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媒介
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  media
    Media Poetics: An Introduction
    媒介诗学导论
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    Media in Art Production
    艺术生产中的媒介
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    Modern Media and the Dissemination of Art of Ethnic Minorities
    现代媒介与民族艺术传播——经济全球化背景下发展民族艺术的美学研究
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    Cultural Psychology Experience and Literature Affected by Technical Media
    技术媒介影响下的文化心理体验和文学
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    Look at the Nature of Digital Art from Media
    从媒介看数字艺术的本质
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  medium
    MODERN ART AND EXTENSIVE MEDIUM
    当代艺术与广义媒介
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    Narration: the Special Medium of the Aesthetic Activities of Novel Arts
    叙事:小说艺术审美活动的特殊媒介
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    Medium and Literature
    媒介与文学
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    The Age of Digital Medium and the Transition of Literary Criticism (Special topic for discussion)
    数字媒介下文学主体身份的转型
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    In the world of today translation is considered as an important medium of cultural communication, which develops frequently and thoroughly between China and the West.
    翻译是文化交流重要的媒介,随着新世纪中外文化与文学交流的频繁和深入,它的重要性也会与时俱增。
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  “媒介”译为未确定词的双语例句
    With the discussion about the construction and evolvement of the cultural power and the artistic pattern,the question whether literature will disappear in the electronic period is confronted.
    在探讨异质传媒语境中文化权力与文艺格局的建构与演化的同时可回答电子媒介语境中大家极为关注的问题:文学是否会消失?
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    Preliminary Analysis of Creative Treason by Mediators-Translators
    浅析媒介者的创造性叛逆
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    Cyber-Media: The Symbolic Bliss
    网络媒介:符号的极乐世界
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    Regarding the Viewpoints about the Mutual Transformation between the Mediums of Film and Literature
    对媒介转换中电影和文学关系的透视
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    The Transformation and Continuation of Literature in Different Medium--Focus on Movie
    文学在异质媒介间的转向与承续——以电影为例
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  media
A Fast, Bandlimited Solver for Scattering Problems in Inhomogeneous Media
      
The numerical treatment of two-dimensional scattering in inhomogeneous media
      
PRODUCTION OF ANTIBACTERIAL AND ANTIFUNGAL METABOLITES BY STREPTOMYCES VIOLACEUSNIGER AND MEDIA OPTIMIZATION STUDIES FOR THE MAX
      
Plane elastic problems of different media with cracks on the interface
      
The equilibrium problem for the infinite elastic plane consisting of two different media with many cracks on the interface is discussed.
      
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  medium
Production medium was optimized for antibiotic production.
      
We consider a nonlinear parabolic system describing compressible miscible displacement in a porous medium [5].
      
The objective of this paper is to deal with a kind of fuzzy linear programming problem based on interval-valued fuzzy sets (IVFLP) through the medium of procedure that turns IVFLP into parametric linear programming via the mathematical programming.
      
The conclusion that the equilibrium is the continuous function of the dilution rate and substrate concentration in medium in a certain range is concluded.
      
Many food algae and red tide algae were cultivated in the f/2 medium, and the nitric oxide (NO) concentration of the medium and the cell density were determined.
      
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Confuciusaestheticsaimsattheformationofindividual’scharacterandpersonality , thatis ,theeducationandpromotionofhumannature .ForConfucius ,thepurposeofartisnotits utilityinsocialcommunities.Weshouldbreakawayfromthetraditionaltheoryof“educationof theBookofSongs”whenwediscussConfuciusaesthetics .

本文论述三方面的问题 :(一 )孔子诗教艺术观不成立 ,乐教观才真正构成其艺术观。1.孔子对《诗经》具体诗句采取断章取义式阐释策略 ,是把《诗经》作为一种传播媒介符号来看待 ,“兴观群怨”说是对以《诗经》为媒介符号的组织传播功能的表述。 2 .诗乐不分 ,孔子对《诗经》“思无邪”的总体评价和对具体篇章《关雎》的评论 ,是在音乐意义上进行的。 3.《论语》中记载有大量的孔子音乐实践活动和音乐鉴赏活动。 (二 )孔子乐教观的审美指向是人生之境 ,即对个体生命人格的形成与超越作用 ,这得益于他对中国古代乐教的继承和对乐的精神的新发现 1.“兴于诗 ,立于礼 ,成于乐” :把乐放在礼的上位 ,认定乐是审美人格完成的圆融境界 ;2 .“五十知天命” :把“知”作为实现审美超越的关键 ,“知”中蕴涵对人生终极意义和现实生命意义的认知。 (三 )孔子美学思想两层面 :1.命成思想及其人生实践构成孔子的审美超越理论 ;2 .尽善尽美表达的是孔子有意味的形式的美学思想和对艺术境界的某种规定性

Targeted at the theoretical origin of modern western semeiology, the article has identified the development process of modern western semeiology in literature, and the author develops her own understanding on the essential connotation of signs and literature signs as well. It is acknowbedged that there are three basic conceptions in sevneiology, namely, "system", "function" and "meaning". By comparing the differences between language signs and literature signs, the article concentrates on analyzing the connotation...

Targeted at the theoretical origin of modern western semeiology, the article has identified the development process of modern western semeiology in literature, and the author develops her own understanding on the essential connotation of signs and literature signs as well. It is acknowbedged that there are three basic conceptions in sevneiology, namely, "system", "function" and "meaning". By comparing the differences between language signs and literature signs, the article concentrates on analyzing the connotation and nature of literature signs. Based on the above analysis, the author attempts to regard the literature signs (F)as the products of the signifier(A) and the signified (X), in a formula: F=A+X. A is an invariable, and X is a variable. Hence the literature signs are classified into three groups: character signs (R), background signs (B) and emotion signs (Q). The author makes analysis on the inner characteristics and the components of each group and further explains the inner relations of the three groups. Then the author addresses the characteristics of literature signs, including function, arrangement, and code.

符号的本质是在特定结构关系中承担着某种功能并产生着一定意义的媒介物。其最核心的概念是“系统”、“功能”和“意义”。文学符号与语言符号一样 ,也是“能指”和“所指”的统一。在文学符号的内部 ,又包含着各种代码 ,其中最重要的文学代码有“性格代码”、“背景代码”和“情感代码”三种。这就决定着文学符号又是一个具有着强烈的自主功能性、清晰的层次性和内在的编码性的有机运作过程。

The definition of net Literature refers to works written or rewritten on the net.Because of integration between the digital medium and net culture,the net litarature is characterized by multithreading recount,multimedia communication and bilateral exchange.This is just where net litcature breaks through the three limitations of traditional literature

网络文学是指在网络上原创或改制的文学作品。由于数学化媒介技术与网络文化的整合作用 ,网络文学消解着传统文学文本信息单一、单向传播以及单线型叙述的局限 ,从而使自身呈现出了双向交流、非线型叙述以及多媒体化传播的新特质。

 
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