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心理
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     An analysis was made of reproductive tract infections and the corresponding physiological-psychological-social affecting factors through the diagnosis and treatment of 116 cases of female college students with reproductive tract infections.
     通过对116例女大学生生殖道感染(reproductive tract infections,RTI)的诊治,分析其生殖道感染的患病情况及生理—心理—社会等方面的影响因素;
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     Approaches to Informative Process of Healthy Education
     信息社会的心理健康教育发展之路——心理健康教育信息化
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     "Sad" is one of the basic forms of mankind's aesthetic consciousness, different nationality, different culture-psychological background have entrusted to"Sad" different characteristic, every nationality has its unique sad beautiful form of literature.
     “悲”是人类审美意识的基本形式之一,是人类文学艺术的基础,不同的民族、不同的文化—心理背景赋予了“悲”不同的内涵和特征,每一个民族都有其独特的文学悲美形态。 就中国古代文学来说,中国文化—心理背景赋予了“悲”以“怨”的特征,形成了“悲怨”的美学形态。
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     To Construct Mental Health Education Newly after College Enrollment Enlargement
     高校扩招后心理健康教育体系的再建构——心理健康教育三级网络模式
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     Ecological Mental Health --A New Vision in the Research of the Mental Health
     生态心理健康——心理健康研究的新视野
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     RECTIFYING THE MEANING OF " XINLI(PSYCHOLOGY)
     “心理”正名
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     Psychology of Leprosy Patients
     麻风病人的心理
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     The Structure of "Logic一Psychology
     “逻辑心理”结构
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Another case in point were the causative psych-adverbs from chapter 5.
      


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利用弯头测定水泵流量能够解决一般抽水站的量水问题,但国內还没有对这个量水法作过有系统的试验研究,許多人对它很不了解,有的人看到它很簡单,就产生了轻视的心理,殊不知簡单正是它的主要优点,而且,在理论上和实验数据的总结上,它是这样复杂,以致不少問題直到现在还没有解决。本文(1)说明弯头量水法的研究任务是針对灌溉抽水站量水問题而提出的,因为常用的量水法不是费用太大就是运用太不方便,而近来提出的角尺量水法和公式計算法則各有缺陷,并不适用;(2)推导了弯头量水公式,借以指出国外书刊对这公式的理解带有片面性;(3)綜述和对比了国外弯头量水试验,指出英美的试验忽视了相似性理论,因此不能从試驗数据总结出流量系数的变化規律;(4)报导了武汉水利电力学院师生进行弯头量水试验的概况;(5)对弯头量水计的性能与应用提出了初步結論;(6)建议全国有关单位共同对弯头量水计作进一步的研究,以促成它的推广应用。

(1) In the fully dark-adapted eye, stimulating the whole visual field with diffuse light at an intensity about 10~3 times the absolute threshold is capable of eliciting a perceptible b-wave. With a further 2—10 times increase of the stimulus intensity, the b-response remains scotopic, as judged by olectroretinographic standard. Two components of the scotopic b-wave are discernible. The later of the two, which can be elicited by monochromatic light from blue to red, can be identified as the so-called late positivity...

(1) In the fully dark-adapted eye, stimulating the whole visual field with diffuse light at an intensity about 10~3 times the absolute threshold is capable of eliciting a perceptible b-wave. With a further 2—10 times increase of the stimulus intensity, the b-response remains scotopic, as judged by olectroretinographic standard. Two components of the scotopic b-wave are discernible. The later of the two, which can be elicited by monochromatic light from blue to red, can be identified as the so-called late positivity described by some previous workers. Another component, occurring 30—40 msec earlier and appearing most prominently with stimulation by blue light, is absent when red light is used as the stimulus. Stimulation by light in Maxwellian view of 52°field can also elicit the blue sensitive component, but this tends to be obscured by a still earlier and larger partly photopic b-wave having a peak latency of about 70—80 msec. The apparent prominence of the late positivity with stimulation by rod light in Maxwellian view is due to the absence of the small blue sensitive wave. (2) The fact that the electroretinographic threshold of the blue component is slightly (about 0.3 log_(10) units) above that of the late positivity, allows the latter to be selectively suppressed by light adaptation at a properly chosen intensity. When the b-waves elicited by blue and by red light were adjusted to be of equal size and then subjected to a similar degree of light adaptation, the late positivity elicited by red light succumbed completely at an intensity of the adapting light at which a portion of the blue sensitive component still survived. (3) The spectral sensitivity curve of the late positivity elicited by diffuse illumination fits reasonably well with the ICI scotopic standard. In the case of stimulation by light in Maxwellian view, an extra sensitivity not exceeding 0.1 log unit exists in the blue region, apparently due to intraocular scattering of light. (4) The implications of the various components of the b-wave are discussed in relation to psychophysical findings in man and neurological findings in animals.

