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  view of literary criticism
     On Laoshe's <font color=red >view of literary criticism</font> </td></tr> <tr><td class="text11Green">     论老舍的<font color=red >文学批评观</font> </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-AHSD200203015.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-AHSD200203015.html')">短句来源</a></td></tr> <tr><td>     It is unique even in the history of modern literary criticism that he formed his own <font color=red >view of literary criticism</font>, the practice of literary criticism, and it's culture background. So analyzing and concluding his achievements will not only have important value for us to reflect the literary criticism in 20th century, build the present theory of literary criticism but also be of enlightening significance to the present plural practice of literary criticism. </td></tr> <tr><td class="text11Green">     他的<font color=red >文学批评观</font>、文学批评实践及其形成的文化背景在现代文学批评史上都是一个独特的存在,对他的<font color=red >文学批评观</font>、文学批评实践以及文化背景进行梳理与总结,不仅对我们反思20世纪的文学批评,建构当下的文学批评理论具有重要的价值,而且对当下多元的文学批评实践也具有启迪性的意义。 </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CMFD-2007016084.nh.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CMFD-2007016084.nh.html')">短句来源</a></td></tr> <tr><td>     Based on his political view, this paper anlyzes his literary view and the <font color=red >view of literary criticism</font> which arise from his psychological feeling-knot based on his political depression and struggle, so it was essentially controlled by his political view and was influenced by his tendency to wish to participate in the politics. </td></tr> <tr><td class="text11Green">     今天,重读伊格尔顿,我们可以看出他的文学观和<font color=red >文学批评观</font>是基于一种政治上的“压抑——抗争”的心理情结而产生的,因而在很大程度上它更多的是伊氏“泛政治观”的衍生,是他强烈的政治参与意识情绪化之结果。 </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-ZGSG200602023.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-ZGSG200602023.html')">短句来源</a></td></tr> <tr><td>     Yuan Jie selected the poetry anthology Qiezhongji, defining its selective model and critical criterion according to his own literary thought and view of value, which fully embodied his <font color=red >view of literary criticism</font>. </td></tr> <tr><td class="text11Green">     元结选编《箧中集》,以自身的文学思想及价值观念为择取范式与批评标准,充分体现了他的<font color=red >文学批评观</font>。 </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-JYDB200404010.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-JYDB200404010.html')">短句来源</a></td></tr> <tr><td>     Yuan Jie's Qiezhongji and His <font color=red >View of Literary Criticism</font> </td></tr> <tr><td class="text11Green">     元结《箧中集》及其<font color=red >文学批评观</font> </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-JYDB200404010.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-JYDB200404010.html')">短句来源</a></td></tr> <tr><td align="right"><a href="dict_more_sen.aspx?searchword=%e6%96%87%e5%ad%a6%e6%89%b9%e8%af%84%e8%a7%82&c=6&z=&tran=view+of+literary+criticism" target="_blank">更多</a>       </td></tr></TABLE> <TABLE width="100%"><tr><td><IMG id="j_1" style="cursor:pointer" onclick="showjds('showjd_1',this)" src="images/jian.gif" border="0">  <font size="3"><b><a href="javascript:showjdsw('showjd_1','j_1')" >the literary criticism view</a></b></font></td></tr></TABLE> <TABLE width="100%" id="showjd_1"> <tr><td>     <font color=red >The Literary Criticism View</font> of Xu Lian on <liu-Chao Wen Jie> </td></tr> <tr><td class="text11Green">     《六朝文絜》与许梿的<font color=red >文学批评观</font> </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-FYSS200701007.