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宇宙构造
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  cosmotectonic
     (10) cosmotectonic geochemistry;
     (10) 宇宙构造地球化学;
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  相似匹配句对
     The X.
     在构造 X.
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     “L-STRUCTURE”FOR FUZZY SET IN A LINEAR SPACE
     L—构造
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     (10) cosmotectonic geochemistry;
     (10) 宇宙构造地球化学;
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     THE NATURE OF GEOLOGICAL STRUCTURE STRETCHING IN OBLIQUE DIRECTION IS FOLLOWING THE GENERAL MOTION OF UNIVERSE
     地质构造发展的斜向性与宇宙运动
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     The Study of the Origin of the Universe
     吸积的宇宙
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Tectono-geochemistry is a frontier science mainly studying the relations between various tectonic processes and distribution, migration, scatter and aggregation of chemical elements in the earth's crust. It lies between tectonics and geochemistry, Its main tasks are to study the spatial, chronological and g(?)cal relations between tectonic and gegchemical processes, namely, between motion and mutter. In its study it unites formation with deformation, and construction with reconstruction. On the one hand, it...

Tectono-geochemistry is a frontier science mainly studying the relations between various tectonic processes and distribution, migration, scatter and aggregation of chemical elements in the earth's crust. It lies between tectonics and geochemistry, Its main tasks are to study the spatial, chronological and g(?)cal relations between tectonic and gegchemical processes, namely, between motion and mutter. In its study it unites formation with deformation, and construction with reconstruction. On the one hand, it studies geochemical processes in tectonic activities,On the hand, it studies tectonic processes generated and reflected during geochemical processes.The resesrch centeris of tectone-geochemistry could be summed up into twelve fields: (1) geochemistry of microstruetures; (2)geochemistry of fissure structures; (3) geochemistry of fold struttures; (4) geochemistry of fault structures; (5) tectono-geochemistry of igneous rocks; (6) geochemistry of metallogenic structures(metallogenie tectono-geochemistry); (7) geochemistry of deepseated struetures; (8) seismotectonic geochemistry; (9) geoteetono-geochemistry; (10) cosmotectonic geochemistry; (11) experimental tectone-geochemistry; (12) applied tectono-geochemistry. The contents of these twelve fields are interrelated and interpenetrated.Tectono-geochemistry is related to but different from geochemistry and regional geochemistry in that the latter two do not deal with tectonic aspects, and therefore they are not equivalent.

构造地球化学主要是研究各种地质构造作用与地壳中化学元素的分配和迁移、分散和富集等关系的一门边缘学科,介于构造地质学与地球化学之间。它的主要任务是研究地质构造作用与地球化学过程之间,也就是运动和物质之间,在时间、空间和成因上的关系,把形成与形变、建造和改造统一起来,加以研究,它一方面研究构造作用中的地球化学过程,另一方面研究地球化学过程所引起的和反映出的构造作用。 构造地球化学的研究内容,归纳起来,有十二个方面:(1) 微构造地球化学;(2) 裂隙构造地球化学;(3) 褶皱构造地豫化学;(4) 断裂构造地球化学;(5) 火成岩构造地球化学;(6) 成矿构造地球化学;(7) 深部构造地球化学;(8) 地震构造地球化学;(9) 大地构造地球化学;(10) 宇宙构造地球化学;(11) 实验构造地球化学;(12) 应用构造地球化学。这十二个方面的内容是相互关联、互相渗透的。 构造地球化学与地球化学、区域地球化学既有联系,又有区别,不能等同,因为后二者主要是从非构造作用角度来研究的。

The concept of Fueki ryuko advocated by the Japanese poet Matso basho actually pursues a style of Haikai. Enriched with classical Chinese literature, Matso basho was undoubtedly influenced by Chinese philosophical works of Taoism, The Book of Changes (Yijing,) Confucianism, and the Idealist School of the Song Dynasty. This paper maintains that the relationship between “Fueki” and “Ryuko” is both contradictory and interdependent. In the perspectives of cosmography, human postures and Yin yang, it tries to expound...

The concept of Fueki ryuko advocated by the Japanese poet Matso basho actually pursues a style of Haikai. Enriched with classical Chinese literature, Matso basho was undoubtedly influenced by Chinese philosophical works of Taoism, The Book of Changes (Yijing,) Confucianism, and the Idealist School of the Song Dynasty. This paper maintains that the relationship between “Fueki” and “Ryuko” is both contradictory and interdependent. In the perspectives of cosmography, human postures and Yin yang, it tries to expound on the ethos of Matsos concept of Haikai and hence concludes that both Fueki and Ryuko are the traits and artistic pursuit of Matsos Haikai compositions.

日本俳谐诗人松尾芭蕉所提倡的俳谐理念“不易流行”,实际上是在讲求俳谐的风体。松尾芭蕉阅读了大量的中国古典文献,理所当然会受到中国哲学思想的影响,如庄子、易学、儒教、宋学等等思想的影响。该文认为“不易”与“流行”是一种既对立又统一的关系存在。通过宇宙构造、人体姿态以及阴阳二气等观念来阐释松尾芭蕉俳谐理念的精神实质,强调“不易”与“流行”是松尾芭蕉俳谐创作的特征与理想追求。

 
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