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五四
相关语句
  may 4
    Transformation of the Traditional Chinese Opera and the May 4~(th) New Culture Movement
    戏曲变革与“五四”新文化运动
短句来源
    Modern factors emerged in fighting with tradition in the period, such as the work "New Chief of Village" that foreshadowed the coming of "May 4th "drama.
    这个时期,现代性因素已经在与传统的交战中露出端倪,像《新村正》这种作品已为五四剧作的产生埋下了伏笔。
短句来源
    The main content of "May 4th" drama included objecting to the customary marriage, objecting to the traditional moral concept and advocating human individual.
    五四剧作以反对旧式婚姻,反对传统道德观念,张扬人的个性而著称。
短句来源
    The first change took place during the twenty years before and after "May 4 Movement", thus completing the transition for the Chinese theatre and drama from the classic to the modern time.
    第一次变化发生在“五四”前后的二十多年间,其结果是完成了中国戏剧从古典时期向现代时期的过渡。
短句来源
    This paper discusses the influence on the development of Chinese realistic drama of the two world famous dramatic authors:Ibsen and Чехов,from the origin and development of Chinese realistic drama,the stress of discussion being on the influence of Ibsen′s social problem plays on “May 4th”problem plays and Чехов′s life plays on Chinese 1930′s and 1940′s drama.
    本文从中国现代现实主义戏剧的发生、发展的角度 ,探讨了易卜生、契诃夫两位世界戏剧大师对中国现实主义戏剧发展的影响 ,着重分析了易卜生的社会问题剧之对于中国“五四”问题剧、契诃夫的生活化戏剧之对于中国三四十年代现实主义戏剧的影响。
短句来源
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  may 4 th
    Modern factors emerged in fighting with tradition in the period, such as the work "New Chief of Village" that foreshadowed the coming of "May 4th "drama.
    这个时期,现代性因素已经在与传统的交战中露出端倪,像《新村正》这种作品已为五四剧作的产生埋下了伏笔。
短句来源
    The main content of "May 4th" drama included objecting to the customary marriage, objecting to the traditional moral concept and advocating human individual.
    五四剧作以反对旧式婚姻,反对传统道德观念,张扬人的个性而著称。
短句来源
    This paper discusses the influence on the development of Chinese realistic drama of the two world famous dramatic authors:Ibsen and Чехов,from the origin and development of Chinese realistic drama,the stress of discussion being on the influence of Ibsen′s social problem plays on “May 4th”problem plays and Чехов′s life plays on Chinese 1930′s and 1940′s drama.
    本文从中国现代现实主义戏剧的发生、发展的角度 ,探讨了易卜生、契诃夫两位世界戏剧大师对中国现实主义戏剧发展的影响 ,着重分析了易卜生的社会问题剧之对于中国“五四”问题剧、契诃夫的生活化戏剧之对于中国三四十年代现实主义戏剧的影响。
短句来源
    The ways of the world in everyday life as material selected in the modern custom comedy of China,it not only had strong interest in and pay close attention to the manners and customs of modern society but also always consciously contacted with culture values care to a certain degree,which showed and continued the enlightening consciousness of “May 4th”and endowed significance of culture critique and construction with dramas.
    中国现代风俗喜剧选取日常生活里的世态人情 ,不仅表现了对现代社会生活中礼俗风尚的强烈兴趣和关注 ,而且总是与一定的文化价值关怀和忧患自觉联系在一起 ,表现并延续了“五四”文化启蒙意识 ,赋予文本独具的文化批判和文化建设意义 ;
短句来源
    During the periodof May 4th movement, the aestheticism conception of Wastern movies, which put much emphasis on the artistic value ofmovies and the expressive force of the images of movies, enriched the techniques of expression of Chinese ethical situation-al movies.
    “五四”前后,欧洲早期电影的唯美主义注重影片的艺术价值和电影画面造型的艺术表现力的美学观念和电影经验,丰富了伦理情节剧的表现手法,对中国伦理情节剧电影产生了影响;
短句来源
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  “五四”译为未确定词的双语例句
    From "Antagonism" to "the State of Being Chinese Plays"——Theory of"5·4" Drama
    从“对抗化”到“国剧化”:“五四”戏剧理论批评
短句来源
    Theory of" 5·4" drama experienced the development process from "Antagonism" to "the State of being Chinese Plays".
    “五四”戏剧理论经历了从“对抗化”到“国剧化”的发展过程。
短句来源
    From the visual angle of culture ,the paper discusses evolvement course in the historical period from "May Fifth" to the year of 1949 ,and sets forth the relevant origin relation between the noumenon of movie and television art and Chinese social history ,so as to anatomise the history and the development actuality of Chinese movie and television culture .
    本文以文化为视点 ,论述了“五四”至 1 949年这段历史时期中国电影的演变过程 ,阐述了影视艺术本体与中国社会历史之间相生相随的渊源关系 ,从而剖析了中国影视文化的历史与发展的现状。
短句来源
    it's performance forecasted the developing direction of Chinese drama in the future, and set a strong foundation for the arising of Chinese modern drama.
    春柳系统的演剧预示了未来中国话剧的方向,为“五四”以后中国话剧的崛起与发展打下了坚实的基础。
短句来源
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  may 4
The large decaying active region NOAA 8525 is considered over the period May 4-7, 1999.
      
One of the main geo-effects of the solar events resulted in the major magnetic storm on May 4.
      
Increase in the intensity of cosmic radiation on May 4-th, 1960
      
In non-parous females WAT deposits increased from 13 g to 48 g from late March to late May (4.2 g per week).
      
On May 4, 1998, at 0227 UT an interplanetary shock crossed the WIND spacecraft, and half an hour later a Sudden Commencement occurred.
      