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-FYSS200701007.html')">短句来源</a></td></tr> </TABLE> <TABLE width="100%"><tr><td><IMG id="j_2" style="cursor:pointer" onclick="showjds('showjd_2',this)" src="images/jian.gif" border="0">  <font size="3"><b><a href="javascript:showjdsw('showjd_2','j_2')" >the view of literary criticism</a></b></font></td></tr></TABLE> <TABLE width="100%" id="showjd_2"> <tr><td>     Based on his political view, this paper anlyzes his literary view and <font color=red >the view of literary criticism</font> which arise from his psychological feeling-knot based on his political depression and struggle, so it was essentially controlled by his political view and was influenced by his tendency to wish to participate in the politics. </td></tr> <tr><td class="text11Green">     今天,重读伊格尔顿,我们可以看出他的文学观和<font color=red >文学批评观</font>是基于一种政治上的“压抑——抗争”的心理情结而产生的,因而在很大程度上它更多的是伊氏“泛政治观”的衍生,是他强烈的政治参与意识情绪化之结果。 </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-ZGSG200602023.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-ZGSG200602023.html')">短句来源</a></td></tr> </TABLE> <TABLE width="100%"><tr><td><IMG id="j_3" style="cursor:pointer" onclick="showjds('showjd_3',this)" src="images/jian.gif" border="0">  <font size="3"><b><a href="javascript:showjdsw('showjd_3','j_3')" >view on literary criticism</a></b></font></td></tr></TABLE> <TABLE width="100%" id="showjd_3"> <tr><td>     QIAN Mu’s <font color=red >View on Literary Criticism</font> </td></tr> <tr><td class="text11Green">     钱穆<font color=red >文学批评观</font>述略 </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-WXQS200506001.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-WXQS200506001.html')">短句来源</a></td></tr> <tr><td>     Jiang Yan's <font color=red >view on literary criticism</font> has a deep influence on the literary critical writings of later ages, especially on the book Comments on Poems. </td></tr> <tr><td class="text11Green">     江淹的<font color=red >文学批评观</font>对后世的文学批评著作特别是《诗品》有着深刻的影响 </td></tr> <tr><td class="text11" align="right"> <a href="http://xuewen.cnki.net/CJFD-NTSX200403014.html" target="_blank" onclick="record('文学批评观', '双语例句', 'http://xuewen.cnki.net/CJFD-NTSX200403014.html')">短句来源</a></td></tr> </TABLE> </td></tr><tr><td><p> </p><a href="dict_result.aspx?custom=&tjType=sentence&style=&searchword=%e6%96%87%e5%ad%a6%e6%89%b9%e8%af%84%e8%a7%82"> <IMG src="images/other.png" border="0"> </a><font size="3"><b><a href="dict_result.aspx?custom=&tjType=sentence&style=&searchword=%e6%96%87%e5%ad%a6%e6%89%b9%e8%af%84%e8%a7%82">查询“文学批评观”译词为其他词的双语例句</a></b></font></td></tr><tr><td><div class="zztj"><ul><ul></div><p> </p></td></tr><tr><td> <IMG src="images/userdefine.png" border="0"> <font color="blue" size="3"><b>查询“文学批评观”译词为用户自定义的双语例句<br><br></b></font>    我想查看译文中含有:<input type="text" id="custom" name="custom" onkeydown="if(event.keyCode=='13'){tjCustom('%u6587%u5b66%u6279%u8bc4%u89c2');return false;}">的双语例句 <input style="cursor:pointer;" type="button" name="Submit" value="提交" onclick="tjCustom('%u6587%u5b66%u6279%u8bc4%u89c2');"></td></tr></TABLE></TD></TR> </TABLE><TABLE class=main-table cellPadding=0 cellSpacing=6 align=center><TR><TD><IMG src="images/dian_ywlj.gif" alt="例句" name=word></TD></TR><TR><TD><font class="text6Green">没有找到相关例句</font></TD></TR></TABLE><TABLE class=main-table cellPadding=0 cellSpacing=6 align=center><TBODY><TR><TD><IMG src="images/04.gif"><BR><BR></TD></TR><TR><TD class="text6"><p class="wz wz-en"> Liu Xie's attitude to humor literature.out of subjective and objective reasons, was contemptuous;he excessively emphasized the instructive value of humor literature but ignored its, entertaining value and emotional value;his summary of the humor literature in his time was not all round,because he rejected comicalities and jokes;he disdained the personality of humorists;his attitude strengthened the vigour of Confucian literature theory,humor literature was then excluded out of the main stream of the creation... </p><p class="wz wz-en-all">Liu Xie's attitude to humor literature.out of subjective and objective reasons, was contemptuous;he excessively emphasized the instructive value of humor literature but ignored its, entertaining value and emotional value;his summary of the humor literature in his time was not all round,because he rejected comicalities and jokes;he disdained the personality of humorists;his attitude strengthened the vigour of Confucian literature theory,humor literature was then excluded out of the main stream of the creation of classic literature,thus the creation of humor Liter ature, humor literature theory and criticism were all impeded by his viewpoints.