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In the course of amalgamation of nationalities in the periods of Western & Eastern Jin Dynarties and Southern & Northern Dynarties, myth played a critical role in such a campaign. The author holds that the recognotion of Chinese myth is the basis for the amalgamation of the nationalities in the north into the family of Chinese nation. The common imperial mode of myth, the common sacrificial rites, the recognition of the common ancestor-All these mark the convergence of the nationalities in the north and their...

In the course of amalgamation of nationalities in the periods of Western & Eastern Jin Dynarties and Southern & Northern Dynarties, myth played a critical role in such a campaign. The author holds that the recognotion of Chinese myth is the basis for the amalgamation of the nationalities in the north into the family of Chinese nation. The common imperial mode of myth, the common sacrificial rites, the recognition of the common ancestor-All these mark the convergence of the nationalities in the north and their political power with the subject.

在中国两晋南北朝民族大融合的历史运动中,神话充当了极为重要的角色。北方各族融入中华民族大家庭之中,是以认同华夏神话遗产为前提的。选用共同的帝王神话模式与母题,采用共同的祀典,皈依同一祖先,是北方各族人民与政权融入民族文化统一体的标志。

As an important work of Yan Lian-ke,RiGuang LiuNian has a representative value.Naturally,it is his duality of intellectual and peasant that determines the basic variegated emotions of his country novels giving rise to their narrative methods and aesthetic features,such as mythological features,miserable consciousness,concern with dialect and carnival in RiGuang LiuNian which constitute the narrative aesthetics of Yan's novels.

作为阎连科的一部重要作品,《日光流年》具有一种标本的价值。从本质上说,阎连科知识分子与农民身份的二重性决定了其乡村小说的基本情感色调是多色杂糅的,它又影响到这些小说的叙事方式和审美特征,如神话模式、苦难意识、“方言”的关注以及狂欢话语等,这些特征都在《日光流年》中有所体现,它们共同构建了阎连科小说的叙事美学。

As regarded an intact mythical novel in China,Journey to the West explains limitlessly.This text analyzes the myth—Archetype image in“paradise”of Journey to the West,and the focal point is with“paradise”mode of the Holy Bible.to take the Chinese and West-ern culture compare with further,In order to strengthen the understanding of this work by finding some new things.

《西游记》作为中国一部完整的神话小说,有着无限阐释的可能。本文即从神话原型的角度,分析《西游记》中“乐园”这一神话原型意象,并重点以《圣经》中的“乐园”模式为基础进一步从中西文化对比的角度分析孙悟空的“得乐园”、“失乐园”、“复乐园”这一神话模式。以发现一些新东西来加深对这一部著作的理解。

 
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