更多          
  may 4 th
Soil surface temperatures under seasonal snowpacks warmed from -14 °C in January to 0 °C by May 4th.
      
Informed consent was obtained and surveys were received from 185 respondents were received between May 4th and June 5th, 2003.
      
On May 4th this editorial system failed, resulting in the extraordinary need to make two corrections to a single item.
      
References to feudalism, May 4th, and Confucianism were a way to put gender equality in a regional historical context.
      
This should be reported no later than May 4th, 2007.
      
更多          
  may fourth
Science are always invoked in the discussion of the May Fourth New Culture Movement.
      
However, after the rise of the May Fourth Movement, public attention was attracted by collectivism and nationalism again, while the appeal for individuality and ethical revolution was decayed gradually.
      
The avant-garde elements in the May Fourth New Literature Movement
      
The May Fourth "new literature" appeared in the early twentieth century China while the avant-garde was sweeping over the West.
      
May Fourth women journalists appropriated the discourse of women's emancipation advocated by New Culturalists to shape their discussions of women's suffrage, labor movement, and legal rights.
      


The Chinese operas have undergone two important changes for the last hundred years. But they are different from the previous changes in history —from the operas in Song and Yuan Dynashes to short stories .in Ming and Qing Dynasties and from Kun opera to Beijing opera. They have designated a fundaental change in both theatrical view point and theatrical aesthetics. The first change took place during the twenty years before and after "May 4 Movement", thus completing the transition for the Chinese theatre and...

The Chinese operas have undergone two important changes for the last hundred years. But they are different from the previous changes in history —from the operas in Song and Yuan Dynashes to short stories .in Ming and Qing Dynasties and from Kun opera to Beijing opera. They have designated a fundaental change in both theatrical view point and theatrical aesthetics. The first change took place during the twenty years before and after "May 4 Movement", thus completing the transition for the Chinese theatre and drama from the classic to the modern time. The second change occurred from the eighties up until now and it has resulted in a more open and multi-styled theatre, issuing a new era for modern theatre. The two changes are linked with the western theatre influences which are both similar and different. The difference carrirs more significance.

中国戏剧近百年来经历了两次重大变化。这种变化与以前历史上发生过的从宋元南戏、杂剧到明清传奇、从昆曲到京剧的变化不同,这是戏剧观念和戏剧美学体系的根本变化。第一次变化发生在“五四”前后的二十多年间,其结果是完成了中国戏剧从古典时期向现代时期的过渡。第二次变化发生在八十年代初至今的十多年间,至今还在延续中,其初步结果是形成了戏剧艺术的开放性、多元性格局,把戏剧现代化推向了一个新时期。两次变化均与西方戏剧的影响有关,故曰“两度西潮”。但“两度”相比,有同亦有异。其相异之点,含有深刻的历史教训。

"Style"not only means the formal characteristics of art,but also implies the aesthetically mental structures, the spirit of the times and the social orientadon of cultural values to a certain degree. Chinese modem drama developed from the early wenmingxi,or new culture drama, into the May 4th Movement modem drama, until the revived modem drama since the early 1980' s. Through multiple replacement of styles during this process, this thesis attempts to present an analysis of how the various historic states and...

"Style"not only means the formal characteristics of art,but also implies the aesthetically mental structures, the spirit of the times and the social orientadon of cultural values to a certain degree. Chinese modem drama developed from the early wenmingxi,or new culture drama, into the May 4th Movement modem drama, until the revived modem drama since the early 1980' s. Through multiple replacement of styles during this process, this thesis attempts to present an analysis of how the various historic states and their distinct discourse systems exert influences on the narrative pattern of Chinese modem drama. It further provides a perspective for examining the transmutation of Chinese cultural connotations within this century.

“文体”不仅意指艺术的形式特征,而且隐含着一定的审美心理结构、时代精神和社会的文化价值取向。本文试图通过中国话剧从早期的文明新戏,到五四以后诞生的现代话剧,再到当代新时期话剧,期间的几次文体更替,分析不同历史时期、不同话语体系对话剧叙述方式的影响,并透视出中国近百年来文化内涵的演变。

This paper discusses the influence on the development of Chinese realistic drama of the two world famous dramatic authors:Ibsen and Чехов,from the origin and development of Chinese realistic drama,the stress of discussion being on the influence of Ibsen′s social problem plays on “May 4th”problem plays and Чехов′s life plays on Chinese 1930′s and 1940′s drama.The author of this article is of the opinion that it is Ibsen who has promoted the original ideological trend of Chinese realistic drama and Чехов who...

This paper discusses the influence on the development of Chinese realistic drama of the two world famous dramatic authors:Ibsen and Чехов,from the origin and development of Chinese realistic drama,the stress of discussion being on the influence of Ibsen′s social problem plays on “May 4th”problem plays and Чехов′s life plays on Chinese 1930′s and 1940′s drama.The author of this article is of the opinion that it is Ibsen who has promoted the original ideological trend of Chinese realistic drama and Чехов who has furthered the development of it.But China doesn′t follow the road that the Western realistic drama has taken.It,all the time,adheres to its own road of development and retains its unique humanism and national features.

本文从中国现代现实主义戏剧的发生、发展的角度 ,探讨了易卜生、契诃夫两位世界戏剧大师对中国现实主义戏剧发展的影响 ,着重分析了易卜生的社会问题剧之对于中国“五四”问题剧、契诃夫的生活化戏剧之对于中国三四十年代现实主义戏剧的影响。认为易卜生促成了中国现实主义戏剧的初潮 ,而契诃夫则促进了中国现实主义戏剧的深化。但中国并没有简单地重复西方现实主义戏剧的道路 ,而是始终有着自己的发展路径 ,保持着自己独特的人文精神和民族风貌

 
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