Nature is a prerequisite for human creativity.It provides not only space for human existence but also the source of creation and inspiration for man.WEI Heng's interpretation of calligraphy creation throws light on the life experience and esthetic experience,reflecting the view of the harmonious integration of man with nature.His...

WEI Heng's theory of esthetics in calligraphy touches on the relationship between calligraphy creation and nature,the esoteric experience and the meditation in creating calligraphy.Nature is a prerequisite for human creativity.It provides not only space for human existence but also the source of creation and inspiration for man.WEI Heng's interpretation of calligraphy creation throws light on the life experience and esthetic experience,reflecting the view of the harmonious integration of man with nature.His esthetic insights exerted important influences on the developments of calligraphy,painting esthetics and literary theories in Chinese history.

卫恒的书法美学从字的象形角度论述了“睹物象以致思”的命题,涉及书法创作与自然的关系、书法创作体验的玄奥性以及书法创作的“伫思”等问题。离开自然,人类无以创造。自然不仅给人类提供了生存的空间,而且还给人类提供了无穷无尽的创造源泉和创造灵感。卫恒关于书法(文字)创造的认识实际上是对人的生命体验和审美体验的认识,其中贯注着天人合一的创造哲思。这是富有启发意义的美学思想,对魏晋南北朝及以后的书法、绘画美学乃至文学理论的发展都有重要的影响。

 
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