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法国戏剧
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  french drama
    “The Theatre Is Oriental”:French Drama Director Mnouchkine and the Asian Theatre
    “戏剧是东方的”:法国戏剧导演姆努什金与亚洲戏剧
短句来源
    Living pagodas, Chinese doctors and other exotic Chinese figures became active on the French drama stage.
    活宝塔、中国大夫等滑稽而奇异的形象开始活跃在法国戏剧舞台之上。
短句来源
  french drama
    “The Theatre Is Oriental”:French Drama Director Mnouchkine and the Asian Theatre
    “戏剧是东方的”:法国戏剧导演姆努什金与亚洲戏剧
短句来源
    Living pagodas, Chinese doctors and other exotic Chinese figures became active on the French drama stage.
    活宝塔、中国大夫等滑稽而奇异的形象开始活跃在法国戏剧舞台之上。
短句来源
  “法国戏剧”译为未确定词的双语例句
    When writing comedies, Wilde makes use of the ideas and the dramatic skills of traditional French well-made play, melodrama, and problem drama in order to create bis own plots and characters.
    同时王尔德还将对传统的继承与颠覆融为一体。 他继承了传统的法国戏剧,借用其中佳构剧、通俗剧和问题剧中的情节及戏剧创作技巧写出了《温德米尔夫人的扇子》、《一个无足轻重的女人》和《一个理想的丈夫》。
短句来源
    In addition to copyright collective voluntary principle, essential mandatory principle, efficiency principle and monopoly principle and copyright collective function of management of management, author analysed overall, too.
    第三章阐述了著作权集体管理组织的成立与性质,分析了著作权集体管理组织与著作权人的关系。 世界上第一个著作权集体管理组织是早在1777年法国的艺术家成立的法国戏剧作家作曲家协会(SACD)。
短句来源
    The foundation of Theatre Libre in the late 19th century marked the coming of a new phase in French theatre history, and meanwhile initiated the worldwide little theater movement.
    十九世纪末创立的“自由剧团”标志着法国戏剧进入了一个历史新阶段,同时它又开创了世界小剧场运动之先河。
短句来源
    In the history of the French Theatre,Koltes is a very important playwright and his plays have become subjects of many scholars' studies in the world.
    科氏在法国戏剧史上占据着非同一般的地位 ,已经成为各国学者研究的重要对象。
短句来源
    The representative figure of théatre du quotidien, he has contributed significantly to the rehabilitation of the French literary tradition in drama.
    作为日常戏剧的代表 ,他为恢复悠久的法国戏剧文学传统做出了重大贡献。
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  french drama
A translation of a play, originally written in French, is classed as French drama.
      
One's peers are fellow specialists in molecular biology, or French drama of the classical period, or social stratification.
      


The theater of Brecht was not broadly recognized and valued by French theatrical circles until the middle of the 1950's. After that, however,adoration for his theater lasted ten years and over, and his works and theory exerted a tremendous influence on contemporary French theater. It was in the 1950's that Brecht's theater was first introduced to the French stage by Vilar. Starting with a misunderstanding produced by the performance, this paper summarizes the process in which the epic theater was embraced by...

The theater of Brecht was not broadly recognized and valued by French theatrical circles until the middle of the 1950's. After that, however,adoration for his theater lasted ten years and over, and his works and theory exerted a tremendous influence on contemporary French theater. It was in the 1950's that Brecht's theater was first introduced to the French stage by Vilar. Starting with a misunderstanding produced by the performance, this paper summarizes the process in which the epic theater was embraced by French theatrical circles and the great changes in artistic style of French theater in the 1960's.

布莱希特其人其戏直到五十年代中期才在法国得到广泛的认识与重视,但旋即掀起的一股热潮却持续了十多年,对法国当代戏剧产生了深刻的影响。本文从布氏戏剧五十年代首次被维拉尔搬上舞台所造成的误会开始,简要介绍了叙述剧在法国的接受过程以及六十年代法国戏剧创作风格上的巨大变化。

The foundation of Theatre Libre in the late 19th century marked the coming of a new phase in French theatre history, and meanwhile initiated the worldwide little theater movement. This paper analyses the historical background of Antoine' s theatrical reform,and then presents its innovative spirit of theatrical aesthetics, its beneficial experience in theatrical management and its current significance.

十九世纪末创立的“自由剧团”标志着法国戏剧进入了一个历史新阶段,同时它又开创了世界小剧场运动之先河。本文在深入分析安托万戏剧改革的时代背景的基础上,认真探讨了其在戏剧美学方面的创新精神、在演出管理方面的有益经验以及对今人的借鉴意义。

From the second period of the 20th century,the French playwright was suffering from a serious attack without precedent.There was neither master nor great play and the literature has lost its previous dominant position.However,playwrights didn't give up at all but struggled energetically.Thanks to their efforts,a new theatre school named “the theatre of everyday” was born at the end of the 70th.In the history of the French Theatre,Koltes is a very important playwright and his plays have become subjects of many...

From the second period of the 20th century,the French playwright was suffering from a serious attack without precedent.There was neither master nor great play and the literature has lost its previous dominant position.However,playwrights didn't give up at all but struggled energetically.Thanks to their efforts,a new theatre school named “the theatre of everyday” was born at the end of the 70th.In the history of the French Theatre,Koltes is a very important playwright and his plays have become subjects of many scholars' studies in the world.But,till now no attention was paid to him in China.This paper is just to fill this regrettable gap in presenting briefly the life and the major plays of this representative of the contemporary French theatre.It is not complete nor always correct.Our only purpose is to draw more studies on his plays in China.

廿世纪下半期以来 ,法国戏剧创作遭到了前所未有的打击 ,既不再有大师级的剧作家 ,也不再有伟大的剧作 ,文学的地位一落千丈。然而 ,剧作家们并没有坐以待毙 ,而是顽强抗争。在他们锲而不舍的努力之下 ,终于在 70年代末迎来了黎明 ,一个名为“日常戏剧”的流派应运而生 ,科尔代斯便是其中一位杰出代表。科氏在法国戏剧史上占据着非同一般的地位 ,已经成为各国学者研究的重要对象。然而 ,我国评论界至今还没有对其予以应有的关注 ,本文便是对这一缺憾所作的一点弥补 ,对这位法国新戏剧的代表作一番简单介绍。主要包括两个部分 ,分别介绍科氏的生平与剧作 ,不求全面正确 ,唯以抛砖引玉。

 
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