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   民族音乐学 在 音乐舞蹈 分类中 的翻译结果: 查询用时:0.659秒
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民族音乐学     
相关语句
  ethnomusicology
    Writing of Papers on Ethnomusicology
    民族音乐学的论文写作
短句来源
    The Destroying of Regional Construction and Breaking out of Ontological Study—— Pondering over the Crux of Problems on Ethnomusicology
    地域建构的摧毁与本体研究的突围——关于民族音乐学问题症结的思考
短句来源
    The Study of Music and Language in Ethnomusicology
    民族音乐学视野中的音乐与语言研究
短句来源
    Ethnomusicology and Chinese Basic Music Theory
    民族音乐学与我国基本乐理
短句来源
    History Review and Development About Field Work Of Ethnomusicology
    民族音乐学田野调查的历史回顾及其发展
短句来源
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  national musicology
    On the Dispute Between Chinese and Western Music From the Viewpoint of National Musicology
    从民族音乐学的角度看中西音乐之纷争
短句来源
    By applying the methods of national musicology, this work analyzes and dissects the birth, development, prosperity and tatus quo of "Cantonese Music" from the visions of history, sociology and folklore. It digs the peculiar cultural characters and artistic spirits out of "Cantonese Music" as a folk music in modern times so that we can understand the regularity of the formation, development, prosperity and change of coastal cultures.
    本文从历史学、社会学、民俗学等视角,运用民族音乐学的方法,分析、解剖“广东音乐”的产生、发展、繁荣状况,挖掘“广东音乐”作为近代民间乐种所独具的文化性格和艺术精神,进而,从中窥视近代沿海音乐文化的形成、发展、兴盛的脉络和嬗变轨迹,从而获得规律性的认识。
短句来源
    This text summarizes specific sort research to the nationality traditional instrumental music in the Northeast of Jiangxi in terms of research of national musicology.
    本文是从民族音乐学的研究角度对赣东北地区的民族传统器乐进行个别分类研究概括。
短句来源
    Any types of national musicology property cannot do without practical description. Certainly so many methods of research for the national music is also the integrated presentation of description and explanation.
    任何类型的民族音乐学性质的研究都不可缺少实践性描述,当然民族音乐学的诸多研究形式,也必然是一种描述与解释的综合显现。
短句来源
    Applying research methods from national musicology and based on the two music books- Yang zhengxuan Lute Score and Wang Yuting Lute Score, this paper, the comparison study on Lute Arts of Pudong School and Wang School, attempts to examine the lute arts of Pudong school and Wang school, their musical pedigree and general courses in development.
    《浦东派、汪派琵琶艺术比较研究》运用民族音乐学的研究方法,以《养正轩琵琶谱》和《汪昱庭琵琶谱》为比较依据,试图考察浦东派、汪派琵琶音乐及其两派琵琶音乐艺术传承、发展的一般规律。
短句来源
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  folk musicology
    This article deals with a review of folk musicology development in China from 1950 to 2000
    本文主要评介自1950年至2000年民族音乐学在中国的发展情况。
短句来源
    Review of Chinese Folk Musicology Development
    中国民族音乐学发展评介(1950-2000)
短句来源
    From the aspect of folk musicology, it is of great value and significance to sum up and de-scribe the studies and scientific research results of the polyphonic Dong Chorus during the past 50 years, and to discuss the environment and the time in which the Dong Chorus came into being, and the overall form and classification of the music.
    从民族音乐学的角度,将50年间(1953-2002年)国内、外侗族大歌研究的成果进行归纳、描述,对侗族大歌产生的环境、产生的年代以及音乐的总体形态特征和分类等进行探讨,具有重要的价值和意义。
短句来源
  the national music science
    On the National Music Science Research Value of Urban Music
    城市音乐的民族音乐学研究价值
短句来源
    The national music science research of the urban music embodies the human feature of the modern national music science.
    对城市音乐进行的民族音乐学研究,体现出了现代民族音乐学学科的人文特征。
短句来源

 

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      ethnomusicology
    The same technique has recently been utilized to predict the movements of authors among nine subtopics in ethnomusicology [11].
          
