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   视听 在 戏剧电影与电视艺术 分类中 的翻译结果: 查询用时:0.016秒
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视听
相关语句
  audiovisual
    A brief discussion of the characteristic service of audiovisual art of movies and televisions in libraries of colleges and universities
    浅析高校视听影视艺术的特色服务
短句来源
    Up to end of the year 2001,the TV coverage reached 94.1% in Mainland China, which has formed the largest audiovisual market all over the world.
    截止2001年底,中国大陆电视覆盖率达94.1%。 形成世界上最为庞大的视听市场。
短句来源
    the 3rd chapter analyze the formation mechanism of his suspense, here I'm going to analyze it from three ways: the makeup methods of the plot and subject , the special figural disposal and the composing elements of audiovisual language;
    第三章进一步讨论希氏电影悬念的构成机制,主要从情节主题的结构方法、人物形象的特殊处理和视听语言的构成元素三个角度进行分析;
短句来源
    As direct creator of audiovisual image, how Cameraman carry on aesthetic chouse accurately and quickly , how Cameraman use the abundant movie & TV language and skill to create the integrative audiovisual image , which has become a heavy difficult point of creating TV documentary work.
    摄像师作为视听形象的直接创造者,如何在拍摄现场快速而准确的进行审美选择,使用丰富的影视语言和表现技巧,创造出视听一体的形象,成为电视纪实作品创作的一大难点。
短句来源
    dialogue". Meanwhile, this kind of \!dialogue" actually is also a collision between the two forms of art and the two forms of dissemination intermediary, between the evident distance from written language form to audiovisual form.
    同时 ,由于文字语言思维与视听语言思维本身存在的差异 ,“对话”事实上也是两种艺术形式、两种传播媒介之间的碰撞。
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  “视听”译为未确定词的双语例句
    The Aesthetic Characteristic of the Verisimilitude and Motility of the Action AV Media and Its Artistic Forms
    动像视听传媒及其艺术形式的逼真性和运动性美学特征
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    Visual Feast of the Orient Chivalry:The Chivalry World under Post-modernity View
    东方武侠的视听盛宴——试论后现代视阈下的江湖世界
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    Studies and Thoughts on Adaptation of The Red Classics
    视听话语阐释与精神传承——对“红色经典”改编剧创作研究的梳理与反思
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    The Characteristic of Native Audio-visual Art and the Studying of the Technique of Expression
    乡土视听艺术的特征及表现手法研究
短句来源
    Art of Fihm & Television and Image Video Media Displling and Promoting the Marketplace Art
    影视艺术及其动像视听传媒对市井艺术的消解与振兴
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  audiovisual
Delivering audiovisual content with MPEG-21-enabled cross-layer QoS adaptation
      
As an audiovisual medium, computer animations require superior image quality and professional soundtrack to lead audiences into their fascinating virtual world.
      
The rational weighing of criterion is not easily transmittable by television; instead, television, due to its audiovisual sensory nature, has a great potential to awaken insight into and understanding of specific situations and personal experience.
      
First, we separate commercials from news using audiovisual features.
      
A digital right management model for distribution of digital audiovisual content
      
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The musical plays an important role in Western mainstream theatre; local operas have the largest adience in China. The two have many similarities: both of them are a form of popular drama , which combines songs t dances and plays. They are highly entertaining and popular.However, they are also different in some respects:the musical is a product of the commercial society in the West and it is a typical form of metropolitan culture,which is rich in artistic techniques,pays great attention to the audio - visual...

The musical plays an important role in Western mainstream theatre; local operas have the largest adience in China. The two have many similarities: both of them are a form of popular drama , which combines songs t dances and plays. They are highly entertaining and popular.However, they are also different in some respects:the musical is a product of the commercial society in the West and it is a typical form of metropolitan culture,which is rich in artistic techniques,pays great attention to the audio - visual effects and is equally entertaining and profit- oriented. The local operas are rich in local flavours, stylized and largely dependent on the techniques and skills of actors.

音乐剧是西方主流戏剧的主要组成部分,地方戏曲在中国拥有最深厚的群众基础,两者有许多相近之处:它们都是一种大众戏剧,都熔歌、舞、剧于一体,有很强的娱乐性与通俗性。 两者的区别在于,音乐剧产生于西方商业社会,是典型的都市文化,艺术手段灵活多变,重视视听效果的整体呈现,追求观赏性与商业效益的一致。地方戏曲有很浓的乡土气,程式化程度较高,观赏价值更集中于演员的技艺表演。

To a certain extend,the passage can be termed as″the Oriental Violence Aesthetics″as well as″the Popular Aesthetics″which leads to the summarized statement how to show the variety of features of image stories,the audio-visual language,the orientation of cultural val-ue and the psychological confirmation as well,in which there are something looking very nice in China movies especially ones in Hong Kong.The author tries to find out the great difference between the western movies(especially the action films...

To a certain extend,the passage can be termed as″the Oriental Violence Aesthetics″as well as″the Popular Aesthetics″which leads to the summarized statement how to show the variety of features of image stories,the audio-visual language,the orientation of cultural val-ue and the psychological confirmation as well,in which there are something looking very nice in China movies especially ones in Hong Kong.The author tries to find out the great difference between the western movies(especially the action films in Hollywood)and the oriental ones.

本文在一定程度上沿用了对“东方暴力美学”的“通俗化唯美主义”的理解,并在此基础上,引申为中国电影(以香港动作片为主体)中暴力场面“看上去很美”背后的影像故事构成、视听语言风格、文化价值取向和心理认同等种种特征的总括性表述,并试图找到和西方电影(以美国好莱坞动作片为主体)大异其趣之处。

As a video the audio art, the movie is different from other kinds of art in the speial characteristics of its "language". It tells stories and conveys thoughts and feelings by means of pictures. And among the main ele- ments of its Picture language, composition of pictures is the most basic and important.

作为视听艺术,电影与其他艺术门类的最重要的区别在于其“语言”的独特性─—靠画面来讲述故事和传达思想,而在画面语言的诸元素中,构图又是最基础最重要的,是其核心部分。

 
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