</p></TD></TR><TR><TD class="text6"><p class="wz wz-zh">刘勰出于主、客观多方面的原因对幽默文学持的是轻视的态度 ;他过于强调文学的教化作用而忽视其娱乐价值和情绪价值 ;他对当时已初具规模的幽默文学现象的概括是不全面的 ,对纯粹逗笑的笑话幽默一味排斥 ;他对性格机智诙谐的幽默家的人格持鄙视态度 ;其幽默<font color=red >文学批评观</font>助长了儒家载道文学观的声势 ,进一步把幽默创作推到俗文学和民间文学的阵营里去 ,不仅阻碍了后世正统文人参与幽默文学创作的实践 ,也妨碍了幽默文学理论和批评的发展</p></TD></TR><TR><TD class="text6"><p class="wz wz-en"> This paper retrospects evolution of structuralism in 20th century, and especially discusses its impact on French modern literary criticism. As a new methodology on knowing an object, throwing out traditional normative criticism,it considers literature as a semiologic system, and requires to make descriptive so analysis of all functional relations between elements inside this system. The author appreciates its contributions in searching for the aesthetic laws of literature and points out its shortcomings and... </p><p class="wz wz-en-all">This paper retrospects evolution of structuralism in 20th century, and especially discusses its impact on French modern literary criticism. As a new methodology on knowing an object, throwing out traditional normative criticism,it considers literature as a semiologic system, and requires to make descriptive so analysis of all functional relations between elements inside this system. The author appreciates its contributions in searching for the aesthetic laws of literature and points out its shortcomings and limits.</p></TD></TR><TR><TD class="text6"><p class="wz wz-zh">本文回顾了 2 0世纪结构主义思潮的起源和发展 ,讨论了结构主义的主要理论主张及其对法国现代文学批评理论的影响。并试对这种新的<font color=red >文学批评观</font>和方法论进行评价。在现代语言学和人类学的发展中获得了阐释的结构主义思想 ,作为一种关于对象的认识论和方法论 ,对传统的规范性批评提出了挑战。它认为文学是一个独立的能指符号系统 ,只有通过对其内部各种形式结构之间功能关系进行描述性分析 ,才有可能说明文学的本质和规律。这种思想对法国当代文学批评产生了深刻影响。作者对这种方法论探讨的积极意义给予了肯定 ,认为这将有助于最终说明文学的美学规律 ,同时也指出了其不足与局限。</p></TD></TR><TR><TD class="text6"><p class="wz wz-en"> Chinese American woman writer Maxine Hong Kingston's works have far\|reaching significance in countering mainstream culture with her “marginalized” culture and are capable of interpretation from different viewpoints. This essay examines her two representative works, Women Warrior and China men, from the feminist perspectives: 1) Equality between the sexes has always been one of the permanent subjects in feminism; 2) Construction of the female power and subversion of positions between men and women has been a... </p><p class="wz wz-en-all">Chinese American woman writer Maxine Hong Kingston's works have far\|reaching significance in countering mainstream culture with her “marginalized” culture and are capable of interpretation from different viewpoints. This essay examines her two representative works, Women Warrior and China men, from the feminist perspectives: 1) Equality between the sexes has always been one of the permanent subjects in feminism; 2) Construction of the female power and subversion of positions between men and women has been a creative dimension in the development of feminist literature in contemporary literature; 3) The original use of the feminist writing technique “quilting” is successful in Kingston's works.</p></TD></TR><TR><TD class="text6"><p class="wz wz-zh">华裔美国作家玛克辛·洪·金斯敦的作品用“边缘”文化抗衡主流文化 ,意蕴深邃。其女性主义<font color=red >文学批评观</font>主要体现在三个方面 :其一 ,男女平等是女性主义文学永恒的主题 ;其二 ,建构女性权威 ,主张男女地位错置是对女性主义发展新阶段的创见 ;其三 ,女性主义的写作手法———缝制百衲被在作品中的成功运用</p></TD></TR><TR><TD> <script type="text/javascript">getWzSwitch();</script></TD></TR><TR><TD align=right><a href="dict_result.aspx?m=m&style=&searchword=%e6%96%87%e5%ad%a6%e6%89%b9%e8%af%84%e8%a7%82&tjType=article" class="textlink9" )"><< 更多相关文摘</a>    </TD></TR></TBODY></TABLE><TABLE 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