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   戏曲音乐创作 的翻译结果: 查询用时:0.006秒
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戏曲音乐创作
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  “戏曲音乐创作”译为未确定词的双语例句
     On the Characteristics of Music Composition of Modern Opera
     现代戏曲音乐创作的特点
短句来源
     The thesis argues that the method of "one melody with various appliances" could not be considered as a naive expedience of local opera's musical creation, instead, it is a method that suits the formula character of the local opera which is adept with both actual and false;
     论文认为,“一曲多用”并不是戏曲音乐创作思维幼稚的权宜之计,而是一种与戏曲虚实兼备的程式性特征相适应、与对象(民众)的审美习惯相切合的创作方法;
短句来源
     Then, the creation and theory study about Chinese Drama have been achieved unprecedented prosperity and rapid development since 1949. It is the third revolution that will be demonstrated in this thesis.
     本文拟论述的戏曲音乐第三次大变革,指的是1949年以来,戏曲音乐创作及理论研究所取得的空前繁荣和迅猛发展。
短句来源
     After the establishment of the People′s Republic of China, some creative skills in Western Opera have been absorbed into the composition of opera music. At the same time, the modern creative theories which originate from western countries are widely used in music composition which has been made essentially different from traditional opera music in both content and form.
     新中国成立以后,戏曲音乐创作吸收了民族、西洋歌剧的创作手法,并大量运用了现代西方作曲理论,使现代戏曲音乐创作无论从内容还是形式上都与传统的戏曲音乐创作有着本质的区别。
短句来源
  相似匹配句对
     On the Characteristics of Music Composition of Modern Opera
     现代戏曲音乐创作的特点
短句来源
     Talking about Opera Music-A Field of Highly Comprehensive Art
     浅谈戏曲音乐
短句来源
     On the Orchestration of the Music in the Traditional Chinese Opera
     论戏曲音乐配器
短句来源
     Interpretation of Music
     音乐的二度创作
短句来源
     The Creative Style of Prokofiev
     普罗科菲耶夫的音乐创作风格
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After the establishment of the People′s Republic of China, some creative skills in Western Opera have been absorbed into the composition of opera music. At the same time, the modern creative theories which originate from western countries are widely used in music composition which has been made essentially different from traditional opera music in both content and form.

新中国成立以后,戏曲音乐创作吸收了民族、西洋歌剧的创作手法,并大量运用了现代西方作曲理论,使现代戏曲音乐创作无论从内容还是形式上都与传统的戏曲音乐创作有着本质的区别。

“Changing the shape instead of changing the essence”is Mei Lanfang's proposition of traditional opera.By introducing this proposition,the author talks about its stylization and gradually-change of traditional opera creation,so as to pour some freshness into it.

“移步不换形”是梅兰芳的戏曲艺术主张。本文从介绍此语的提出入手,谈及梅兰芳在艺术生涯中,为实现自己的艺术主张,做出了不懈努力;由此引申谈及戏曲音乐创作的程式性、渐变性,以保持戏曲音乐既“熟悉”又“新鲜”的艺术特色。

 
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