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民族文化渊源
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  ethnic cultural origin
     On Kant's Educational Idea and His Ethnic Cultural Origin
     论康德德育思想及其民族文化渊源
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  ethnic culture origin
     Probing Into the Ethnic Culture Origin of Deng Xiaoping's Idea of Civilization
     邓小平文明观的民族文化渊源探析
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  “民族文化渊源”译为未确定词的双语例句
     The National Culture Origins of the Modern Lanaguage Style
     现代语体的民族文化渊源
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     Analyze and probe cultural origins of Mao Zedong thought of building an honest and clean government
     试析毛泽东廉政建设思想的民族文化渊源
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     A Tentative Study of the National Cultural Origin of Tolstoy' s ldeology
     试论托尔斯泰思想的民族文化渊源
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     In chapter two, to further investigate the relations between the inheritances and transitions of ethnical Pictorial Symbols, the author have done a detailed evaluation of the components of culture inherence;
     第二章从民族文化渊源入手分析各主要族群的文化延续要素,从族群内部不同文化发展形态的对比研究,解析民族传统文化延续的直线和曲线形式的复杂性,深入论述延续与变迁的关系。
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     This paper tries to elaborate on Qian's achievements in his study of the Shoushi Calendar from its historical inevitability of emergence, its brilliant merits and its profound basis in China's national culture.
     该文试从《授时历》诞生的历史必然、辉煌成就及民族文化渊源等方面,论述钱先生对《授时历》研究的贡献。
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     The National Culture Origins of the Modern Lanaguage Style
     现代语体的民族文化渊源
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     Language Origin of the "Deutsch" National Culture
     德意志民族文化的语言渊源
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     A Tentative Study of the National Cultural Origin of Tolstoy' s ldeology
     试论托尔斯泰思想的民族文化渊源
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     Cultural Origins of Sustainable Development
     可持续发展的文化渊源
     Research on Japanese National and Cultural Origin
     日本民族文化渊源考略
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Qian Baocong, a well-known specialist on the history of mathematics and astronomy, enjoys great fame among historians of science and technology both in China and in other countries. This paper tries to elaborate on Qian's achievements in his study of the Shoushi Calendar from its historical inevitability of emergence, its brilliant merits and its profound basis in China's national culture.

钱宝琮先生是我国著名的数学史和天文学史专家,在国内外科技史界享有盛誉。该文试从《授时历》诞生的历史必然、辉煌成就及民族文化渊源等方面,论述钱先生对《授时历》研究的贡献。

Sayings appear in all the languages of diff erent nations.Rooted in various soil,saying of each language has it special character distinguished from the others.When doing traslations of syaings,we should lay stress on the information contained in them, instead of the outer features of the sentences.We must find out those sayings of the same meaning in another language.Only when we find out the common points of different nations' cultures,can we introduce those set phrases to the readers of another language clearly...

Sayings appear in all the languages of diff erent nations.Rooted in various soil,saying of each language has it special character distinguished from the others.When doing traslations of syaings,we should lay stress on the information contained in them, instead of the outer features of the sentences.We must find out those sayings of the same meaning in another language.Only when we find out the common points of different nations' cultures,can we introduce those set phrases to the readers of another language clearly and properly.

各民族语言中的习语 (俗语 )皆有特定的民族习俗背景和民族文化渊源 ,习语的翻译应注意“信息”的准确转达 ,故宜译成与另一民族语言意思相同或相近的习语 (俗语成语 ) ,而不宜字字对译。习语翻译要更多地寻找不同民族文化、语言中的共同之处 ,才能把源自不同民族文化土壤的成语典故 ,清楚明白地介绍给读者

There are almost 3 levels of meaning when butterfly becomes the poetic image in the vision of poets. Firstly, it is the essential factor that constitutes the natural scenery of the poem. Secondly, as an image, it has two typical forms in the Chinese culture: the original meaning of the Ci poem of "Die Lian Hun "which gives personalized meaning to the intimate relation of butterfly and flower. The popular story of Lang Shan-bo and Zhu Ying-tai, in which the plot "Hua Die" ( one becomes a butterfly) implies eternal...

There are almost 3 levels of meaning when butterfly becomes the poetic image in the vision of poets. Firstly, it is the essential factor that constitutes the natural scenery of the poem. Secondly, as an image, it has two typical forms in the Chinese culture: the original meaning of the Ci poem of "Die Lian Hun "which gives personalized meaning to the intimate relation of butterfly and flower. The popular story of Lang Shan-bo and Zhu Ying-tai, in which the plot "Hua Die" ( one becomes a butterfly) implies eternal love. These two forms represent the love between lovers or, relatives. Thirdly, all kinds of experience and reflections about the relationship between man and nature, man and society, or person and person. This kind of love is deducted from the philosophy of Zhuang Zhou Dreams of Becoming a Butterfly". Varied images of butterfly constitute a colorful poem of a new style under the pen of a poet with different cultural backgrounds, conceptions of poetry ideas and personality.

蝴蝶进入诗人的视野,而后化为诗歌意象,大体有三个层面:1它是诗境中构成自然景观的要素;2.作为一种意象,在民族文化的渊源里,可以找到两个典型的原型,其一.“蝶恋花”词牌的初创意义,即赋子蝶与花之间的密切关系以人格化的意义;而广泛流传的梁祝故事中的浪漫的“化蝶”情节的内涵则蕴含了至死不渝的爱情的意义。这两种文化原型代表了源远流长的关于爱情、亲情和人情的精神。3.从“庄周梦蝶”的哲学思想中演绎出来的关于人与自然、人与社会、人与人的关系的种种体验与感悟.丰富的蝴蝶意象在具有不同文化背景诗学理念和个性的诗人笔下,构成新诗中色彩斑斓的诗篇。

 
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