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古代文学批评     
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  ancient literary criticism
     Survey and Review on style of Chinese Ancient Literary Criticism in Recent 30 Years
     近30年中国古代文学批评文体研究述评
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     second, through the mode of spiritual dialogue among the subjects opens out the modem meaning of the theory of the Chinese ancient literary criticism;
     其二,通过古今主体间精神对话的方式,揭示出中国古代文学批评理论的现代意义;
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     So the Seven-person school theory has extremely important function not only in the history of literary criticism of Ming Dynasty but also in Chinese ancient literary criticism history.
     因此,七子派文学理论不仅在明代文学批评史上,乃至于中国古代文学批评史上都具有极其重要的作用。
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     This paper is under the background of Chinese ancient culture history and the literary history, drawing lessons from modern" literary style learns" of standpoints and methods, inquiring into the characteristics of the Chinese ancient literary criticism literary style and the cause.
     本文在中国古代文化史和文学史的大背景下,借鉴现代“文体学”的观点和方法,探讨中国古代文学批评文体的特征及其成因。
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     Jung’s Archetype Theory and Ancient Literary Criticism
     荣格原型理论与古代文学批评探微
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  ancient chinese literary criticism
     He mainly studied the impressionism criticism and absorbed the quintessence of ancient Chinese literary criticism and established his criticism system.
     从理论渊源来看,他主要师承西方的印象主义批评,同时又从中国古代文学批评传统当中汲取养分,由此建构自己的批评体系。
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     The writer acting as the critic and the criticism being appreciation at the same time are two clear logical starting points of ancient Chinese literary criticism viewed as historical records.
     历史形态的古代文学批评有两个清晰的逻辑基点:作家兼批评家,亦批评亦鉴赏。
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  classical literary criticism
     The method of "comparative" thinking in Chinese classical literary criticism
     中国古代文学批评中的“比类”型思维特征
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     "Nature" is extensively used to comment on the artistic conception -. style and skill of poetry > drawing and penmanship in ancient china, so that it is an important aesthetic category of the classical literary criticism theory.
     “自然”在古代被广泛地运用来评论诗歌、绘画、书法等各类艺术部类的意境、风格和手法,是古代文学批评理论的重要范畴。
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     The literary criticism with ci-poetry is a critical form that shows distinctive national features in Chinese classical literary criticism.
     词体文学批评是我国古代文学批评中独具一格的批评形态。
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  “古代文学批评”译为未确定词的双语例句
     Literature theory of ancient China provides theoretical mode of poetic-speech for literary criticism of ancient China.
     中国古代的文学理论为古代文学批评提供了诗意言说的理论范式,中国古代的文学批评又呈现出这一特有方式。
短句来源
     An analysis of literature theory and literary criticism practice of ancient China helps to examine the peculiar poetic-speech mode and its features.
     对中国古代文学理论范畴的梳理以及对古代文学批评实践的考察,可以归纳出中国古代文学批评中特有的诗意言说方式及其特点。
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     The Main Body's Development and Evolution of Literature'sCriticism in the Ancient China
     中国古代文学批评主体的发展与演变
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     This article thindks that Cao Pi researched the aw areness,criterion ,attitude and patterm of literary criticism.
     曹丕《典论·论文》堪称中国古代文学批评史上首篇文学批评专论 ,开启魏晋南北朝文学批评自觉的先河。
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     Network literary criticism is marked by the characteristic of romantic charm just like ancient Chinese literacy criticism,which includes three aspects:(1) the means of criticism is decided by the life attitude;
     网络文学批评和中国古代文学批评一样,具有一种“神韵”特性。 这种“神韵批评”主要由三个方面的特性构成:第一,是由一种欣然自得的生活态度所决定的评点式的批评方式;
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  ancient literary criticism
Most obviously, though, it remains to ask how and to what extent Romantic taste altered the authority of ancient literary criticism.
      


The writer acting as the critic and the criticism being appreciation at the same time are two clear logical starting points of ancient Chinese literary criticism viewed as historical records. They form the internal system of Chinese literary criticism and determine the formal characteristics of this discipline. This paper analyzes the characteristics of existence of these starting points and the form of this discipline caused by them. It also offers to the study of the history of criticism a theoretical perspective,...

The writer acting as the critic and the criticism being appreciation at the same time are two clear logical starting points of ancient Chinese literary criticism viewed as historical records. They form the internal system of Chinese literary criticism and determine the formal characteristics of this discipline. This paper analyzes the characteristics of existence of these starting points and the form of this discipline caused by them. It also offers to the study of the history of criticism a theoretical perspective, which should not be neglected but has been lying in oblivion for a long time.

历史形态的古代文学批评有两个清晰的逻辑基点:作家兼批评家,亦批评亦鉴赏。这两个逻辑基点既形成了中国文学批评史的内在体系,也客观上制约了本学科的形态特征。该文分析了这两个逻辑基点的存在特点,以及由此特点而带来的学科形态。并对21世纪的批评史研究提供了一个不容忽视但实际上尘封已久的理论视角。

In this articl,the Views of Mao Shi Pai and Zhong Rong on poetry are compared in four aspects such as the emotions contained,the ways to convey emotions the aims and the different but clear-cut marks on times.Therefore,the importance came to light for both to reveal the poems' essence in the criticism history of poetry.

:《毛诗序》和钟嵘《诗品序》中“吟咏情性”的差异是 :1、“情”的内涵差异 ;2、抒情方式不同 ;3、抒情目的不同 ;4、各自不同而又鲜明的时代印记。通过比较得出二者在中国古代文学批评史上诗歌抒情性本质特征的整合和凸现过程中的重要作用。

It is an obvious phenomenon in ancient Chinese literary criticism that critics o ften express their critical thoughts through compiling literary works. This is a l so true in the criticism of Fu. Critics of Fu in ancient China compile numerous c ollected works and selected works of Fu, especially in the Qing Dynasty. The compiled works of Fu in the Qing Dynasty are so numerous that they should b e regarded as an important phenomenon in Chinese history of both literature and l iterary criticism. From a historical...

It is an obvious phenomenon in ancient Chinese literary criticism that critics o ften express their critical thoughts through compiling literary works. This is a l so true in the criticism of Fu. Critics of Fu in ancient China compile numerous c ollected works and selected works of Fu, especially in the Qing Dynasty. The compiled works of Fu in the Qing Dynasty are so numerous that they should b e regarded as an important phenomenon in Chinese history of both literature and l iterary criticism. From a historical point of view, the compiling of Fu manifest s a synchronous development of criticism of Fu. From a critical viewpoint, the co m piling of Fu itself includes abundant theoretical content of Fu, i.e., the style , classification, study of the writer-groups, ancient style Fu, rhymed Fu, and i ts influence on “Fu Hua” (a form of criticism of Fu).

中国古代文学批评有一明显的现象,即评论家往往 通过对作品的整理以表达其批评思想,作为文学批评分支的赋学批评也不例外。历代赋论家 编纂了大量的赋总集、选集、别集(专集),尤其是到清代,赋集编纂风气炽盛,成果汗牛充 栋,成为中国文学史与批评史上均值得重视的现象。从史学观来看赋集的编纂,表现出与古 代赋学批评同步发展的情形,而从批评观来看,则赋集编纂也包括了赋的文体性质、赋创作 分类、古赋与律赋、赋作家群体研究以及对赋话产生之影响等丰富的理论内涵。

 
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