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话剧
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  drama
    The Influence of Western Culture on Cao Yu's Drama
    浅谈西方文化对曹禺话剧的影响
短句来源
    1907-1917:Literator-Scenarists' Effect on the Formation of Early Drama
    1907-1917:文人编剧在早期话剧成型过程中的作用
短句来源
    Cao Yu's Plays and the Awakening of the Sense of Chinese Drama
    曹禺剧作与中国话剧意识的觉醒
短句来源
    A Study on Language Art of "17 Years" Mongol Modern Drama Literature
    “17年”蒙古话剧文学语言艺术研究
短句来源
    Drama “Thunder Storm”, written by Cao Yu in 1933, is one of the modernclassical Chinese dramas.
    1933年曹禺先生创作的话剧《雷雨》,是中国现代话剧经典之作,自它问世以来,就引起了广泛的研究和争议。
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  modern drama
    A Study on Language Art of "17 Years" Mongol Modern Drama Literature
    “17年”蒙古话剧文学语言艺术研究
短句来源
    A research into modern drama and the inovation of traditional opera
    新时期话剧与戏曲革新探索述论
短句来源
    Looking closely at soul, Analysing humanity: First party on the creative style of Li Jian wu's modern drama
    审视灵魂 剖析人生——李健吾话剧创作风格论之一
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    Contrast and Absorb:relationship between modern drama and traditional opera
    参照与借鉴:现代话剧与戏曲的关系
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    From“Family with Four Generations Living Together Under One Roof” to“Tea House” —A Brief Discussion on the Communication Between Lao Shi’s Works of Fiction and Modern Drama
    从《四世同堂》到《茶馆》——浅谈老舍小说和话剧之间的沟通
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  spoken drama
    Hence, some typical Chinese modernistic dramas and their authors, the esthetic realization and esthetic character of esthetic modernity of Chinese spoken drama were fully discussed.
    其次,本文选取了有代表性的中国现代主义剧作家及其剧作,通过具体的分析、论述,来阐明中国话剧审美现代性的美学特色。
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    Since the birth of huaju (spoken drama) in China in the early 20th century, drama translation has played an important role in Chinese theatrical circles.
    自20世纪初话剧在中国诞生之时起,戏剧翻译在中国话剧史上就一直占据了非常重要的地位。
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    Therefore, Cao Yu's writing practice and aesthetic thought, his mysterious rise and rapid fall, his 'realism should not become such reality', have turned out to be a historical testimony of the 100-year-history Chinese spoken drama as well as the most valuable wealth of Chinese theater today.
    正是在这个意义上 ,曹禺的创作实践和美学思想 ,他的神话般崛起和迅速湮没 ,他的“现实主义 ,不能那么现实”的原则 ,才成为中国话剧兴衰成败百年沧桑的历史见证 ,成为今日中国戏剧至为宝贵的精神财富
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  “话剧”译为未确定词的双语例句
    Psychological Tunnel and Impression Overlapping──Director's Elaboration of the Play "I Love Mozart
    心理隧道与印象叠加──话剧《我爱莫扎特》导演阐述
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    On the Mode of Political Thinking of Modern Chinese Dramatists
    论中国现代话剧作家的政治思维定势
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    China's Modern Dramas in Recent Forty Years
    中国现代话剧40年
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    On Modernism of Cao Yu's Early Dramas
    试论曹禺早期话剧中的现代主义
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    A Brief Exposition of New-Period Stage Plays
    新时期话剧简论
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  drama
The present paper deals with chemometric interpretation of soil analysis data collected from 31 sampling sites in the region of Kavala and Drama, Northern Greece.
      
Factitious impairment of stance and gait was studied in 13 healthy drama students.
      
But it is possible that ethical principles of good decision-making fall victims to the drama of the story.
      
Sharing Feyerabend's criticism of epistemological "naturalism" the author argues that Brecht's drama merely reproduces the popular myth of the scientist Galilei and thus a widespread misinterpretation of the nature of science itself.
      