(一)对于完全暗适应的眼,强度約为絕对阈10~3倍的弥散光照射全部視域,卽足以引起可被察觉的b波。刺激强度再增加2—10倍所引起的b波,按照ERG标准来判断仍然是属于暗視b波的。然而,在这样一个暗視b波中可以辨认出两个成分。較迟出現的一个成分能够为从藍到紅的各种单色光所引起。这个成分可被鉴別为有些工作者描述过的所謂迟正相。另一个較小的成分比迟正相早出現30—40msec,在藍光刺激时最显著,紅光刺激时則不出現。用52°的Maxwell投射光刺激也能引起对藍光敏感的成分,但是这种刺激还引起一个比“藍”b波出現更早(峰潜伏朔70—80msec)的b波部分(不純粹是一个暗視α波),这两者有相当程度的混合。用Maxwell投射紅光刺激时,由于对藍光敏感的波不出現,因此迟正相看起来变得比較突出。 (二)对藍光敏感的成分的阈值比迟正相的阈值約高0.3 log_(10)单位。虽然这个差別很小,但是迟正相已可为适应光有选擇地先被压抑。对紅光和藍光所引起的相同大小的b波,增加明适应到一定的强度,当由紅光引起的迟正相完全消失时,对藍光敏感的成分的一部分仍然保留下来。 (三)用弥散光刺激引起的迟正相的光譜敏感曲綫与ICI暗視标准曲...

(一)对于完全暗适应的眼,强度約为絕对阈10~3倍的弥散光照射全部視域,卽足以引起可被察觉的b波。刺激强度再增加2—10倍所引起的b波,按照ERG标准来判断仍然是属于暗視b波的。然而,在这样一个暗視b波中可以辨认出两个成分。較迟出現的一个成分能够为从藍到紅的各种单色光所引起。这个成分可被鉴別为有些工作者描述过的所謂迟正相。另一个較小的成分比迟正相早出現30—40msec,在藍光刺激时最显著,紅光刺激时則不出現。用52°的Maxwell投射光刺激也能引起对藍光敏感的成分,但是这种刺激还引起一个比“藍”b波出現更早(峰潜伏朔70—80msec)的b波部分(不純粹是一个暗視α波),这两者有相当程度的混合。用Maxwell投射紅光刺激时,由于对藍光敏感的波不出現,因此迟正相看起来变得比較突出。 (二)对藍光敏感的成分的阈值比迟正相的阈值約高0.3 log_(10)单位。虽然这个差別很小,但是迟正相已可为适应光有选擇地先被压抑。对紅光和藍光所引起的相同大小的b波,增加明适应到一定的强度,当由紅光引起的迟正相完全消失时,对藍光敏感的成分的一部分仍然保留下来。 (三)用弥散光刺激引起的迟正相的光譜敏感曲綫与ICI暗視标准曲綫符合,用Maxwell投射光刺激所测定的曲綫,在藍波段則显示出一个不超过0.1 log_(10)单位高于ICI标准的敏感性,这是由于在眼內产生的散射光所引起的。 (四)对于b波不同成分的意义,曾結合心理物理和神經生理学方面的資料加以討論。

The visual perception of space form is part of the theory of form vision. The form vision has a close relation to architecture, visual art, theory of picturial formation and so on. This discourse briefly introduces the visual perception to space form for its fundemental perception, characteristics, and effectal factors in physiology and psychology, and is emphatically analyzing the visual perceptive characteristics of architectural space comprising the figure and size. There is certain meaning in organisation...

The visual perception of space form is part of the theory of form vision. The form vision has a close relation to architecture, visual art, theory of picturial formation and so on. This discourse briefly introduces the visual perception to space form for its fundemental perception, characteristics, and effectal factors in physiology and psychology, and is emphatically analyzing the visual perceptive characteristics of architectural space comprising the figure and size. There is certain meaning in organisation of architectural space. Meanwhile it has some value for reference in the field of relative sciences.

视觉对空间全景形象的感知问题,是形体视觉理论的一部分。形体视觉作为一门边缘科学,它对于建筑、美术、图形理论等有较密切的关系。本文简要耦述视觉对空间全景形象感知的生理和心理的基本过程、特征和影响因素,并着重对建筑空间的形状和尺度的视感知特征进行了一些具体的分析讨论。这对于建筑具有一定的实践意义,对有关视觉的学科也有一些参考价值。

 
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