    A complete break with the musicological paradigm of ethnomusicology occurred in the well-known book by Alan P.
          
    Boas and those who followed in his footsteps used an approach similar to some current trends in ethnomusicology.
          
    Council Member, Society for Ethnomusicology, 2000-03 term Nationally elected member of the advisory council to the Society.
          
    Council Member, Society for Ethnomusicology, 1995-97 Nationally elected student member of the advisory council to the Society.
          
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    Now it is in a new Millenium, those who concerned the development of Chinese music academic are thinking about how will be the Chinese musicology in the new century? No matter domestic or overseas Chinese, as well as the foreign friends who is determined to study the Chinese music, how about their opinions? Especially those young and middle aged musicologists experienced the changeable situation of 20th century and undertook the historic task of carrying forward the cause and forging ahead into the future. ...

    Now it is in a new Millenium, those who concerned the development of Chinese music academic are thinking about how will be the Chinese musicology in the new century? No matter domestic or overseas Chinese, as well as the foreign friends who is determined to study the Chinese music, how about their opinions? Especially those young and middle aged musicologists experienced the changeable situation of 20th century and undertook the historic task of carrying forward the cause and forging ahead into the future. They have a fund of rich academic knowledge as well as open view of culture and full of real opinion and deep insight to the Chinese musicology in the future. Therefore, in the first spring of the new millenium, we offered the column of Writing Conference, invite the musicologists to make suggestions and offer advice to Chinese musicology in 21st century. The manuscripts we received were from the Chinese music scholars on the both sides of the Taiwan Strait, overseas Chinese musicians, and foreign friends. Besides the general situation on Chinese music, the articles were related to the ethnomusicological, music aesthetics, music historiography, music form and pattern, music education, musical psychology, musical sociology, musical archaeology. We hold the idea that the development of Chinese Musicology needs individual research and general survey. The column of Writing Conference in this new century is a continuation of the column of Review Chinese Music Culture in 20th Century in the end of the last century. We welcome all of musicians and scholars from China and overseas to participate in the conference and present their opinions and suggestions to us.

    当历史的车轮带领着我们驶入 2 0 0 1年时 ,凡关心中国音乐学术发展的人们也许都在思考 :在新的世纪 ,中国音乐学将会怎样 ?无论是国内或海外的炎黄子孙 ,还是有志于中国音乐研究的国际友人 ,他们都在想些什么 ?特别是那些经历了风云变幻的 2 0世纪 ,又肩负着继往开来历史重任的中青年音乐学家 ,他们既有丰富的学术积累 ,又有开阔的文化视野 ,对中国音乐学的未来一定有着许多真知灼见。有鉴于此 ,在新世纪的第一个春天 ,本刊特辟这一笔会专栏 ,邀请部分中青年音乐学家来对 2 1世纪的中国音乐学献计献策。在我们收到的稿件中 ,既有海峡两岸的中国音乐学家 ,也有旅居海外的华人学者和外国朋友。内容除了有关中国音乐学界的总体情况之外 ,还涉及民族音乐学、音乐美学、音乐史学、音乐形态学、音乐教育学、音乐心理学、音乐社会学、音乐考古学等诸多领域。我们之所以辟这一笔会专栏 ,以“形而上”的方式进行研讨 ,可看作本刊上世纪末“2 0世纪中国音乐文化回眸”专栏的继续。旨在倡导一种虚实并务的学风。我们以为 ,中国音乐学的发展 ,除了应有大量“形而下”的“个案研究”和“综合研究”之外 ,尚须对我们的研究进行一定的反思...

