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感性美
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  perceptual beauty
     yet , the beauty of scientific form includes the elements of physical theory which we can meet in physics teaching : conciseness , symmetry , harmony and unity , also , it includes the perceptual beauty of physical phenomena .
     科学形式美因素主要是指在教学中常遇到的物理理论的简洁美、对称美、和谐统一美以及物理现象的感性美
短句来源
     He affirmed the perceptual beauty and improved the position of the art.
     肯定感性美 ,提高了艺术的地位
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  “感性美”译为未确定词的双语例句
     In Chapter I , the author emphasizes on this question from two hands : social and cultural background of XiJin dynasty and LuJi's personality , on the first hand, the aesthetic awareness of the worldly spirit and the pursuit of direct perception determine tha Lu's poems have the characteristics of the complicated, lingered emotion;
     在西晋社会文化背景中,西晋文士的世俗心态和追求直观感性的强烈审美意识决定了陆机诗歌中情感的缠绵繁复和物象的感性繁富,因为这些都有助于表现直观感性美
短句来源
     Scientific beauty is the combination of beauty of reason and of sense.
     科学美是感性美与理性美的交汇。
短句来源
     Beauty in image and perceptivity from chemical disciplines is vivid, intuitional and explicit.
     化学科学中的形象美、感性美是生动的、直观的、显性的;
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  相似匹配句对
     Beauty
    
短句来源
     He affirmed the perceptual beauty and improved the position of the art.
     肯定感性 ,提高了艺术的地位
短句来源
     Broken Beauty
     残缺的
短句来源
     STRUGGLE OF PERCEPTUAL KNOWLEDGE
     感性的抗争
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     Passional Moscow
     感性莫斯科
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In the Wei and Jin Dynasties,the poets′aesthetic taste was influenced by metaphysics,defined naturalness,pureness and essence as the essential qualities of beauty. So exhibited in their poems were some genuine,natural and concise images. The characteristics of these poetry images are as follows:1)terse but not ornate;2)to preserve the true essence of things.Poets in the South Dynasties concerned themselves more with the real world. A number of poets tended to create ornate images characterized by senses,tones...

In the Wei and Jin Dynasties,the poets′aesthetic taste was influenced by metaphysics,defined naturalness,pureness and essence as the essential qualities of beauty. So exhibited in their poems were some genuine,natural and concise images. The characteristics of these poetry images are as follows:1)terse but not ornate;2)to preserve the true essence of things.Poets in the South Dynasties concerned themselves more with the real world. A number of poets tended to create ornate images characterized by senses,tones and colours . Some of the images conveyed exactly the splendors of life and the poets′deep love for earthly happiness. After the Qi and Liang Dynasties, the poets placed too much emphasis on flowery languages and sensory beauty, which are the external factors in aesthetic process.The sensory beauty of images drifted away and in varying degrees harmed the emotions that the poems tended to convey.

魏晋诗人的审美趣味受玄学影响,以天然、清真、本色为美,诗歌中出现真挚、自然、简约、本真的意象。它的特点是:其一,去缘饰而得简要;其二,以本色为佳,自然为妙。南朝诗人情感世界的世俗化促使许多诗人趋向于创造感性声色动人心魄的装饰性意象。有的装饰性意象恰切地传达出生命的华美富丽和人对生命感性欢乐的无比留恋;齐梁以后,诗人着意强调外在于审美情感的妍丽、明艳、光色灿烂的语言独立的美和意象耀目眩心的感官愉悦性,意象的感性美程度不同地脱离、损伤了情感本体

This thesis analyzes the multiple connotations of the concept of “beauty” and its essential features in the Old Testament and proves that God was taken as ultimate beauty by the Hebrew nation. It is revealed that the aesthetic conceptions in the Old Testament contain both perceptual beauty and rational beauty. And finally, it is pointed out that, in the later period, the Hebrew aesthetics tended to evolve towards the ethical direction.

本文辨析了《圣经·旧约》中“美”概念的多种含义及美的特质 ;论证了神是希伯来民族所认为的终极之美 ;揭示了“旧约”的审美思想中同时包容了感性之美和理性之美 ;指出了后期希伯来美学逐渐向伦理化方向发展的趋势

John Scott Earligena epitomized Caluolin Renaissance.His achievement of aesthetics is that God's principle is the whole.The whole is the beginning of the nature and the first God.Nature is an entity of existing and no existing.Human being belongs to the second nature.Both art and nature's beauty is showing an order of the God.The relation of good and beauty is dialectical.The manner of the beauty is no utility.He affirmed the perceptual beauty and improved the position of the art.

约翰·司各脱·厄里根纳是加洛林文艺复兴的集大成者 ,在美学方面的成就集中表现在 :上帝的原则即是“一”的原则 ,“一”是自然的开端 ,第一因的上帝 ;自然是存在与非存在的统一体 ,人属于第二种自然 ;艺术同自然一样 ,其美在于神秩序的彰显 ;善与美的辩证关系 ;审美态度应是非功利性的 ;肯定感性美 ,提高了艺术的地位

 
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