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regional artistic
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  地域艺术
     Marked by distinct national feature, strong religion and unique regional artistic style, Thangka is regarded as a bright pearl of Chinese arts.
     唐卡作为中华民族艺术中的一颗璀璨的明珠,具有鲜明的民族特色、浓郁的宗教文化色彩和独特的地域艺术风格。
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  “regional artistic”译为未确定词的双语例句
     Conse- quently, Shiwan ceramics, with " folk kilns" as its consistent backbone and deeply rooted in the fertile soil of folk cultures, began to form its regional artistic style characterized by a combination of fineness and practicality, folklorization, terseness and vividness, naturalness and impressiveness, and so on.
     始终如一的民窑地位使石湾陶艺扎根于民间文化的沃土之中,开始萌发出巧美与实用结合、民俗化、简括传神、浑朴有味等地方艺术风格。
短句来源
     Regional artistic style of a new construction should be a close combination of the “form, idea, and feeling”.
     指出新建筑的地方艺术风格应该是“形、意、情”三者的紧密结合;
短句来源
     The circumstances of towns which the Sichuan regional residence located in has its strongly regional artistic feature.
     四川民居所处的城镇环境空间具有浓郁的地方艺术特色。
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  相似匹配句对
     On Artistic Song
     浅论艺术歌曲
短句来源
     The Regional Dimension
     关于区域
短句来源
     REGIONAL TECTONOGEOCHEMISTRY
     区域构造(地球)化学
短句来源
     on artistic acceptance.
     三、艺术鉴赏论。
短句来源
     Creating Artistic Conception——Application of Regional Culture in Hotel Design
     营造意境——中国地域文化在当代酒店设计中的运用
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  regional artistic
That>amp;amp;apos;s how they formed their own supranational and, at the same time, specifically regional artistic practice, poetics and languages.
      


With an unprecedented prosperity of China's ceramic industries in the Song Dynasty, a vigorous progress was made in the ceramic industries of Shiwan (known as " Shiwan Kilns" and the centre of" Guangdong Kilns"), marking the first upsurge of dailyceramic industries and the real beginning of artistic-ceramic industries in this region. Between the Song and Yuan Dynasties, due to the interaction of different social factors, ideas of the northern ceramic culture were in time absorbed into Shiwan's ceramic industries...

With an unprecedented prosperity of China's ceramic industries in the Song Dynasty, a vigorous progress was made in the ceramic industries of Shiwan (known as " Shiwan Kilns" and the centre of" Guangdong Kilns"), marking the first upsurge of dailyceramic industries and the real beginning of artistic-ceramic industries in this region. Between the Song and Yuan Dynasties, due to the interaction of different social factors, ideas of the northern ceramic culture were in time absorbed into Shiwan's ceramic industries and techniques of some famous ceramic industries began to be introduced and imitated there. Consequently, Shiwan ceramics, with. folk kilns" as its consistent backbone and deeply rooted in the fertile soil of folk cultures, began to form its regional artistic style characterized by a combination of fineness and practicality, folklorization, terseness and vividness, naturalness and impressiveness, and so on.

在宋代陶瓷业空前兴盛的大环境中,作为"广窑"中心的石湾窑得到蓬勃发展,掀起了日用陶生产的第一次高潮,并正式揭开艺术陶生产的大幕.南宋至元,在各种社会因素的作用下,石湾加速接受北方陶瓷文化的影响,开始仿烧名窑。始终如一的民窑地位使石湾陶艺扎根于民间文化的沃土之中,开始萌发出巧美与实用结合、民俗化、简括传神、浑朴有味等地方艺术风格。

With an unprecedented prosperity of China's ceramic industries in the Song Dynasty, a vigorous progress was made in the ceramic industries of Shiwan (known as " Shi- wan Kilns" and the centre of " Guangdong Kilns" ), marking the first upsurge of daily-ce- ramic industries and the real beginning of artistic-ceramic industries in this region. Between the Song and Yuan Dynasties, due to the interaction of different social factors. ideas of the northern ceramic culture were in time absorbed into Shiwan's ceramic...

With an unprecedented prosperity of China's ceramic industries in the Song Dynasty, a vigorous progress was made in the ceramic industries of Shiwan (known as " Shi- wan Kilns" and the centre of " Guangdong Kilns" ), marking the first upsurge of daily-ce- ramic industries and the real beginning of artistic-ceramic industries in this region. Between the Song and Yuan Dynasties, due to the interaction of different social factors. ideas of the northern ceramic culture were in time absorbed into Shiwan's ceramic industries and tech- niques of some famous ceramic industries began to be introduced and imitated there. Conse- quently, Shiwan ceramics, with " folk kilns" as its consistent backbone and deeply rooted in the fertile soil of folk cultures, began to form its regional artistic style characterized by a combination of fineness and practicality, folklorization, terseness and vividness, naturalness and impressiveness, and so on.

在宋代陶瓷业空前兴盛的大环境中,作为“广窑”中心的石湾窑得到蓬勃发展,掀起了日用陶生产的第一次高潮,并正式揭开艺术陶生产的大幕。南宋至元,在各种社会因素的作用下,石湾加速接受北方陶瓷文化的影响,开始仿烧名窑。始终如一的民窑地位使石湾陶艺扎根于民间文化的沃土之中,开始萌发出巧美与实用结合、民俗化、简括传神、浑朴有味等地方艺术风格。

Regional artistic style of a new construction should be a close combination of the “form, idea, and feeling”. should “give up the appearance to pursue the idea” and “attend to essential to the neglect of trifles”. Should attend to the deep excavation of the intension of“regionalism” and scientific sublation of philosophy. Holding and passing of the appeasance is limited, While enhancing or abandoning of the intension intension may make the new construction show a infinite vitality.

指出新建筑的地方艺术风格应该是“形、意、情”三者的紧密结合;“舍象求意”、“舍末求本”,重建筑“地方性”内涵的深层发掘;表象的承传是有限的,而内涵的弘扬和舍弃才能使新建筑显出无限的生机.

 
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