    当历史的车轮带领着我们驶入 2 0 0 1年时 ,凡关心中国音乐学术发展的人们也许都在思考 :在新的世纪 ,中国音乐学将会怎样 ?无论是国内或海外的炎黄子孙 ,还是有志于中国音乐研究的国际友人 ,他们都在想些什么 ?特别是那些经历了风云变幻的 2 0世纪 ,又肩负着继往开来历史重任的中青年音乐学家 ,他们既有丰富的学术积累 ,又有开阔的文化视野 ,对中国音乐学的未来一定有着许多真知灼见。有鉴于此 ,在新世纪的第一个春天 ,本刊特辟这一笔会专栏 ,邀请部分中青年音乐学家来对 2 1世纪的中国音乐学献计献策。在我们收到的稿件中 ,既有海峡两岸的中国音乐学家 ,也有旅居海外的华人学者和外国朋友。内容除了有关中国音乐学界的总体情况之外 ,还涉及民族音乐学、音乐美学、音乐史学、音乐形态学、音乐教育学、音乐心理学、音乐社会学、音乐考古学等诸多领域。我们之所以辟这一笔会专栏 ,以“形而上”的方式进行研讨 ,可看作本刊上世纪末“2 0世纪中国音乐文化回眸”专栏的继续。旨在倡导一种虚实并务的学风。我们以为 ,中国音乐学的发展 ,除了应有大量“形而下”的“个案研究”和“综合研究”之外 ,尚须对我们的研究进行一定的反思和前瞻。我们热诚欢迎海内外广大学界同仁参与这一讨论。

    The ethnomusicological thesis is generally divided into two kinds: demonstrating and annals. The paper discoursed upon the writing way of these two kinds thesis, and introduced the method of bracket annotations, which applied in writing article by ethnomusicologist abroad.

    民族音乐学论文分为“论”与“志”两大类 ,文章论述了这两类论文的写作方法 ,并介绍了国外民族音乐学界写作论文时所采用的括号附注法。

    On the historical background of conflict between the Chinese culture and Western culture, the debate about identity of Ethnomusicology since 1980's has come to topics which are the most front line, the wariest and the deepest in the academic circles of Chinese music. The author in the article by simply carding the history of Ethnomusicology in China seeks out eight significant problems or issues: (1) Who is the forerunner in studying of Ethnomusicology in China since 1980's, Wang Guangqi, Xiao Youmei or the...

    On the historical background of conflict between the Chinese culture and Western culture, the debate about identity of Ethnomusicology since 1980's has come to topics which are the most front line, the wariest and the deepest in the academic circles of Chinese music. The author in the article by simply carding the history of Ethnomusicology in China seeks out eight significant problems or issues: (1) Who is the forerunner in studying of Ethnomusicology in China since 1980's, Wang Guangqi, Xiao Youmei or the heritage of Yan'an in study of folk songs; (2) Is the Eurocentrism a real problem or false one? (3) What confusion of thinking does bring about since the objects of Ethnomusicology in China have been enlarged again and again? (4) The paradox from studying of Ethnomusicology in non Western culture? (5) What is the meta scholarship in the present age? (6) Does the scholarship of China still stick in a phase of pre scholarship? (7) What trouble does result from infatuatedly following Western scientism? (8) The viewpoint of the traditional learning in Chinese culture and the problem of modernity.

    在中西文化相冲撞的历史大背景下 ,当前关于Ethnomusicology学科身份的讨论 ,已经触及到中国音乐学术界最前沿、最敏感、最深沉的话题。文章通过对中国民族音乐学研究历史的简略梳理 ,挑出了 8个问题 :第一 ,谁是中国 80年代后所谓民族音乐学的先驱 ,是王光祈、萧友梅还是民歌研究的延安传统 ;第二 ,欧洲中心主义是一个真问题还是一个伪问题 ;第三 ,中国民族音乐研究对象的一再扩大给思维带来了什么样的混乱 ;第四 ,非西方学者研究Ethnomusicology的悖论 ;第五 ,中国近现代历史必然性对现代学术范式的规定性 ;第六 ,中国音乐研究是否仍处在前学术阶段 ;第七 ,对西方科学主义的迷恋导致什么样的危害 ;第八 ,中国传统知识观与现代性问题

     
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