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chinese new literature history
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  中国新文学史
     In the initial stage of socialist construction, it occurred a high tide of individual writing of Chinese modern literature history that their representative work was The Manuscript of Chinese new Literature History of Wang yao in China.
     社会主义建设初期,我国出现了一个以王瑶《中国新文学史稿》为代表的现代文学史个人写作的小高潮。
短句来源
     Though the 20-year study of Chinese new literature history is booming after its breakthrough, I was still in deep confusion of the frame of the scientific theory and the best literary history pattern.
     20年中国新文学史研究“突出重围”后出现欣欣向荣的学术景观,但我并未完全走出“突围”后的种种困惑,这主要体现在建构何种科学理论框架和最佳文学史格局上。
短句来源
     They realized the beauty of cities for the first time, moreover, left a deep impression in Chinese new literature history, based on their concentrations of individual’s living status and emotion in modern times, while the bold innovation in forms and skills of novel expression.
     他们第一次真正发现都市的美,并以其对现代都市生活中的个体生命生存状态和情感的关注,以及对小说表现形式和表现技巧的大胆革新,在中国新文学史上留下了重重的一笔。
短句来源
     It analyzes the language features of the poems of Haizi in five aspects,The writer thinks that Haizi is a person to pond at the limit of literature and life in Chinese new literature history,His poetry present an unprecedented broad and profound position.
     还从五个方面分析了海子诗歌的语言特征,认为海子是中国新文学史上一位“全力冲击文学与生命极限的人”,其诗歌空间在当今诗坛中呈现出广阔的背景和深邃的地位。
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     Having gone twice through great transitions and characteristically formed three stages before liberation, her literature creation has become the thought provoking "Ding Ling phenomenon" in Chinese new literature history.
     她解放前的文学创作经历了两次重大转变,形成个性鲜明的三个阶段,成为中国新文学史上耐人寻味的“丁玲现象”。
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  相似匹配句对
     The New Approaches to the History of the Modern Chinese Literature
     论中国现代文学史写作的新进路
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     Three New Reforming Aspects on the History of Chinese Literature
     中国文学史新“变”的三个视点
短句来源
     For the Wholeness of the History of Chinese Literature
     为了中国文学史的整体性
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     On the History of Acceptance in the Chinese Literature
     关于中国文学接受史研究的思考
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     Nationalism and Chinese Literature History (I)
     民族主义简论——民族主义与中国文学史论之一(上)
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Though the 20-year study of Chinese new literature history is booming after its breakthrough, I was still in deep confusion of the frame of the scientific theory and the best literary history pattern. This ar ticle will discuss it.

20年中国新文学史研究“突出重围”后出现欣欣向荣的学术景观,但我并未完全走出“突围”后的种种困惑,这主要体现在建构何种科学理论框架和最佳文学史格局上。对此,本文作了较深入的思索与探讨。

In the initial stage of socialist construction, it occurred a high tide of individual writing of Chinese modern literature history that their representative work was The Manuscript of Chinese new Literature History of Wang yao in China. In this period, collective discourse appeared and individual discourse was hidden in these works of modern literature history for the effects of ideology discourse, in the meantime, the

社会主义建设初期,我国出现了一个以王瑶《中国新文学史稿》为代表的现代文学史个人写作的小高潮。由于时代话语的原因,这一时期的现代文学史著作呈现的多是集体话语,个人话语在一定程度被遮蔽了,阶级论、人民性等是这些著作所共有的关键性术语。在对作家的审视上,这一批著作为“鲁郭茅,巴老曹”模式的确立奠定了基础。

It is an analysis of the artistic features on the lyric characters,local color,pioneer sense and godhead implication of the poem of Haizi.It analyzes the language features of the poems of Haizi in five aspects,The writer thinks that Haizi is a person to pond at the limit of literature and life in Chinese new literature history,His poetry present an unprecedented broad and profound position.

文章以海子主要的诗歌为文本,分析了海子诗歌的抒情特质、乡土色彩与先锋意识和神性意味等艺术特征;还从五个方面分析了海子诗歌的语言特征,认为海子是中国新文学史上一位“全力冲击文学与生命极限的人”,其诗歌空间在当今诗坛中呈现出广阔的背景和深邃的地位。

 
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