This possible 'spirit of deception' may be deceiving the participants in the Joban drama into pursuing the ambiguitiesof 4:17 to their logical implication in the context of Job, that Job is more righteous than YHWH.
      
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  modern drama
Buckley, Matthew S., Tragedy Walks the Streets; The French Revolution in the Making of Modern Drama
      
Toward a syntactic differentiation of period style in modern drama: Significant between-play variability in 21 english-language
      
One needs to bring so many factors into play at once that one non-traditional but more promising path might be through reflection on the modern novel-or modern drama or poetry or film or even modern painting.
      
Read orally as a class a modern drama and understand the significance of dialogue and stage directions.
      
This course will focus on the most popular mode of the early modern drama, the Revenge Tragedy.
      


Chen Baichen's satirical domeies sparkle with distinction in the creations of modern Chinese drama. From his "Congratulatoins on Getting Rich" and "People in the Age of Turmoil", to "No Urinating" and "Picture of Official Promotion", the satirical style of Chen Baichen's comedies becomes a complete system. Its basic features are sharpness, enthusiasm, brightness and pungency. These features are reflected not only in the subject matter and themes of his works, whick are full of fighting spirit of strong satire...

Chen Baichen's satirical domeies sparkle with distinction in the creations of modern Chinese drama. From his "Congratulatoins on Getting Rich" and "People in the Age of Turmoil", to "No Urinating" and "Picture of Official Promotion", the satirical style of Chen Baichen's comedies becomes a complete system. Its basic features are sharpness, enthusiasm, brightness and pungency. These features are reflected not only in the subject matter and themes of his works, whick are full of fighting spirit of strong satire to old Chinese bureaucratic politics, but also in his art style, i.e. with the structure and scenes of comedy conceptions, and by using the popular dialogue and details which are often in a cartoon style, his works present us a picture of laughable and hateful officialdom, which can be called the "Picture of Buffoon Group".

在中国现代话剧创作中,陈白尘的讽刺喜剧是独放异彩的。从《恭喜发财》、《乱世男女》,到《禁止小便》、《升官图》,陈白尘喜剧的讽刺风格渐成体系。其基本特色为:敏锐热情,明朗泼辣。这不仅体现在作品的题材与主题方面,具有鲜明强烈的讽刺旧中国官僚政治的战斗精神;也体现在艺术形式方面,通过充满喜剧情境的结构、场面,和通俗的、漫画式的语言和细节,勾画出一幅幅可笑可憎的官场“群丑图”。

This is a director's elaboration by the author who directed the play withthe title of "I Love Mozart", winner of Grade-I Director's Prize at 1995 GuangdongInternational Artist Festival. The narrative struCture, psychological structure,philosophical structure and the features of the characters are analyzed respeCtively, andbased thereon the author putS forth his plan for the treatment of visual image, acousticimage and the performance of actors for both rehearsal and performance of the play.

本文是作者为导演话剧《我爱莫扎特》所作的导演阐述(该剧参加’95广东国际艺术节获导演一等奖)。作者先对剧本的叙述结构、心理结构、哲理结构与形象特征进行了分析,并据此提出了排演该剧在视觉形象、听觉形象及演员表演等方面的处理构想。

Chinese modern drama and film are twin sisters.As a Part of modern Chinese Literature,the development of madern drama and film have the characteristics modern chinese Literature has,But It also has its own Characteristics.This works that fully Shows Characteristics and regular pattern of modern drama and film represent the highest achievement of modern Chinese drama and film.

将中国现代戏剧电影文学放到文学发展的历史长河中进行纵横交错的考察,可得出如是结论性意见:中国现代戏剧(话剧)文学和电影文学是孪生姊妹,同时诞生,同步发展,比肩走向成熟;中国现代戏剧文学和电影文学是整个中国现代文学的组成部分,有着同中国现代文学发展一致的特点和规律,也有其自身发展的独具特点和规律;集中体现中国戏剧电影文学规律、特点的剧作同时也代表了中国戏剧电影文学的最杰出的成就

 
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